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Evaluating the measurement of neural and behavioural correlates of musical influence during music making
(2024) -
- Journal Article
- A2
- open access
Imag(in)ing Bairam : charting image of a Turkish festival in Picart and Bernard’s Cérémonies et coutumes religieuses de tous les peuples du monde (1723–1737)
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Robert Schumann and Richard Wagner as music critics
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The main extended character in Philip Venables's 4.48 Psychosis
(2024) -
(Post)socialist dance : a search for hidden legacies
Annelies Van Assche (UGent) , Dunja Njaradi, Igor Koruga and Milica Ivic(2024) -
Conversations with Kinga : a tribute to the body and craftsmanship
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Dance? Dance studies and (post)socialist dance
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Aspects of theatricality in Picart and Bernard's Cérémonies et coutumes religieuses
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Dancing in the shadow of the Congress. Embodying Power in Brussels before and after Waterloo (1813 – 1823)
(2024) -
- Journal Article
- open access
A Cabinet of Religious Curiosities: Theatricality and Performativity in Bernard Picart’s Illustrations for the Cérémonies et coutumes religieuses de tous les peuples du monde (1723-1737)