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Scottish canon formation through annotation, or, from Ramsay to burns : making sense of the paratextual apparatuses of the Morisons' patriotic editions of literary classics
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Thomson's the seasons, textual mobility, and bibliographical inter-iconicity
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The Other Pamela: Readership and the Illustrated Chapbook Abridgement
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Literature and book history
Sandro Jung (UGent) and Stephen Colclough(2015) -
- Journal Article
- A2
- open access
Thomas Stothard, Milton and the illustrative vignette: the Houghton library designs for the royal engament pocket atlas
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- Miscellaneous
- open access
Introduction
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Illustrated Glasgow editions of Robert Burns's poems, 1800–1802
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Thomson, Macpherson, Ramsay, and the making and marketing of illustrated Scottish literary editions in the 1790s
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'The sands of Dee': its popular appeal and textual life
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William Shenstone's poetry, the leasowes, and the intermediality of reading and architectural design
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Currer Bell, Charlotte Brontë and the construction of authorial identity
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James Thomson: Oxford bibliography online
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William Collins: Oxford Bibliography Online
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'A Scotch poetical library': James Thomson, the Morisons of Perth and the Construction of an enlightenment Scottish poetic canon
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Humphry Repton's 'The bee' and Boydell's Shakespeare gallery
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James Thomson
(2014) -
James Morison : book illustration and the poems of Robert Burns (1812)
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James Thomson's the seasons, textuality, and print culture
Sandro Jung (UGent)(2013) -
Print culture and British literature
Sandro Jung (UGent)(2013) 66. -
- Journal Article
- A1
- open access
Illustrated pocket diaries and the commodification of culture
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Illustrations of Burns's poems
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- Miscellaneous
- open access
Introduction
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Introduction
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Editor's Note
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Packaging, design and colour : from fine-printed to small-format editions of Thomson's the seasons, 1793-1802
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Design, media, and the reading of Thomson's 'The Seasons'
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Image-making in James Thomson's the seasons
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Eighteenth-century poetry
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Inscribing memory: elegies to the Rev. Joseph Foord
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William Beckford's EPISODES OF VATHEK and the architecture of identity
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- Journal Article
- A1
- open access
Print culture and visual interpretation in eighteenth-century German editions of Thomson's the seasons
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Print culture, marketing and Thomas Stothard's illustrations for the royal engagement pocket atlas
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The illustrated pocket diary-cum-almanac: generic continuity and innovation, 1820-1840
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A possible source for Thomson's 'Damon and Musidora'
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Experiments in genre in eighteenth-century literature
Sandro Jung (UGent)(2011) -
Margaret Cavendish's mythopoetics
Sandro Jung (UGent)(2011) 92. -
- Journal Article
- A1
- open access
Early eighteenth-century Scottish funeral elegies, memorialization, and the ephemeral
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The architectural design of Beckford's Vathek
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The politics of improvement in Thomas Holcroft's Anna St. Ives
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- Journal Article
- A1
- open access
William Hymers and the editing of William Collins’s poems, 1765–1797
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Print culture, high-cultural consumption, and Thomson's the seasons, 1780-1797
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Thomson's the seasons and the tragic-sentimental verse tale, 1728-1764
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Knowledge economies in Agnes Grey
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The eighteenth-century
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Thomas Stothard's illustrations for The Royal Engagement Pocket Atlas, 1779-1826
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Inventing the long poem
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The visual 'life' of James Thomson's 'the seasons', 1730-c.1800
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- Journal Article
- A1
- open access
John Ragsdale and William Collins Once Again
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- Journal Article
- A1
- open access
Margaret Cavendish's mythopoetics: by way of introduction
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Margaret Cavendish's body of knowledge
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- Book Editor
- open access
Elizabeth Gaskell: Victorian culture, and the art of fiction: essays for the bicentenary
Sandro Jung (UGent)(2010) -
'Villette' in context
Sandro Jung (UGent)(2010) 35 (2). -
Margaret Connor, ‘The Three Dr Clarksons: A Brontë Link’, Studies in Hogg and His World, 17 (2006), pp. 131–38
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- Book Chapter
- open access
Liminal femininity in Gaskell's Mary Barton and wives and daughters
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Reading Eighteenth-Century Poetry
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Steve Newman, Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New Criticism. Philadelphia: Pennsylvania, 2007
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The appropriation of Prometheus in the writings of thepatriot opposition to Walpole
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Painterly 'readings' of The Seasons, 1766-1829
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William Collins and haplotes
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Visual interpretations, print, and illustrations of Thomson's the seasons, 1730-1797
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Curiosity, surveillance and detection in Charlotte Bronte's villette
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Sensibility, the servant and comedy in Radcliffe’s The mysteries of Udolpho
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The Fragmentary Poetic: Eighteenth-Century Uses of an Experimental Mode
(2009) -
Thomson's winter, the Ur-text, and the revision of the seasons
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Salomon Gessner and Collins's Oriental Eclogues
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“Staging” an Anglo-Scottish Identity: The Early Career of David Mallet, Poet and Playwright, in London, 1723–39
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Acting and Performativity in Wilkie Collins’s Armadale
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William Newton: Anna Seward’s 'Peak Minstrel'
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Sarah Pearson’s Gothic Verse Tales
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Wordsworth and Collins
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Richard Savage’s Hag
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New verse by Joseph Warton
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Shenstone, woodhouse, and mid-eighteenth-century poetics: genre and the Elegiac-Pastoral landscape
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Milton’s 'l’allegro' and Collins’s 'ode on the poetical character'
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Melancholy, mythopoeia and the hymnal impulse
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Nineteenth-Century Textuality: Essays in Honour of Paul Bellaby
Sandro Jung (UGent)(2008) -
Fielding’s Poet-Patriot and the Miscellanies Poems
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David Mallet and Barton Booth
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David Mallet, Anglo-Scot: Poetry, Patronage and Politics in the Age of Union
(2008) -
Synthesising Difference: Charlotte Brooke’s Reliques of Irish Poetry, the Construction of Ireland and the Politics of the Literary Collection
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Joseph Mitchell (c.1684–1738): Anglo-Scottish Poet
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The “New” Woman in the Late Eighteenth-Century Novel: Miss Fluart and Coquetry in Robert Bage’s Hermsprong (1796)
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Joseph Warton’s “Ode to Fancy” and the Descriptive-Allegoric Ode
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Spirituality in the Gothic Novel: Ann Radcliffe’s The Italian (1797)
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Special Issue on Eighteenth-century Poetry
Sandro Jung (UGent)(2007) 20.4. -
Special Issue on Thomas Otway
Sandro Jung (UGent)(2007) 21.1-2. -
An Unnoticed "Review" of Mallet's The Excursion
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Pat Rogers, Pope and the Destiny of the Stuarts: History, Politics, and Mythology in the Age of Queen Anne
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William Collins's "Ode to Simplicity" and the Tail-Rhyme Stanza
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William Collins and the Goddess Natura
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William Collins’s Odes, Description, and the “Silent Eye”
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Rewriting Heroic Tragedy: Samuel Derrick’s “Remarks on Venice Preserv’d”
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Some notes on Le Sage's 'Gil Blas' and James Thomson's 'Tancred and Sigismunda' (Alain Rene Le Sage)
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Generic Hybridity and Structural Technique in James Thomson’s Spring
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The body of guilt in Coleridge's 'Rime of the Ancient Mariner' (1798) (Samuel Taylor Coleridge)
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William Collins, Grace and the “cest of amplest power”
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Brontë’s Jane Eyre, the Female Detective and the “Crime” of Female Selfhood
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Idleness Censured and Morality Vindicated: Johnson’s “Lives” of Shenstone and Gray
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Updating Summer, or, Revising and Recomposing The Seasons
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A Poet with a “bad Ear”? Reflections on the Harmony of William Collins’s Ode to Evening
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Epic, Ode, or Something New: The Blending of Genres in Thomson’s Spring
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The truth of taste and beauty and the production and judgment of art: John Gilbert Cooper's letters concerning taste (1754)
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August von Kotzebue’s Realism and Societal Satire in Die deutschen Kleinstädter
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Hermogenes as a Possible Source for William Collins’s “sweetness”
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An Unpublished Letter by Percival Stockdale
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William Collins and the “zone”
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David Mallet and Thomas Percy
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David Mallet and David Garrick
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A Possible Source for Horace Walpole’s “Otranto”
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Sir Arthur Conan Doyle’s Sir Nigel and the Cervantine Notion of “Honour”
(2006) La huella de Cervantes y del Quijote en la cultura anglosajona. In Centro Buendia 82. p.209-216 -
Lady Randolph, the “monument of woe”: Love and Loss in John Home’s Douglas
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- Journal Article
- A2
- open access
Hymnal Elements in Wordsworth’s “Tintern Abbey”
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Form versus Manner: The Pindaric Ode and the “Hymnal” Tradition in the Mid-Eighteenth Century
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Susanna Pearson’s and the “Elegiac” Lyric
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Johnson’s Dictionary and the Language of William Collins’s Odes on Several Descriptive and Allegoric Subjects
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Overcoming tyranny: love, truth and meaning in Shelley's 'prometheus unbound'
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Selected Poems by William Shenstone, edited with a critical introduction by Sandro Jung
Sandro Jung (UGent)(2005) -
David Mallet and Lord Bolingbroke
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William Mason and Count Francesco Algarotti: Two New Letters
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Collins’ ‘Ode to Evening’ (and “to rove”)
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Unnoticed Echoes of Collins’s Ode to Evening in Mary Whateley’s “Elegy on the Uses of Poetry”
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Post-Augustan Nature in William Collins's Ode to Evening (1746)
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Mallet’s Version of St. Kilda in Amyntor and Theodora (1747)
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John Gilbert Cooper’s Revisions of The Tomb of Shakespear: A Vision
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“O think in what sweet lays, how sweetly strong / Our Fairfax warbles Tasso’s forcefull Song”: William Collins and Edward Fairfax
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John Gilbert Cooper’s The Tomb of Shakespear: An Edition
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"Night” in the Long-Poems of Mallet, Savage and Thomson
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The Works of Aaron Hill, Critically Introduced by Sandro Jung
Sandro Jung (UGent)(2004) -
New Light on David Mallet (Literary career and involvement with the Government party)
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David Mallet and George Lyttleton: New Letters
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David Mallet and Edward Jerningham: A New Letter
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Some Notes on William Mason and His Use of the “Hymnal” Ode
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Thomas Love Peacock’s 'Mr Asterias' reconsidered
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“In Quest of Mistaken Beauties”: Samuel Johnson’s “Life of Collins” Reconsidered
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Klopstock’s Reception and Reworking of Ossian in Hermanns Schlacht
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Love, Honour and Duty in James Thomson’s Tancred and Sigismunda (1745)
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William Shenstone and “Flattery”
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William Collins: New Perspectives
Sandro Jung (UGent)(2003) -
Mid-eighteenth-century literary coterie culture: William Collins and others
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George L. Justice and Nathan Tinker eds., Women’s Writing and the Circulation of Ideas: Manuscript Publication in England, 1550–1800 (2002)
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'Sweetness' in the poetry of William Collins
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Silence in early eighteenth-century poetry: Finch, Akenside, Collins
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Some additions to the Shenstone Canon
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Two new poems by Anna Seward
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Some Notes on the Hellenism of Mary Robinson’s Odes
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The Language(s) of hierarchy in Daniel Defoe's Robinson Crusoe
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William Collins and the 'new' lyric
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The Works of David Mallet, with a Critical Introduction by Sandro Jung
Sandro Jung (UGent)(2002) -
The Descriptiveness of James Thomson’s Winter (1726) and the Early Eighteenth-Century “Winter” Poem
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Poetic Meaning in the Eighteenth-Century Poems of Mark Akenside and William Shenstone
(2002) -
Robin Dix ed. Mark Akenside: A Re-Assessment (2000)
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John Dyer
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Conflicting values in Charlotte Smith’s the old manor house
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William Collins’s Ode to Evening and R.L. Edgeworth
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William Shenstone and Mrs Jane Bennet again
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William Collins's 'On Hercules' reconsidered
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The Discourse(s) of Identity: Englishness, Irishness and Jewishness in Maria Edgeworth’s Castle Rackrent (1800)
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Mentorship and “Patronage” in Mid-Eighteenth-Century England: William Shenstone Reconsidered
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The poetic fragment in the eighteenth century
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Literary Forgery and the Fragment in the Eighteenth Century: West and Macpherson
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Mark Akenside: a letter reconsidered
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William Shenstone: the school-mistress
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John Dyer: Grongar Hill
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Thomas Gray: elegy written in a country church-yard
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Innovation and Tradition in the Eighteenth Century
Sandro Jung (UGent)(2001) -
William Shenstone and James Thomson: a new poem
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Towards a Rhetoric of the visual, or 'ut pictura poesis' in Gay and Collins
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The Visuality of Personification in Richard Savage’s The Wanderer: A Vision (1729)
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The “Beggar” in Augustan and Romantic Poetry: King, Moss, Wordsworth
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Charles Kingsley, romanticism and 'the sands of dee'
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‘Forming Thought and Feasting Sense’: The Compositions of John Dyer
(2000) -
Die Ästhetik homoerotischer Liebe: zur Deutung von Thomas Grays Sonnet to Richard West
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William Collins and ‘The Poetical Character’: Originality, Original Genius and the Poems of William Collins
(2000) -
William Collins, the 'poor neglected bard'
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Some Notes on the “Single Sentiment” and Romanticism of Charlotte Smith