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Auspicious statues 瑞像
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The seventh art? Art cinema and Ingmar Bergman from an audience perspective
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The medieval Vitruvius
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Art and domestic space : continuity and change in private collectors’ interiors in Belgium, c. 1830-1930
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Was ich nicht erklären kann, das sehe ich als kultisch an : Gedanken zu den Syrischen Siegeln der Gruppe 'Rituel de Haute Syrie'
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Michelin’s illustrated guide to the battlefields of the Yser and the Belgian coast (1920) : guidebook, field manual or architectural compendium?
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Colonial policing and urban space in the notorious Commune Rouge of Lubumbashi, Democratic Republic of Congo
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The messenger, the psychopompos and the medium : ancient techniques of de-personalization and deception in Jean Cocteau's Film ‘Orphée’ (1950)
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André Bloc and the architecture-sculpture debate
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The other panicking audience : a new cinema history approach to early cinemagoing, cinema fires, disasters and panics