Ghent University Academic Bibliography

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Guerrilla warriors on the Brooklyn Bridge: a case-study of the Unbearables' poetic terrorism (1994-2001)

Katrien Bollen (UGent)

(2012) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 60(2). p.155-172
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Introduction

Ingo Berensmeyer (UGent) , Gert Buelens (UGent) and Marysa Demoor (UGent)

(2012) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 60(1). p.1-3
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Scott's Minstrelsy and Victorian Ballad anthologies: authorship, editing, and authority

Yuri Cowan (UGent) and Marysa Demoor (UGent)

(2012) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 60(1). p.47-63
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Authorship as cultural performance: new perspectives in authorship studies

Ingo Berensmeyer (UGent) , Gert Buelens (UGent) and Marysa Demoor (UGent)

(2012) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 60(1). p.5-29
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Ditransitive verbs and the ditransitive construction: a diachronic perspective

Timothy Colleman (UGent)

(2011) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 59(4). p.387-410
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'Remember, or now know': Chang-rae Lee's Native Speaker and the politics of melancholia

Pieter Vermeulen (UGent)

(2010) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 58(2). p.143-158
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Staging restoration England in the post-heritage theatre film: Gender and power in 'Stage Beauty' and The 'Libertine'

Ingo Berensmeyer (UGent)

(2008) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 56(1). p.13-30
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Visualised incomprehensibility of trauma in Jonathan Safran Foer's 'Extremely Loud and Incredibly Close'

Sien Uytterschout (UGent)

(2008) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 56(1). p.61-74
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"Who lets a big question upset his small, safe world"? British postmodern realism and the question of ethics

Stef Craps (UGent)

(2006) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 54(3). p.287-298
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Opening the gates of pandemonium: Simulacra of apocalypse in Nathanael West's A 'Cool Million' and The 'Day of the Locust'

Ingo Berensmeyer (UGent)

(2004) ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK. 52(2). p.153-166

Academic Bibliography

Guerrilla warriors on the Brooklyn Bridge: a case-study of the Unbearables' poetic terrorism (1994-2001)

Introduction

Scott's Minstrelsy and Victorian Ballad anthologies: authorship, editing, and authority

Authorship as cultural performance: new perspectives in authorship studies

Ditransitive verbs and the ditransitive construction: a diachronic perspective

'Remember, or now know': Chang-rae Lee's Native Speaker and the politics of melancholia

Staging restoration England in the post-heritage theatre film: Gender and power in 'Stage Beauty' and The 'Libertine'

Visualised incomprehensibility of trauma in Jonathan Safran Foer's 'Extremely Loud and Incredibly Close'

"Who lets a big question upset his small, safe world"? British postmodern realism and the question of ethics

Opening the gates of pandemonium: Simulacra of apocalypse in Nathanael West's A 'Cool Million' and The 'Day of the Locust'

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