Ghent University Academic Bibliography

Your filters: cql: parent exact "Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967"

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Tracing the origins of Fugitive Cinema

Liesje Baltussen and Gertjan Willems (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.238-255
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From national to regional film support : Belgian film production policy in the post-war era (1945–1967)

Gertjan Willems (UGent) and Alexander De Man (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.58-73
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Introduction : cinema in post-war Belgium

Bjorn Gabriels, Gertjan Willems (UGent) and Bénédicte Rochet

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.16-55
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Silver screens, gendered lenses : age and gender in post- war Belgian fiction films

Femke De Sutter (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.319-337
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Flemish popular comedies : Edith Kiel, Jan Vanderheyden, and the Antwerp Film Company AFO, 1952–1961

Dirk Van Engeland, Roel Vande Winkel and Gertjan Willems (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.170-187
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Concentric spheres of control : on film censorship and discipline during the Belgian Trente Glorieuses

Daniël Biltereyst (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.75-91

Academic Bibliography

Tracing the origins of Fugitive Cinema

From national to regional film support : Belgian film production policy in the post-war era (1945–1967)

Introduction : cinema in post-war Belgium

Silver screens, gendered lenses : age and gender in post- war Belgian fiction films

Flemish popular comedies : Edith Kiel, Jan Vanderheyden, and the Antwerp Film Company AFO, 1952–1961

Concentric spheres of control : on film censorship and discipline during the Belgian Trente Glorieuses

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Tracing the origins of Fugitive Cinema

From national to regional film support : Belgian film production policy in the post-war era (1945–1967)

Introduction : cinema in post-war Belgium

Silver screens, gendered lenses : age and gender in post-­ war Belgian fiction films

Flemish popular comedies : Edith Kiel, Jan Vanderheyden, and the Antwerp Film Company AFO, 1952–1961

Concentric spheres of control : on film censorship and discipline during the Belgian Trente Glorieuses

Silver screens, gendered lenses : age and gender in post- war Belgian fiction films