Ghent University Academic Bibliography

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Research through a camera lens : a rhizomatic search for Lode’s Code

Marieke Vandecasteele (UGent) , Elisabeth De Schauwer (UGent) , Inge Blockmans (UGent) and Geert Van Hove (UGent)

(2019) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 33(1). p.30-43
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Participation, art and digital culture

Kris Rutten (UGent)

(2018) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 32(3).
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A different point of view : women's self-representation in instagram's participatory artistic movements @girlgazeproject and @arthoecollective

Ana Sofia Pereira Caldeira (UGent) , Sofie Van Bauwel (UGent) and Sander De Ridder (UGent)

(2018) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 32(3). p.26-43
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Embodied, participatory sense-making in digitally-augmented music practices : theoretical principles and the artistic case “SoundBikes”

Pieter-Jan Maes (UGent) , Valerio Lorenzoni (UGent) , Bart Moens (UGent) , Joren Six (UGent) , Federica Bressan (UGent) , Ivan Schepers (UGent) and Marc Leman (UGent)

(2018) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 32(3). p.77-94
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- Miscellaneous
Participation, art and digital culture : introduction

Kris Rutten (UGent)

(2018) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 32(3). p.1-8
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'No strings attached' : exploring the relationship between anthropology and contemporary arts

Kris Rutten (UGent)

(2017) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 31(2).
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No strings attached : exploring the relationship between anthropology and contemporary arts

Kris Rutten (UGent)

(2017) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 31(2). p.1-11
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“Do you speak my neighbourhood?” Language, technology, and proximity

Peter Westenberg and Kris Rutten (UGent)

(2017) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 31(2). p.110-126
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Art, ethnography and practice-led research

Kris Rutten (UGent)

(2016) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 30(3). p.295-306
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'A singer is a group': creating a ‘researcher template’ to uncover complexities in the participatory arts project rocsa singers

Evelyne Deceur (UGent) , Griet Roets (UGent) , Kris Rutten (UGent) and Maria De Bie (UGent)

(2016) CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. 30(3). p.357-375

Academic Bibliography

Research through a camera lens : a rhizomatic search for Lode’s Code

Participation, art and digital culture

A different point of view : women's self-representation in instagram's participatory artistic movements @girlgazeproject and @arthoecollective

Embodied, participatory sense-making in digitally-augmented music practices : theoretical principles and the artistic case “SoundBikes”

Participation, art and digital culture : introduction

'No strings attached' : exploring the relationship between anthropology and contemporary arts

No strings attached : exploring the relationship between anthropology and contemporary arts

“Do you speak my neighbourhood?” Language, technology, and proximity

Art, ethnography and practice-led research

'A singer is a group': creating a ‘researcher template’ to uncover complexities in the participatory arts project rocsa singers

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