Ghent University Academic Bibliography

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- Conference Paper
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La Difesa delle Lavoratrici (1912-1925) : the epitome of (socio)political commitment?

Eline Batsleer (UGent)

(2025) NeMLA's 56th Annual Convention, Abstracts.
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The rise of the neo-avant-garde : a visual network analysis of Flemish literary magazines (1949–1959)

Jan Lampaert (UGent)

(2025) INTERNATIONAL JOURNAL OF DIGITAL HUMANITIES. 6(3). p.335-367
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Will spectators always be spectators? 'For everything to remain the same, everything must change'

Giulia Coppi (UGent)

(2024) Leeds Library Postgraduate Workshop, Abstracts.
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Positioning Peanuts : Linus, Charlie, and the making of auteur comics magazines in Italy and France (1965-1975)

Giorgio Busi Rizzi (UGent) and Sara Zanetti

(2024) Digital Humanities Benelux 2024 Conference, Abstracts.
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- PhD Thesis
‘Lees onze advertenties!’ Nederlandse architectuurtijdschriften als spreekbuis en onderneming, 1929-1940

Roelof Griffioen (UGent)

(2024)
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Mapping the neo-avant-garde : visual network analysis of Flemish literary periodicals (1949-1970)

Jan Lampaert (UGent)

(2022) DH_BUDAPEST_2022, Abstracts. p.49-50
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- Book Chapter
Des relations amicales au professionnalisme : les éditeurs des revues juridiques belges (XIXe-XXIe siècles)

Sebastiaan Vandenbogaerde (UGent)

(2021) L'histoire de l'édition juridique (XVIe-XXIe siècle) : un état des lieux. p.113-130
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- PhD Thesis
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Markers and makers of tradition : the serially published modernist "Little" anthology (1912-1930)

Leah Budke

(2021)
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Editorship and modernity : the Portuguese periodical Sociedade Futura (Lisbon, 1902–1904)

Christina Bezari (UGent)

(2020) Até às Raízes da Lusofonia.
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- Book Chapter
Periodical studies, intermediality, and cinema : film in The Listener

Birgit Van Puymbroeck (UGent)

(2020) Mapping movie magazines : digitalization, periodicals and cinema history. In Global Cinema p.57-76

Academic Bibliography

La Difesa delle Lavoratrici (1912-1925) : the epitome of (socio)political commitment?

The rise of the neo-avant-garde : a visual network analysis of Flemish literary magazines (1949–1959)

Will spectators always be spectators? 'For everything to remain the same, everything must change'

Positioning Peanuts : Linus, Charlie, and the making of auteur comics magazines in Italy and France (1965-1975)

‘Lees onze advertenties!’ Nederlandse architectuurtijdschriften als spreekbuis en onderneming, 1929-1940

Mapping the neo-avant-garde : visual network analysis of Flemish literary periodicals (1949-1970)

Des relations amicales au professionnalisme : les éditeurs des revues juridiques belges (XIXe-XXIe siècles)

Markers and makers of tradition : the serially published modernist "Little" anthology (1912-1930)

Editorship and modernity : the Portuguese periodical Sociedade Futura (Lisbon, 1902–1904)

Periodical studies, intermediality, and cinema : film in The Listener

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