Ghent University Academic Bibliography

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- Book Chapter
Spectacles full of lessons or performances for posterity? The Musée Wiertz contrasted with the Musée Gustave Moreau

Maarten Liefooghe (UGent)

(2025) Antoine Wiertz (1806–65). And the Quest for Modern Genius. In XIX. Studies in Nineteenth-Century Art and Visual Culture 11. p.113-136
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A time and a place for art perception

Christopher Linden, Xinyi Xu (UGent) and Johan Wagemans

(2025) PSYCHOLOGY OF AESTHETICS CREATIVITY AND THE ARTS.
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- Issue Editor
Museums as spaces of cultural translation and transfer

Sophie Decroupet (UGent) and Irmak Mertens

(2024) BABEL. 70(5).
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- Journal Article
- A1
- open access
Conceptualizing museum translation : cultural translation, interlingual processes and other perspectives

Irmak Mertens and Sophie Decroupet (UGent)

(2024) BABEL-REVUE INTERNATIONALE DE LA TRADUCTION-INTERNATIONAL JOURNAL OF TRANSLATION. 70(5). p.593-614
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- Journal Article
- A1
- open access
Translating spaces and memories of migration : the case of the Red Star Line Museum

Anneleen Spiessens (UGent) and Sophie Decroupet (UGent)

(2023) PERSPECTIVES-STUDIES IN TRANSLATION THEORY AND PRACTICE. 31(3). p.484-504
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Distributing the exhibition : Willem Sandberg’s exhibition catalogues for the Stedelijk Museum Amsterdam (1945-1962)

Elise Dupré (UGent)

(2023) L’exposition à l’ouvrage, journées d’études internationales.
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- Issue Editor
Staging the museum = Museum scènes

Maarten Liefooghe (UGent) , Asli Çiçek (UGent) and Jantje Engels

(2022) OASE (DELFT).
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Situated tangible gamification of heritage for supporting collaborative learning of young museum visitors

Eslam Nofal, Georgia Panagiotidou, Rabee M. Reffat, Hendrik Hameeuw, Vanessa Boschloos (UGent) and Andrew Vande Moere

(2020) ACM JOURNAL ON COMPUTING AND CULTURAL HERITAGE. 13(1).
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- Journal Article
- A2
- open access
The role of tangible interaction to communicate tacit knowledge of built heritage

Eslam Nofal, Rabee Reffat, Vanessa Boschloos (UGent) , Hendrik Hameeuw and Andrew Vande Moere

(2018) HERITAGE. 1(2). p.414-436
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The amateur and the public sphere : private collectors in Brussels, Antwerp and Ghent through the eyes of European travellers in the long nineteenth century

Ulrike Müller

(2017) JOURNAL OF THE HISTORY OF COLLECTIONS. 29(3). p.423-438

Academic Bibliography

Spectacles full of lessons or performances for posterity? The Musée Wiertz contrasted with the Musée Gustave Moreau

A time and a place for art perception

Museums as spaces of cultural translation and transfer

Conceptualizing museum translation : cultural translation, interlingual processes and other perspectives

Translating spaces and memories of migration : the case of the Red Star Line Museum

Distributing the exhibition : Willem Sandberg’s exhibition catalogues for the Stedelijk Museum Amsterdam (1945-1962)

Staging the museum = Museum scènes

Situated tangible gamification of heritage for supporting collaborative learning of young museum visitors

The role of tangible interaction to communicate tacit knowledge of built heritage

The amateur and the public sphere : private collectors in Brussels, Antwerp and Ghent through the eyes of European travellers in the long nineteenth century

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