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All eyes on me : behaving as soloist in duo performances leads to increased body movements and attracts observers' visual attention
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Tempo in Baroque music and dance
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The coupling of action and perception in musical meaning formation
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The impact of the bass drum on human dance movement
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The dock-in model of music culture and cross-cultural perception
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The performance of notes inégales: the influence of tempo, musical structure and individual performance style on expressive timing
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The spatiotemporal representation of dance and music gestures using topological gesture analysis (TGA)
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Basic gestures as spatiotemporal reference frames for repetitive dance/music patterns in samba and charleston
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Sharing musical expression through embodied listening: a case study based on Chinese guqin music
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Special issue: Papers from the 10th Rhythm Perception and Production Workshop