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New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques
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- Journal Article
- A1
- open access
On the use of the unusual green pigment Brochantite (Cu-4(SO4)(OH)(6)) in the 16th-century Portuguese-Flemish paintings attributed to the master Frei Carlos workshop
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Pink! Why not? On the unusual colour of Evora Cathedral
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A multidisciplinary approach to the study of archaeological mortars from the town of Ammaia in the Roman province of Lusitania (Portugal)