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Film Commissions regionales y locales en Bélgica : un estudio de caso de Flanders
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Introduction : New histories and approaches to cinema in the Arab world
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I am Seeking Home in Turkish Films: Diasporic Families and cinema cultures in Belgium
(2023) -
Cinema in the Arab world : new histories, new approaches
Ifdal Elsaket, Daniël Biltereyst (UGent) and Philippe Meers(2023) In World Cinema -
- Journal Article
- A2
- open access
Critical reflections on Cinema Belgica : the database for New Cinema History in Belgium
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Cinema as cultural heritage : reflections on a ‘new cinema history’ project in Adana with an eye on film festival research
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A multimethod study on contemporary young audiences and their film/cinema discourses and practices in Flanders, Belgium
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- Journal Article
- A2
- open access
Comparative, entangled, parallel and ‘other’ cinema histories : another reflection on the comparative mode within New Cinema History
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- Journal Article
- A2
- open access
Moving pictures in motion : methods of geographical analysis and visualisation in comparative research on local film exhibition using a case study of Brno and Ghent in 1952
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- Book Chapter
- open access
Structured film-viewing preferences and practices : a quantitative analysis of hierarchies in screen and content selection amongst young people in Flanders
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- Journal Article
- A1
- open access
Exploring film genre preferences through taste cultures : a survey on contemporary film consumption amongst youth in Flanders (Belgium)
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- Journal Article
- A2
- open access
Mapping film programming across Post-War Europe (1952)
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Comparing historical cinema cultures : reflections on new cinema history and comparison with a cross-national case study on Antwerp and Rotterdam
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Introduction : the scope of new cinema history
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The Routledge companion to new cinema history
Daniël Biltereyst (UGent) , Richard Maltby and Philippe Meers -
- Conference Paper
- C3
- open access
Keynote : on new cinema history
(2018) -
Belgian film culture beyond the big city : cinema-going in the periphery of Antwerp
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Film, cinema and reception studies : revisiting research on audience’s filmic and cinematic experiences
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The social experience of going to the movies in the 1930s-1960s in a small Texas border town: Movie-going habits and memories of films in Laredo, Texas
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The Cultura de la Pantalla network : writing new cinema histories across Latin America and Europe
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- Book Chapter
- open access
From film policy to creative screen policies : media convergence and film policy trends in Flanders
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Memories of cinemagoing and film experience : an introduction
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Naïve and sophisticated long-term readings of foreign and national films viewed in a Mexican Northern town during the 1930-60s
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Pick, play, produce : revisiting the concept of participation through a quantitative study of film consumption practices amongst youth in Flanders (Belgium)
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(Not) going to the movies : a geospatial analysis of cinema markets in The Netherlands and Flanders (1950-1970)
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- Journal Article
- A2
- open access
New cinema history and the comparative mode: reflections on comparing historical cinema cultures
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La experiencia social histórica de asistencia al cine en Monterrey (Nuevo León, México) durante las décadas de 1930 a 1960
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Film-veiwing in Turkish and Moroccan diasporic families: a gender and place perspective
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From film policy to creative screens policies: the Flemish case
(2016) -
- Journal Article
- A2
- open access
Understanding the hobbit: the cross-national and cross-linguistic reception of a global media product in Belgium, France and the Netherlands
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Revising Hollywood's dominance : towards a comparative historical approach
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Sharing the silver screen: the social experience of cinemagoing in the Indian Diaspora
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- Journal Article
- A1
- open access
Nollywood online: between the individual consumption and the communal reception of Nigerian films among African diaspora
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Mapping film exhibition in Flanders (1920-1990): a diachronic analysis of cinema culture combined with demographic and geographic data
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From historical to contemporary film audiences: reassessing cinema, reception, convergence
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Screen(ing) audiences, questioning convergence culture
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Screen culture in a Texas-Mexico bordertown: film exhibition and programming from the 1920s to the 1960s in Laredo, Texas
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Film audiences: revisiting the structure/agency debate
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La memoria histórica del cine en Barcelona: una mirada al pasado a través de la experiencia de consumo de los espectadores
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Miscelánea sobre el entorno audiovisual en 2014
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Cinema culture in Flanders and Brussels in the Twentieth century: from picture palace to the multiplex
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La Città illuminata come 'nuova storia del cinema': un progetto di storia orale sul cinema nelle Fiandre (1925-1975)
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Young film audiences in the digital era: a case study on screen culture in Flanders-Belgium
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State of the art of the HoMER research
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Comparative cinema history research
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The social experience of going to the movies in the 1930s-1960s in a Mexican northern town : moviegoing habits and memories of films in Monterrey, Mexico
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- Journal Article
- A1
- open access
Pride and popcorn: consuming the idea of community at film screenings in the Turkish diaspora
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- Journal Article
- A2
- open access
Bollywood tracks towards and through the city: structural patterns of Hindi film culture in Antwerp (Belgium)
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Between unruliness and sociality: discourses on diasporic cinema audiences for Turkish and Indian films
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Diasporic film cultures from a multi-level perspective: Moroccan and Indian cinematic flows in and towards Antwerp (Belgium)