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Film Commissions regionales y locales en Bélgica : un estudio de caso de Flandes
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Discovering cinema typologies in urban cinema cultures: comparing programming strategies in Antwerp and Amsterdam, 1952–1972
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Introduction : New histories and approaches to cinema in the Arab world
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I am seeking home in Turkish films : diasporic families and cinema cultures in Belgium
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Cinema in the Arab world : new histories, new approaches
Ifdal Elsaket, Daniël Biltereyst (UGent) and Philippe Meers(2023) In World Cinema -
- Journal Article
- A2
- open access
Critical reflections on Cinema Belgica : the database for New Cinema History in Belgium
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Cinema as cultural heritage : reflections on a ‘new cinema history’ project in Adana with an eye on film festival research
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A multimethod study on contemporary young audiences and their film/cinema discourses and practices in Flanders, Belgium
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- Journal Article
- A2
- open access
Comparative, entangled, parallel and ‘other’ cinema histories : another reflection on the comparative mode within New Cinema History
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- Journal Article
- A2
- open access
Moving pictures in motion : methods of geographical analysis and visualisation in comparative research on local film exhibition using a case study of Brno and Ghent in 1952
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- Book Chapter
- open access
Structured film-viewing preferences and practices : a quantitative analysis of hierarchies in screen and content selection amongst young people in Flanders
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- Journal Article
- A1
- open access
Exploring film genre preferences through taste cultures : a survey on contemporary film consumption amongst youth in Flanders (Belgium)
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- Journal Article
- A2
- open access
Mapping film programming across Post-War Europe (1952)
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Comparing historical cinema cultures : reflections on new cinema history and comparison with a cross-national case study on Antwerp and Rotterdam
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Introduction : the scope of new cinema history
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The Routledge companion to new cinema history
Daniël Biltereyst (UGent) , Richard Maltby and Philippe Meers -
- Conference Paper
- C3
- open access
Keynote : on new cinema history
(2018) -
Belgian film culture beyond the big city : cinema-going in the periphery of Antwerp
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Film, cinema and reception studies : revisiting research on audience’s filmic and cinematic experiences
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The social experience of going to the movies in the 1930s-1960s in a small Texas border town: Movie-going habits and memories of films in Laredo, Texas
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The Cultura de la Pantalla network : writing new cinema histories across Latin America and Europe
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- Book Chapter
- open access
From film policy to creative screen policies : media convergence and film policy trends in Flanders
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Memories of cinemagoing and film experience : an introduction
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Naïve and sophisticated long-term readings of foreign and national films viewed in a Mexican Northern town during the 1930-60s
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Pick, play, produce : revisiting the concept of participation through a quantitative study of film consumption practices amongst youth in Flanders (Belgium)
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(Not) going to the movies : a geospatial analysis of cinema markets in The Netherlands and Flanders (1950-1970)
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- Journal Article
- A2
- open access
New cinema history and the comparative mode: reflections on comparing historical cinema cultures
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La experiencia social histórica de asistencia al cine en Monterrey (Nuevo León, México) durante las décadas de 1930 a 1960
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Film-veiwing in Turkish and Moroccan diasporic families: a gender and place perspective
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From film policy to creative screens policies: the Flemish case
(2016) -
- Journal Article
- A2
- open access
Understanding the hobbit: the cross-national and cross-linguistic reception of a global media product in Belgium, France and the Netherlands
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Revising Hollywood's dominance : towards a comparative historical approach
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Sharing the silver screen: the social experience of cinemagoing in the Indian Diaspora
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- Journal Article
- A1
- open access
Nollywood online: between the individual consumption and the communal reception of Nigerian films among African diaspora
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Mapping film exhibition in Flanders (1920-1990): a diachronic analysis of cinema culture combined with demographic and geographic data
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From historical to contemporary film audiences: reassessing cinema, reception, convergence
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Screen(ing) audiences, questioning convergence culture
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Screen culture in a Texas-Mexico bordertown: film exhibition and programming from the 1920s to the 1960s in Laredo, Texas
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Film audiences: revisiting the structure/agency debate
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La memoria histórica del cine en Barcelona: una mirada al pasado a través de la experiencia de consumo de los espectadores
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Miscelánea sobre el entorno audiovisual en 2014
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Cinema culture in Flanders and Brussels in the Twentieth century: from picture palace to the multiplex
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La Città illuminata come 'nuova storia del cinema': un progetto di storia orale sul cinema nelle Fiandre (1925-1975)
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Young film audiences in the digital era: a case study on screen culture in Flanders-Belgium
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State of the art of the HoMER research
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Comparative cinema history research
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The social experience of going to the movies in the 1930s-1960s in a Mexican northern town : moviegoing habits and memories of films in Monterrey, Mexico
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- Journal Article
- A1
- open access
Pride and popcorn: consuming the idea of community at film screenings in the Turkish diaspora
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- Journal Article
- A2
- open access
Bollywood tracks towards and through the city: structural patterns of Hindi film culture in Antwerp (Belgium)
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Between unruliness and sociality: discourses on diasporic cinema audiences for Turkish and Indian films
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Diasporic film cultures from a multi-level perspective: Moroccan and Indian cinematic flows in and towards Antwerp (Belgium)
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- Miscellaneous
- open access
VAF Vooronderzoek 'Verzameling audiovisuele data' : actieplan
(2013) -
Film audiences in perspective: the social practices of cinemagoing
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Cinema, audiences and modernity: an introduction
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Centre and periphery: film practices among the Turkish diaspora in Antwerp
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Negotiating cinema’s modernity: strategies of control and audience experiences of cinema in Belgium, 1930s-1960s
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- Book Editor
- open access
Cinema, audiences and modernity: new perspectives on European cinema history
Daniël Biltereyst (UGent) , Richard Maltby and Philippe Meers(2012) -
The political economy of audiences
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Social class, experiences of distinctions and cinema in postwar Ghent
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A semi-public diasporic space: Turkish film screenings in Belgium
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Bollywood and turkish films in Antwerp (Belgium): two case studies on diasporic distribution and exhibition
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Explorations in new cinema history: approaches and case studies
Richard Maltby, Daniël Biltereyst (UGent) and Philippe Meers(2011) -
The international telenovela debate and the contra-flow argument: a reappraisal
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Social class, experiences of distinction and the field of cinema: combining databases, programming analyses, and oral history accounts in a research project on the history of cinemagoing
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Memories, Movies, and Cinema-going. An Oral History Project on Film Culture in Flanders (Belgium)
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Metropolitan vs rural cinemagoing in Flanders, 1925-75
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Cinema in the multicultural city: diasporic film structures of the Indian, North African, Jewish and Turkish communities in Antwerp (Belgium)
(2010) -
Bollywood and Turkish film in Antwerp. A structural approach of diasporic cinema in Antwerp.
(2010) -
Turkish diaporic film culture in the multicultural European city: a structural analysis of Turkish film screenings in Belgium
(2009) -
Diasporic cinema in Antwerp: a structural comparative approach
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Diaspora, cinema and critical ethnography: reflections on audiences and context
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Lived experiences of the 'Enlightened City' (1925-1975): a large scale history project on cinema-going in Flanders (Belgium)
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Film audiences, genre and social class: A historical research on film culture and class in post-war Belgium
(2008) -
Film audiences, genre and social class. A historical audience research on cinema-going, film culture and class in post-war Belgium
(2008) -
Experiences of the ‘Enlightened City’. Combining exhibition and programming data with oral histories on cinema going in Flanders
(2008) -
Film : van concurrrent tot paradepaardje
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Voorwoord
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Bioscopen, filmcultuur en publiek: Een inleiding
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Preface
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Bioscopen, moderniteit en filmbeleving : deel 1 : op zoek naar het erfgoed van bioscopen in landelijke en minder verstedelijkte gebieden in Vlaanderen
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The lived experience of cinema-going (1925-1975)
(2007) -
Bioscopen, moderniteit en filmbeleving : deel 2 : bioscoopbeleving en filmcultuur in landelijke en minder verstedelijkte gebieden in Vlaanderen (1925-1965)
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Red de dorpsbioscoop
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Blockbusters and/as events: Distributing and Launching The Lord of the Rings
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Cinema exhibition in Flanders in the 20th century. An analysis of long term developments with a reflection on database methods
(2006) -
De verlichte stad: een mediahistorisch onderzoek naar filmexploitatie en -beleving in Vlaanderen
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Debating Big Brother Belgium. Framing popular Media Culture
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Inleiding
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Film/TV/Genre
Daniël Biltereyst (UGent) and Philippe Meers(2004) -
Filmpubliek en (Europese) cinema. Theoretische verkenning en survey bij jongeren in Vlaanderen.
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Is there an audience in the house? New perspectives on (European) film audiences
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IJkpunt Hollywood: de eenzijdigheid van onderzoek naar de Europese filmindustrie
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Different voices, different positions. The debate on Big Brother. A qualitative analysis of the Belgian quality press
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BIG BROTHER IS YOU, WATCHING: An In Depth Analysis of the Reality Soap, Big Brother, in Belgium in an International Context
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Realiteit en fictie: tweemaal hetzelfde ?
(2001) -
¿(No) pasarán en la tele? Latijns-Amerikaanse televisieseries in Europa
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Reality-tv en het spel van de democratie.
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The international telenovela debate and the contra-flow argument: a reappraisal.
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Realiteit en fictie: tweemaal hetzelfde?
(2000) -
Klaag- en lofzang voor een stuk echte zeep. Over reality-tv.