Ghent University Academic Bibliography

Your filters: cql: author="Candeias, A" or (type any "bookEditor issueEditor" and editor="Candeias, A")

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Tortoiseshell or polymer? Spectroscopic analysis to redefine a purported tortoiseshell box with gold decorations as a plastic box with brass

A Pereira, AT Caldeira, B Maduro, Peter Vandenabeele (UGent) and A Candeias

(2016) APPLIED SPECTROSCOPY. 70(1). p.68-75
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Non-invasive methodology for the identification of plastic pieces in museum environment - a novel approach

A Pereira, A Candeias, A Cardoso, D Rodrigues, Peter Vandenabeele (UGent) and AT Caldeira

(2016) MICROCHEMICAL JOURNAL. 124. p.846-855
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New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques

S Valadas, R Freire, A Cardoso, J Mirao, Peter Vandenabeele (UGent) , JO Caetano and A Candeias

(2016) MICRON. 85. p.15-25
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On the use of the unusual green pigment Brochantite (Cu-4(SO4)(OH)(6)) in the 16th-century Portuguese-Flemish paintings attributed to the master Frei Carlos workshop

S Valadas, RV Freire, A Cardoso, J Mirao, CB Dias, Peter Vandenabeele (UGent) and A Candeias

(2015) MICROSCOPY AND MICROANALYSIS. 21(2). p.518-525
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Pink! Why not? On the unusual colour of Evora Cathedral

T Rosado, A Reis, J Mirao, A Candeias, Peter Vandenabeele (UGent) and AT Caldeira

(2014) INTERNATIONAL BIODETERIORATION & BIODEGRADATION. 94. p.121-127
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A multidisciplinary approach to the study of archaeological mortars from the town of Ammaia in the Roman province of Lusitania (Portugal)

I Cardoso, MF Macedo, Frank Vermeulen (UGent) , Cristina Corsi, A Santos Silva, L Rosado, A Candeias and J Mirao

(2014) ARCHAEOMETRY. 56(1). p.1-24

Academic Bibliography

Tortoiseshell or polymer? Spectroscopic analysis to redefine a purported tortoiseshell box with gold decorations as a plastic box with brass

Non-invasive methodology for the identification of plastic pieces in museum environment - a novel approach

New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques

On the use of the unusual green pigment Brochantite (Cu-4(SO4)(OH)(6)) in the 16th-century Portuguese-Flemish paintings attributed to the master Frei Carlos workshop

Pink! Why not? On the unusual colour of Evora Cathedral

A multidisciplinary approach to the study of archaeological mortars from the town of Ammaia in the Roman province of Lusitania (Portugal)

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