Ghent University Academic Bibliography

Your filters: cql: "gertjan willems"

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Tracing the origins of Fugitive Cinema

Liesje Baltussen and Gertjan Willems (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.238-255
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- Conference Paper
Homemaking in Migrant Amateur Films

Lieve Willekens, Maryam Kamal Hedayat, Kevin Smets and Gertjan Willems (UGent)

(2026)
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Flemish popular comedies : Edith Kiel, Jan Vanderheyden, and the Antwerp Film Company AFO, 1952–1961

Dirk Van Engeland, Roel Vande Winkel and Gertjan Willems (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.170-187
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From national to regional film support : Belgian film production policy in the post-war era (1945–1967)

Gertjan Willems (UGent) and Alexander De Man (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.58-73
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Home Frames: History of migration Through Amateur Film Archives

Maryam Kamal Hedayat, Kevin Smets, Lieve Willekens and Gertjan Willems (UGent)

(2026)
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Introduction : cinema in post-war Belgium

Bjorn Gabriels, Gertjan Willems (UGent) and Bénédicte Rochet

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.16-55
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Concentric spheres of control : on film censorship and discipline during the Belgian Trente Glorieuses

Daniël Biltereyst (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.75-91
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Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967

Gertjan Willems (UGent) , Bjorn Gabriels and Bénédicte Rochet

(2026)
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Silver screens, gendered lenses : age and gender in post- war Belgian fiction films

Femke De Sutter (UGent)

(2026) Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967. p.319-337
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A gathering place for outlaws : fugitive cinema’s alternative film distribution

Liesje Baltussen and Gertjan Willems (UGent)

(2025) HISTORICAL JOURNAL OF FILM RADIO AND TELEVISION. 45(1). p.143-167

Academic Bibliography

Tracing the origins of Fugitive Cinema

Homemaking in Migrant Amateur Films

Flemish popular comedies : Edith Kiel, Jan Vanderheyden, and the Antwerp Film Company AFO, 1952–1961

From national to regional film support : Belgian film production policy in the post-war era (1945–1967)

Home Frames: History of migration Through Amateur Film Archives

Introduction : cinema in post-war Belgium

Concentric spheres of control : on film censorship and discipline during the Belgian Trente Glorieuses

Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967

Silver screens, gendered lenses : age and gender in post- war Belgian fiction films

A gathering place for outlaws : fugitive cinema’s alternative film distribution

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Tracing the origins of Fugitive Cinema

Homemaking in Migrant Amateur Films

Flemish popular comedies : Edith Kiel, Jan Vanderheyden, and the Antwerp Film Company AFO, 1952–1961

From national to regional film support : Belgian film production policy in the post-war era (1945–1967)

Home Frames: History of migration Through Amateur Film Archives

Introduction : cinema in post-war Belgium

Concentric spheres of control : on film censorship and discipline during the Belgian Trente Glorieuses

Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967

Silver screens, gendered lenses : age and gender in post-­ war Belgian fiction films

A gathering place for outlaws : fugitive cinema’s alternative film distribution

Silver screens, gendered lenses : age and gender in post- war Belgian fiction films