Ghent University Academic Bibliography

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- Conference Paper
- C3
Recycle film cultures in small Western European film industries

Atalya De Cock (UGent) , Eduard Cuelenaere (UGent) , Stijn Joye (UGent) and Gertjan Willems (UGent)

(2023) Etmaal van de communicatiewetenschap, Abstracts.
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- Conference Paper
- C3
Home movies, diaspora and the archive : a Belgian case study

Gertjan Willems (UGent)

(2022) Film, migration and the archive : ECREA film studies section conference.
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- Journal Article
- open access
The Magic Realism of The Man Who Had His Hair Cut Short (1965)

Gertjan Willems (UGent)

(2022) Film International. 20(3). p.67-74
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Intranational film industries : a quantitative analysis of contemporary Belgian cinema

Bram Van Beek and Gertjan Willems (UGent)

(2022) FRENCH SCREEN STUDIES. 22(4). p.304-325
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- Conference Paper
- C3
Nationalism and film : new research avenues

Gertjan Willems (UGent)

(2022) Nationalism and media, Abstracts.
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- Journal Article
- A1
- open access
The woman writer on film and the #MeToo literary biopic

Katrijn Bekers and Gertjan Willems (UGent)

(2022) ADAPTATION-THE JOURNAL OF LITERATURE ON SCREEN STUDIES. 15(3). p.332-347
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- Conference Paper
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Screening multiple identities : (sub/trans)national discourses in post-war Belgian cinema

Bjorn Gabriels, Gertjan Willems (UGent) and Bénédicte Rochet

(2022) ECC 2022 : rethink impact, Abstracts.
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- Miscellaneous
Introduction

Marco Cucco, Massimo Scaglioni, Anna Sfardini and Gertjan Willems (UGent)

(2022) COMUNICAZIONI SOCIALI. 44(2). p.161-163
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- Issue Editor
Sustainable screenings : economic, touristic and cultural impact of audiovisual productions on the host locations in the post-lockdown era

Marco Cucco, Massimo Scaglioni, Anna Sfardini and Gertjan Willems (UGent)

(2022) COMUNICAZIONI SOCIALI. 44(2).
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De bom en de ban

Gertjan Willems (UGent)

(2021) BOONBERICHTEN. 2021(154).

Academic Bibliography

Recycle film cultures in small Western European film industries

Home movies, diaspora and the archive : a Belgian case study

The Magic Realism of The Man Who Had His Hair Cut Short (1965)

Intranational film industries : a quantitative analysis of contemporary Belgian cinema

Nationalism and film : new research avenues

The woman writer on film and the #MeToo literary biopic

Screening multiple identities : (sub/trans)national discourses in post-war Belgian cinema

Introduction

Sustainable screenings : economic, touristic and cultural impact of audiovisual productions on the host locations in the post-lockdown era

De bom en de ban

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