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Политически наративи в „Ейбрахам Линкълн: Ловецът на вампири“ и „El Condе“: филмите на ужасите и „високото изкуство“
(2024) -
Reviving the Brave Belgians : mechanical recording practices as a guide in historical performance
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From capture to texture : affective environments for theatre training in virtual reality (VR)
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- Journal Article
- A2
- open access
Imag(in)ing Bairam : charting image of a Turkish festival in Picart and Bernard’s Cérémonies et coutumes religieuses de tous les peuples du monde (1723–1737)
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Performing arts activating climate change awareness : hyphenated thinking in Common Dreams — Flotation School
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Reconceptualizing ‘translatorship’ in multilanguage theatre performances
(2023) -
Sonia Delaunay on film
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Pacification through decentralization: An explanatory analysis of ethno-territorial cabinet conflict in Belgium (1979-2006)
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Cinema between monochrome painting and light vibrations : 'Essentieel' (1964) by Jef Verheyen and Paul De Vree
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Repertoires of slavery : Dutch theater between abolitionism and colonial subjection, 1770-1810
(2023) -
Framing the stage : structures of race, imperial oppression, and performances of blackness, 1770-1850
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Instrument teachers’ practices, beliefs, and barriers regarding musical creativity : exploring the creative process of interpretation
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Affective topologies and virtual tactile experiences in theatre training
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Tracing the essay in performing arts : five essay pieces
(2023) -
Staging slavery : performances of colonial slavery and race from international perspectives, 1770-1850
Sarah Adams (UGent) , Jenna Gibbs and Wendy Sutherland(2023) -
Extended musical spaces : participatory and creative music making in digitally augmented musical environments
(2023) -
Een verhaal van net niet : een baanbrekende interpretatie van Tsjaikovski's opera Jevgeni Onegin
(2023) -
Knight-Night, Bryana Fritz & Thibault Lac : de maliënkolder als membraan tussen verzinsel en werkelijkheid
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- Journal Article
- open access
Articulating Architecture: A Speculation with the Joints of Choreography and Architecture in Radouan Mriziga’s 55 and the Palais de la Dynastie (Brussels, Belgium).
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- Journal Article
- A2
- open access
L’Homme à la Tête de Télé : Serge Gainsbourg’s subversive stylisation of a television persona
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Ode aan de tussenruimte
(2023) Film-Plateau. -
Ahilan Ratnamohan, Une traduction infidèle : tongtwisters en tutoyeren in tutu
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- Book Editor
- open access
Proceedings of the 15th International Conference of Students of Systematic Musicology (SysMus22)
Aleksandra Michalko (UGent) , Kelsey E. Onderdijk and Bavo Van Kerrebroeck (UGent) -
- Conference Paper
- open access
Humor and Conflict in the Digital Age
(2023) -
One orchestra, two artistic policies, one censor : symphonic music by the Great Symphony Orchestra of Belgian radio (1940-1944)
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Picart, Bernard, and the economization of spiritual life in the early eighteenth century
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Simon Banks, Opera : the autobiography of the Western World
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Split characters and converging voices in Chaya Czernowin’s Heart Chamber
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The seventh art? Art cinema and Ingmar Bergman from an audience perspective
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The influence of body movement on musical sense-making in primary school children : a multimodal approach in music education
(2022) -
Tumbling (in) archives : exploring Walid Raad’s 'Two drops per heartbeat' (2021) through the lens of the essay form
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- Conference Paper
- C3
- open access
Facilitating accessibility of multilingual stage texts : a reconfiguration of the ‘translator agency’ in the production process
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Performing the Anthropocene : climate change, embodiment, and affect in contemporary theatre
(2022) -
- Conference Paper
- C3
- open access
Connan Mockasin as Mr Bostyn : the popular music artist in disguise, the performance practitioner as popular music artist
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Come together : exploring unity in music interaction through agency and social connectedness
(2022) -
Representatie van religieuze emoties in Bernard Picarts Cérémonies et coutumes religieuses de tous les peuples du monde (1723-1743)
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Vocal quality after a performance in actors compared to dancers
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Vocal quality, symptoms and habits in musical theater actors
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Динамика музыкального творчества в Дагбоне
(2022) -
Theater : een geschiedenis van de podiumkunsten in West-Europa tussen 1870 en 1950
(2022) -
Necropolis : counter forensic practices for mourning the ‘Othered’ dead
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‘Art can make a society more playful’ : a discussion on Belgian colonial heritage with theatre artist Chokri Ben Chikha
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‘Tafereel van de voornaamste godsdiensten der waereldt’ : een herbeschouwing van Bernard Picarts titelprent voor de Cérémonies et coutumes religieuses de tous les peuples du monde (1723-1743)
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- Journal Article
- A2
- open access
A case-study of a person with multiple sclerosis and cerebellar ataxia synchronizing finger-taps and foot-steps to music and metronomes
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Postdrama in de klas : naar een geïntegreerde hedendaagse theaterdidactiek aan de hand van Provoost en Veldhuis’ Matisklo (2018)
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40 jaar Documenta : 40 jaar theaterwetenschappelijk onderzoek in de Lage Landen : een vergezicht in retrospectie = 40 years of Documenta : 40 years of theater studies research in the Low Countries : a retrospective prospect
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- Journal Article
- A1
- open access
Forced secularization and postmodern discourses within contemporary performance : weaponizing multicultural rhetoric to ratify asymmetries among dance practitioners
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- Journal Article
- A1
- open access
Coloured swan : Moya Michael's prowess in the face of fetishization in European dance
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- Journal Article
- A1
- open access
La ville et la cour se mélèrent : Napoleon's propaganda quadrilles (1793-1813)
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Where does Bartók fit into twentieth-century music? Thoughts on the tension between Bartók's music and historiographical concerns