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The Ghent Altarpiece : research and conservation of the interior : the lower register
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- Journal Article
- A1
- open access
Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck
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Le quotidien d’un idéal : l’Agneau mystique, catalyseur de l’interdisciplinarité
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'Revenons à notre Mouton’ : Paul Coremans, Erwin Panofsky, Martin Davies and the Mystic Lamb
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Large-area elemental imaging reveals Van Eyck's original paint layers on the Ghent Altarpiece (1432), rescoping its conservation treatment
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A protocol to evaluate how good varnishes protect silver gilding against atmospheric pollutants
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Evaluation of the protective capacity of coatings on silver foil exposed to H2S, HCl and H3CCOOH as a model for the Ghent altarpiece gilded frames
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- Conference Paper
- C1
- open access
Spectaculaire ontdekkingen op het Lam Gods van de gebroeders Van Eyck : de essentiële rol van de restaurateur = Découvertes spectaculaires sur l’agneau mystique des frères Van Eyck : le role essential du restaurateur
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Development of a dedicated peptide tandem mass spectral library for conservation science
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La technique picturale de Van Loon : une première approche
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Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry : an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA)
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Fading of modern Prussian blue pigments in linseed oil medium
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Tryptic peptide analysis of protein binders in works of art by liquid chromatography-tandem mass spectrometry
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Identification of protein binders in works of art by high-performance liquid chromatography-diode array detector analysis of their tryptic digests
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- Conference Paper
- C3
- open access
Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry