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Performative justice? The role of theatre and performance in facilitating transitional justice
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I breathe, you breathe, we breathe. How a daily habitual movement appears as an action and grows into a gesture through listening.
(2019) -
- journalArticle
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Exile, Return, Record: Exploring Historical Narratives and Community Resistance through Participatory Filmmaking in ‘Post-conflict’ Guatemala
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Review: Mary Ann Smart, Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815– 1848, University of California Press: Oakland, CA, 2018
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The intensity factor in the traditional idiom of music making in Dagbon : expressive components in the dance mode of drumming
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Intégrer le corps en deuil fragmenté: Lamentations funèbres en milieu punu
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From Chinese local history to another memory : an interview on Folk Memory Project’s workshop with African refugees
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Machine (wo)man: genderplay en de metafoor van de machine in Sophie Taeubers performances en het beeldend werk van Suzanne Duchamp
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On Essayistic Thinking
(2019) -
Een geschiedenis van de Europese muziek tot 1900
(2019) -
Towards an understanding of drone fiction
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Theatricality of the Body
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TEE 1823 Berlin - Wien: nachttrein van verloren illusies
(2019) p.6-13 -
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Breathing as an embodied elasticity, which enables the procrastination of movement.
(2019) -
- journalArticle
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The Rise of the Chinrest and Shoulder Rest: Their Influence on Violin Performance Practice
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Afrikaanse letterkunde : tradities, genres, auteurs en ontwikkelingen
(2019) -
- journalArticle
- A2
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Performing with the masquerade : towards a corporeal reconstitution of Sophie Taeuber's Dada performances
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Lemon Juicer Merkel : where the real and the fictional Europe meet : exploring Thomas Bellinck’s 'Domo de Eŭropa Historio en Ekzilo'
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The Dagbon Hiplife Zone in Northern Ghana contemporary idioms of music making in Tamale
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Tracing the Essay in Contemporary Theatre and Performance
(2019) -
Innovation, mixage et technicité : références à la ‘modernité’ chez les danseurs ‘traditionnels’ du Rwanda
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Thinking out loud : essayistic figures on stage
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Letteratura, cinema e lavoro : intervista a Paolo Chirumbolo
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Hugo Claus, de snelste en goedkoopste filmer van Europa : de totstandkoming van De Vijanden
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‘Behind every stone awaits an Alexander’ : unravelling the limits of participation within micro and macro dramaturgy of participatory refugee theatre
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Reconstructing the bodies : between the politics of order and the politics of disorder
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Hoe keken Zweden en Belgen naar Bergman?
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Dalcroze meets technology : integrating music, movement and visuals with the Music Paint Machine
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Precarity : a concept linking performance studies and social sciences
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The intimacy of public space : an interview with Kris Verdonck
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Iedereen is van de wereld
(2018) p.6-13 -
Practice as conditioning
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Cally Spooner : tussen taal en lichaam
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Photography and the spatial transformations of Ghent, 1840-1914
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- A1
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From political biography to political event : the Daens myth in literature and cinema
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La question des versions
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‘En plots ben ik een individu…’ : de fluctuerende functie van dramaturg-als-onderzoeker en onderzoeker-als-dramaturg
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“Muziek is stilte met liefde benaderd”: Arvo Pärt en de schaduw van het Woord
(2018) p.6-13 -
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The intensity factor in the traditional idiom of music making in Dagbon
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Reality overtakes Myth : Ivo van Hove Stages Der Ring des Nibelungen
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The essay in times of crisis
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Imagining Chinatown : 'Broken Blossoms' (1919) in Britain
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Dissonante stemmen : het Poolse theater als een ruimte voor verzet tegen sluipend autoritarisme
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Installing an aesthetic moment sound as a boundary-crossing iteration for itinerancy
(2018) -
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- C3
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Chasing your own tail: on artists and projects
(2018) -
Kitō-ryū jūjutsu and the desolation of Kōdōkan jūdō’s Koshiki-no-kata : remembering Inoue Shōji (1927-2018)
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Beyond documentation : the digital philology of interaction heritage
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August Strindberg, Freule Julie
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Enescu's Oedipe : mythe, drama, partituur
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De stof van onze dromen
(2018) p.6-12 -
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Dancing precarity : a transdisciplinary study of the working and living conditions in the contemporary dance scenes of Brussels and Berlin
(2018) -
George Maciunas and the flux-labyrinth (1974/1976) : staging a soho way of life
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Tracing the essay in contemporary performing arts
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- dissertation
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From the cyborg to the apparatus : figures of posthumanism in the philosophy of Giorgio Agamben and the contemporary performing arts of Kris Verdonck
(2018) -
- bookChapter
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Ritmo y modernidad : génesis de un nuevo modelo teatral
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Rituels réalistes : les doubles documentaires de Milo Rau et l’International Institute of Political Murder
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- A1
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Adopting a music-to-heart rate alignment strategy to measure the impact of music and its tempo on human heart rate
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Review 'On traversera le pont une fois rendus à la rivière' - L'Amicale de Production
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The political dimension of dance : Mouffe's theory of agonism and choreography
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Subsidie, camera, actie! Filmbeleid in Vlaanderen (1964-2002)
(2017) In Film & TV Studies -
- conference
- C3
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Teirlincks 'De Vertraagde Film' vanuit transmediaal en institutioneel perspectief: theater, film en hoorspel
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'Een bezwerende creatie' : review 'Golem' - Thomas Ryckewaert
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'Consuming the Holocaust ' : over Sergei Loznitsa’s 'Austerlitz' : een subtiel manifest voor een hernieuwd historisch bewustzijn
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Introduction to DANCE NOW: Work With(out) Boundaries
(2017) -
Komische Formate im Fernsehen (USA, GB, Deutschland)
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Gestures as an interface of performers’ intentionality : a case study of Western Embodiment of Karnatic Music in piano performance
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Kalbeliya dance from Rajasthan : invented gypsy form or traditional snake charmers ’ folk dance?
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Musical complexity and ‘Embodied notation’ : a study of the opus Clavicembalisticum (K. S. Sorabji)
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The celestial city brought down to earth : Dmitrij Cernákov's interpretation of Rimskij-Korsakov's opera the invisible city of Kitež and the Maiden Fevronia
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Ragpickers and leftover performances : Walter Benjamin’s philosophy of the historical leftover
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PLXTRM : prediction-led eXtended-guitar tool for real-time music applications and live performance
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Komik im US-amerikanischen Rundfunk; Komik im britischen Rundfunk
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- C1
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Regularity and asynchrony when tapping to tactile, auditory and combined pulses
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Dramaturgy in the curriculum : on fluctuating functions, dramaturgy as research and the macro dramaturgy of the social
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Oranje cirkels en wolken van infrarood
(2017) p.6-13 -
- journalArticle
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Gestructureerde vloed : uitdagingen en beperkingen in het werk van choreograaf Daniel Linehan
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Music and Soviet Power : 1917-1932
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- A4
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Eerlijk bestuur voor cultuur : verslag van een debat bij deBuren
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- dissertation
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The motion capture imaginary : digital renderings of dance knowledge
(2017) -
- dissertation
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Moving sounds and sonic moves : exploring interaction quality of embodied music mediation technologies through a user-centered perspective
(2017) -
Inhaling Singing, a new extended vocal technique
(2017) -
Dance the image away : a philosophical reading of Michiel Vandeveldes’s antithesis : the future of the image
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Music strengthens prosocial effects of interpersonal synchronization : if you move in time with the beat
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New quadrilles for the société philharmonique d'Anvers 1813 - 1818
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Koken met vreemde ingrediënten
(2016) p.6-17 -
Waar ijs is, is koelte voor twee
(2016) p.6-11 -
Review. 'Yvonne, Prinses van Bourgondië': Timeau de Keyser & Tibaldus
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Kris Verdonck's EXIT: between negative space and machinic sleep
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SORABJI: Symphonic Nocturne (1978) [CD]
(2016) PCLD0119. -
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Growing together : emancipatory lessons from North Korean defector's art education in South Korea
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Abgang und Tod bleiben lassen : verharren und Verschwinden in gegenwärtigen Tragödieninszenierungen
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Gestures as an Interface of Cultural Identity in Musical Performance: Western Embodiment of Karnatic Music
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- A4
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'Para, een saluut dat om mededogen smeekt' : review 'Para' - David Van Reybrouck, Raven Ruëll & Bruno Van Den Broecke
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Muzikale complexiteit en menselijke grenzen : een onderzoek naar de problematische componist-uitvoerder-relatie in complexe 20e-eeuwse pianoliteratuur
(2016) -
- misc
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Review: Marina Frolova-Walker, Stalin's Music Prize: Soviet Culture and Politics
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Realistische rituelen : de documentaire dubbels van Milo Rau en het international institute of political murder
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De Carl Hagenbeck à Brett Bailey: mettre en scène la problématique des zoos humains aujourd’hui
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The bruise scores moving session
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Frankenstein de Mary Shelley et The Birds d’Alfred Hitchcock dans le théâtre de Claude Schmitz
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Subversief mediagebruik in hedendaagse activistische kunst
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Review Edit Kaldor: 'Web of Trust'
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- A4
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Vive Le Schizo: Review Robert Cantarella - 'Faire Le Gilles
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Occupy Antigone : tradition, transition and transformation in performance (forum modernes theater)
Katharina Pewny (UGent) , Luc Van den Dries, Charlotte Gruber and Simon Leenknegt -
Symphonic Nocturne (1978) [sheet music]
(2016) -
Contemporaneities. On the entangled now of performance
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Fabián Barba : contemporary dance's messy/many histories
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- dissertation
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(Paysages - études): een studie naar de achtergrond en compositorische mogelijkheden van muzikale transformatiestrategieën
(2016) -
- conference
- C3
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Choreographies of precariousness : a genetic study of the performing arts
(2016) -
The other Antigone[s]: spotting the différance in contemporary tragedy
(2016) -
Tracing creation : the director's notebook as genetic document of the postdramatic creative process
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- C1
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Performing ethos and digital behavior : the genealogy of WEeP
(2016) -
Chopin droomt zich
(2016) p.6-15 -
Andros Zins-Browne : curiosity driven dance
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- A4
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Review Bouge B. Rodrigo Sobarzo - 'Prins of Networks' / Kathryn Vickers, Benjamin Pohlig & Gašper Piano - 'Five Seasons'
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A counterpoint reading of the MoussemCities@Tunis festival
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Improvisare con e senza la componente MIRIR-Impro della piattaforma MIROR: proposte di pratiche con i bambini secondo un approccio task-based
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Wanneer we spreken over RE-acties op geweld. Interview met Mokhallad Rasem
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C&H’s conspiracy with the audience : the accomplice spectator
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Other city symphonies 2
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The agonistic objectification : choreography as a play between abundance and lack
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Black wings in two symphonies: Brahms's second and Shostakovich's tenth
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The Evolution of Jack Nicholson’s Mischievous Performance of Privilege, 1969-75
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Het werk van de speler: Jan Steens Being in Playing
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Réécritures: de l'écrit à la scène
Catherine Bouko (UGent) and Karel Vanhaesebrouck -
- journalArticle
- A4
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De Brievenschrijver: Simon Allemeersch/Globe Aroma
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Performing with the music paint machine: provoking an embodied approach to educational technology
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- A4
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Bouwen om af te breken: Review Schwalbe speelt een tijd - Schwalbe
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Film & NotFilm: Becketts bijdrage aan de filmgeschiedenis
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Komissarzhevskaya and the Russian Avant-Garde: pragmatics of performativity: Meyerhold and beyond
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Het verlangen Abattoir Fermé
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Nostalgia Awakens
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Artist at Work. Proximity of Art and Capitalism
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Revenge, hatred, love, and regret : the use of narrative empathy in a regional Purāṇa
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Wortels en vleugels
(2015) p.6-15 -
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- C1
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Instrumental movements of neophytes: analysis of movement Periodicities, Commonalities and individualities in Mimed violin performance
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Repeating Rosas danst Rosas: on the transmission of dance knowledge
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The mechanics of magic (or vice versa): Sigrid T'Hooft and the historically informed performance of opera
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When the past strikes the present: performing requiems for the Marikana massacre
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- bookChapter
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Samenwerking tot kunst verheven: de Nationale Opera en de orkesten
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De kunst die de wereld zou hervormen
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- C1
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The performer is absent: spaces of absence in the contemporary performing arts
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- A2
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The performer as philosopher and diplomat of dissensus : thinking and drinking tea with Benjamin Verdonck in 'Bara/ke' (2000)
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Apostolo Zeno: Librettist zwischen Bühne und Studierzimmer
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Toneelhervormingen in de Duitstalige gebieden
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A twenty-first-century plea for vintage, heritage-friendly theater
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Zou een heel klein beetje oorlog, soms niet beter kunnen zijn: over Memento Park van Thomas Bellinck/Steigeisen & KVS, WO I-herdenkingen en eventization
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Burt Reynolds rediscovered
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- A1
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Intangible inventions: the Kalbeliya gypsy dance form, from its creation to UNESCO recognition
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The influence of tempo on expressive timing: a multimodal approach
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- conference
- C1
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Decomposing a composition: on the multi-layered analysis of expressive music performance
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Kaapstad will never be the same again: hoe het public arts festival Infecting the City omgaat met de herinneringen aan apartheid
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- conference
- C3
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Precarity : a concept linking performance studies and social sciences
(2015) -
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- C3
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Performing Brahms's second sonata for piano and violin : putting the evidence into practice
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Performe Emotionalität!« Emotion und/als (geschlechtsspezifische) Arbeit in Inscourcing des Zuhause. Menschen in Scheiss-Hotels (2001) und SEX nach Mae West (2002) von René Pollesch
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Muziekpedagogiek in beweging. Technologie als medium
Luc Nijs (UGent) and Thomas De Baets(2015) -
The critical aesthetics of performing objects: Kris Verdonck
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- journalArticle
- A4
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Samen niet begrijpen: wat heeft het theater in de actualiteit te zoeken?
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- bookEditor
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Extreem geweld op/in scène: getuigen tussen geschiedenis en herinnering
Anneleen Spiessens (UGent) , Philippe Mesnard and Christian Biet -
'Einbruch des Realen in das Spiel': Realität als Simulation in Bodenprobe Kasachstan
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Waiting for one's festival
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'Ook word ik de poëzie niet ontrouw': het theaterwerk van Gust Gils
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- journalArticle
- A1
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Worlds of MoCap: writing dance on a three-dimensional canvas
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Zou het kunnen dat al de toestellen die we hebben, onze smart phones, laptops, … magische dingen zijn?
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Ween, ogen, ween : het Stabat Mater en de zeventiende eeuw
(2015) p.8-15 -
Zwart licht: muzikale alchemie
(2015) p.7-13 -
- journalArticle
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Le patrimoine musical indien dans le répertoire pour piano d'Olivier Messiaen et de Jacques Charpentier
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Literature, culture, and society
Orance Mahaldar (UGent) and Debdip Dhibar(2015) -
Moving together: theorizing and making contemporary dance
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- journalArticle
- A2
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Moving bodies in the streets of the heart of Tunis: performing spaces of appearance in a revolutionary context
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Your artists are our artists
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Le stagioni di Jommelli: convegno internazionale nel terzo centenario della nascita di Niccolò Jommelli: Aversa and Naples, 5-7 December 2014
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Redrawing bodily boundaries: a look into the creative process of Jan Fabre
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- misc
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Sense meets sensibility
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Interview met Evelyne Deceur van UGent
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- bookEditor
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Engagement du spectateur et théâtre contemporain
Catherine Bouko (UGent) and Hervé Guay -
- misc
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Other city symphonies
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Creatieve visualisatie in de instrumentles
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The role of working memory in the temporal control of discrete and continuous movements
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- journalArticle
- A2
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Naar een dekolonisatie van de blik: over de brief aan Brett Baily en Geert Bourgeois, De Waaheidscommissie (2013) en geëngageerde kunst in tijden van migratie en terrorisme: Jasper Delbecke in gesprek met Chokri Ben Chikha
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Figures of abstraction
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Brussels & contemporary dance: artistic labor in a creative city
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- journalArticle
- A2
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25 years again and again : on repetition, time and articulated knowledge at The Bridge of Winds' group
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- C1
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Contemporary paradigms on actor training methodologies : articulated knowledge at The Bridge of Winds' group
(2015) -
Comptes rendus des étudiants Erasmus Mundus
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Friendship on the move: merging the buddy and road genres
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- journalArticle
- A1
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Kōdōkan Jūdō’s three orphaned forms of counter techniques: part 2: the Nage-waza ura-no-kata: 'forms of reversing throwing techniques'
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Kōdōkan Jūdō’s three orphaned forms of counter techniques: part 3: the Katame-waza ura-no-kata: 'Forms of reversing controlling techniques'
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Theatrical heritage: challenges and opportunities
Bruno Forment (UGent) and Christel Stalpaert (UGent)(2015) -
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'Ach, ich fühl's...': de emotionele machinerie van Gluck, Haydn en Mozart
(2015) p.3-14 -
- bookChapter
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'Le Roi s'amuse' und 'Rigoletto': Dramaturgie des Bühnenraums
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- A4
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Als het glas breekt ... Het museum als ervaringsstrategie
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- C1
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Tempo in Baroque music and dance
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(Un)dead and (un)buried from Antigone to Bradley Manning
(2014) -
Re-visiting retroavantgarde
(2014) PSi 20# Performance Studies international 'Avant Garde, Tradition, Community', Abstracts. Performance Studies international 20. -
- conference
- C3
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Lost, but partially recovered: the original stock sets of the Bourla
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Fénelon's operatic novel: audiovisual topoi in télémaque and their representation in opera
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TV and the existentialist antihero
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The dance of death as aesthetic type: considerations of genre and content in Shostakovich's fourteenth symphony
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- journalArticle
- A2
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Heiner Müller, een posthumanistische lezing
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Evolution of timing through instrumental practice by violinists and clarinettists
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Richard Wagner: A Life in Music (Martin Geck)
(2014) -
- journalArticle
- A2
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Jan Fabre au risque de la reprise
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Effects of different bow stroke styles on body movements of a viola player: an exploratory study
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- journalArticle
- A4
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De kunstenaar als technologisch bricoleur: de impact van technologie op theater
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Performing with the music paint machine: provoking an embodied approach to educational technology
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- misc
- open access
De Oekraïne broeide, smeulde: de geschiedenis van Mazeppa volgens Poesjkin en Tsjaikovski
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'Lady Macbeth' als historische tekst
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Cyborgs and other others
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Littekens in het non-representatieve geheugen: een analyse van een traumaverwerking in Rainer Werner Fassbinders Warnung vor einer heiligen Nutte
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- bookChapter
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L’expérience du double virtuel, identité et altérité au sein du théâtre immersif
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L'engagement du spectateur
Catherine Bouko (UGent) and Hervé Guay -
- bookChapter
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L'espace théâtral immersif: entre intégration, immersion et indistinction
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Geheime akkoorden onder een Arabische koffieboom
(2014) p.8-15 -
- conference
- C3
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Austerity measures
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Setting the stage for posthuman performer
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- journalArticle
- A2
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Interactivity and immersion in a media-based performance
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- conference
- C1
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La présence animale au sein du théâtre de Romeo Castellucci ; un rapport complexe à l’anthropomorphisation
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- journalArticle
- A1
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Le théâtre immersif : une définition en trois paliers
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Didone abbandonata e ritrovata
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Interactive technologies in the instrumental music classroom: a longitudinal study with the music paint machine
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- misc
- open access
Het levende archief als nieuwe voorstelling
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- misc
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'Wij staan geen stap verder': Moesorgski's visie op de Russische geschiedenis in Khovansjtsjina
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- misc
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De kunstenaar achter Khovansjtsjina
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- misc
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Onegin: een nieuw samengestelde balletpartituur van Tsjaikovski
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Een analyse van de invloed van de theosofie op het essayistisch werk en symbolistisch theater van Maurice Maeterlinck
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- bookChapter
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Dramaturgy and the immersive theatre experience
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Das Theater der Anderen: Antigone
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Introduction
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Berlin Alexanderplatz, and Beyond
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- conference
- C1
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Iphigenie gegen die Gewalten der Finsternis, oder: Reformoper als Schocktherapie mit aufklärerischer Wirkung
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Perceptions corporelles et technologie HMD: l’expérience orthésique du théâtre immersif
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- A2
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Vers une définition du théâtre immersif
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Sounding sound art : a study of its definition, origin, context and techniques of sound art
(2013) -
- misc
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Schilderijen uit een tentoonstelling: een kort verhaal over Russische muziek
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- misc
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Dimensions of Energy in Shostakovich's Symphonies
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- dissertation
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Exploring the symbiosis of Western and non-Western music: a study based on computational ethnomusicology and contemporary music composition
(2013) 3. -
Wat doet muziek met mensen?
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The dance without the dancer: writing dance in digital scores
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Review: dans in België (1890 - 1914)
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- A2
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La Fabrication des images et le théâtre immersif, entre représentation et simulation
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Muziekpedagogiek in beweging: onderzoek als motor voor innovatie
Thomas De Baets and Luc Nijs (UGent)(2013) -
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Western embodiment of Carnatic Music: 72 Etudes Karnatiques by Jacques Charpentier (1933)
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- conference
- C3
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Verdi in the Belgian province: the 'Aïda' and 'Rigoletto' scenery of Albert Dubosq
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Jumbo-sized artifacts of operatic practice: the opportunities and challenges of historical stage sets
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Van het Filharmonisch Orkest van de BRT naar Brussels Philharmonic: het omroeporkest hervindt zichzelf
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- misc
- open access
Artaserse
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The people's pictures: national lottery funding and British cinema
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- conference
- C3
- open access
The origin, essence, biomechanical foundations, and teaching and performance challenges of Itsutsu-no-kata [The Forms of Five]: Kōdōkan jūdō’s esoteric sixth kata
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Tempo in Baroque music and dance
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'Ach, Waarom zou ik het u ook verzwijgen?...' Ontbering achter de schermen van de 'zoos humains'