Show
Sort by
-
Vocal quality, symptoms and habits in musical theater actors
-
Vocal quality after a performance in actors compared to dancers
-
The dynamics of music making in Dagbon : transformational processes in African music
(2022) -
The seventh art? Art cinema and Ingmar Bergman from an audience perspective
-
Choreographic gestures of resurgence and repair : Arkadi Zaides' research-based performance project 'Necropolis'
-
Singing the Dutch : an extended imagological approach to constructions of ‘Dutchness’ in late eighteenth-century political song
-
Forced secularization and postmodern discourses within contemporary performance : weaponizing multicultural rhetoric to ratify asymmetries among dance practitioners
-
Die Dynamik des Musizierens in Dagbon
(2022) -
La dinámica de la creación musical en Dagbon
(2022) -
La dynamique de la création musicale à Dagbon
(2022) -
A dinâmica da criação musical em Dagbon
(2022) -
Le dinamiche del fare musica a Dagbon
(2022) -
Динамика музыкального творчества в Дагбоне
(2022) -
‘Art can make a society more playful’ : a discussion on Belgian colonial heritage with theatre artist Chokri Ben Chikha
-
The influence of body movement on musical sense-making in primary school children : a multimodal approach in music education
(2022) -
- Journal Article
- open access
"Dog boy, media whore: it's who the hell you take me for": Brian Molko's curated music magazine persona in the fan archive
-
Coloured swan : Moya Michael's prowess in the face of fetishization in European dance
-
Performing the Anthropocene : climate change, embodiment, and affect in contemporary theatre
(2022) -
Tumbling (in) archives. Exploring Walid Raad’s "Two drops per heartbeat" (2021) through the lens of the essay form
(2022) -
Introduction to "From the scenic essay to the essay-exhibition"
(2022) -
The Circulating Waltz
-
Survival on the shores of a sacrifice zone: Thinking ecological emergencies together
-
- Journal Article
- open access
Sex and desire on the dancefloor: A queer post-structuralist approach on reclaiming erotic dances
-
Humor and the Law: The Difficulty of Judging Jests
Andrew Bricker (UGent) , Brigitte Adriaensen, Alberto Godioli and Ted Laros -
- Book Editor
- open access
Performance and posthumanism : staging prototypes of composite bodies
Christel Stalpaert (UGent) , Kristof van Baarle (UGent) and Laura Karreman(2021) -
Choreographing agonism : politics, strategies and performances of the left
(2021) -
- Journal Article
- A1
- open access
A space for collaborative creativity : how collective improvising shapes ‘a sense of belonging’
-
Gezocht : klarinetten voor het goede doel : bouwen aan de veerkracht van kwetsbare kinderen
-
- Book Chapter
- open access
Revisiting the scenic essay
-
- Journal Article
- A2
- open access
Reframing gender complementarity : dance and women’s empowerment in post-genocide Rwanda
-
- Conference Paper
- C3
- open access
Observing and commenting on Napoleon’s court balls and their audiences
-
Where science and theatre intertwine : the lecture performance : some thoughts on 'INSIDE' by Frédérique Aït-Touati and Bruno Latour and 'Move 37' by Thomas Ryckewaert
-
Cruel optimism, ironic pessimism, poetic terrorism : how to combat the semiocapitalistic pan(dem)ic in a choreographed song-cycle
-
- Book Editor
- open access
Tuning in to the neo-avant-garde : experimental radio plays in the postwar period
Inge Arteel, Lars Bernaerts (UGent) , Siebe Bluijs (UGent) and Pim Verhulst(2021) -
The danger of idolatry : constructing the enemy in Picart and Bernard's Cérémonies et Coutumes Religieuses (1723-1743)
-
- PhD Thesis
- open access
Brave Belgians of the Belle Époque : a study of the late-romantic Ghent horn playing tradition
(2021) -
- Journal Article
- A1
- open access
Progressive interstitial lung disease in patients with systemic sclerosis-associated interstitial lung disease in the EUSTAR database
-
Reviving the Brave Belgians : mechanical recording practices as a guide in historical performance
-
- Journal Article
- A1
- open access
Where have all the women gone? On the absence of feminine agency in contemporary productions of the original Boris Godunov
-
The Augmented Movement Platform for Embodied Learning (AMPEL) : development and reliability
-
Awareness of the Place : an ethnographic research into Izmir as a place of urban memory in the context of the International Izmir Festival
(2021) -
- Journal Article
- A1
- open access
Co-regulated timing in music ensembles : a Bayesian listener perspective
-
- Journal Article
- A2
- open access
The elasticity of the non-breath in 'Meanwhile' : the possibilities of a small sonic intervention (a letter to Kinga Jaczewska)
-
- Conference Paper
- C3
- open access
Spectacular processions : Early Modern Catholicism through the eyes of Bernard Picart and Jean Frederic Bernard in the Cérémonies et coutumes religieuzes de tous les peoples du monde (1723-1743)
-
'My avatar and me' : technology-enhanced mirror in monitoring music performance practice
-
Precarious bodies on the move, precarious bodies under attack
-
- Journal Article
- A1
- open access
A methodological framework for assessing social presence in music interactions in virtual reality
-
Hoe tribunaal theater een stem geeft aan de natuur
-
Performing devotion : the theatrical staging of the cathedral in Picart and Bernard’s Cérémonies et coutumes religieuses (1723-1743)
-
All rise! Jurisdiction as performance/ performative language
-
Precarious amusement
-
- Journal Article
- A2
- open access
Theatre strike for climate : lending a voice to nature in tribunal theatre
-
- PhD Thesis
- open access
Exile, return, record : a participatory & visual ethnography of making history with Guatemalan returnees
(2021) -
- Journal Article
- A2
- open access
Cross Pollination's Nomadic Laboratory : a praxis in-between practices
-
Concert fever and musical persona in a quarantined culture : interview with Philip Auslander
-
- Journal Article
- A2
- open access
Enacting law : the dramaturgy of the courtroom on the contemporary stage
-
De continuïteit van vernieuwing : een museale blik op het dansarchief van Marc Vanrunxt
-
Getuigen van het dansverleden : de archivering van dans in Vlaanderen
Annelies Van Assche (UGent) and Timmy De Laet -
- Journal Article
- A1
- open access
Can the application of certain music information retrieval methods contribute to the machine learning classification of electrocardiographic signals?
-
- Journal Article
- A4
- open access
Performing the pandemics : the intermingling creation of a dance festival and a community amidst a global emergency
-
- Journal Article
- A4
- open access
Dancing someone else's movements through someone else’s body : the process of commodification of the digital dancing body and the arising tensions with intellectual property regimes
-
De waarachtigheid van het samenzijn
-
- Journal Article
- A2
- open access
Tentacular thinking in storied places : a deep-mapping of an art-science-activist worlding in 'Necropolis' (2017 onward)
-
When arts and science meet : digital technology in artistic research
-
- Journal Article
- A2
- open access
Performing arts and mediation technology in the period of lockdown
-
Secret gardens, ritualistic renovations and modernist failures : on the out loud building of scenographies by decoratelier
-
Stiltes en leegtes in de theaterarchieven : de vergeten aanwezigheid van acteurs van kleur op het vroegmoderne Nederlandse podium
-
Staging siege : imagineering violence in the Dutch theatre (1645-1686)
(2021) -
- Journal Article
- A2
- open access
Echolocation and reverberation : praxical dispositifs in laboratory theatre
-
- Journal Article
- A2
- open access
Igicunda : the drum that keeps the rhythm : onset detection and spectral analysis of African drum patterns
-
Impliciete aanpak, expliciet beleid : een onderzoek naar de praktische implementatie van queeronderwerpen in het Vlaams secundair onderwijs
-
Tentacular thinking-with-things in storied places : 'Parliament of Things' (2019) by Building Conversation
-
Performance and Posthumanism : co-creation, response-ability and epistemologies
-
The anatomy of knowledge : on The Dead/The Undead by Mobile Akademie Berlin
-
Far at the same time intimate : duality distance between audience and actor in 360-degree VR theatre
-
A framework for the description of age-related symptoms in audio media : definition and implementation
-
Grief as a doorway to love : an Interview with Chris Jordan
-
- Miscellaneous
- open access
Elizabeth Ezra (2017) The cinema of things : globalization and the posthuman object
-
Kroaten in de Lage Landen : Ante ‘Splinterfunk’ en Meri ‘Veel te mooi’ Cetinić
-
Chasing your own tail : the inclusive artist's process in project-based contemporary dance
-
- PhD Thesis
- open access
De stijlvolle verovering van de wereld : de genese, incubatie en disseminatie van nieuwe dansrepertoires (1756 – 1818) : voorbeelden uit de Zuidelijke Nederlanden en Prinsbisdom / Land van Luik in Europese context
(2020) -
Revisiting the scenic essay
-
Auditory-motor coupling to musical and non-musical rhythms during walking in persons with Multiple Sclerosis
(2020) -
Afscheid van ‘la grande muette'
-
Lumumba in the hood : the legacy of Patrice Lumumba in rap music since 1990
-
- Journal Article
- A2
- open access
Reaganite America and its mnemonic menaces : a thematic analysis of collective trauma and enemy image construction in the 1980s American action film
-
The perception of men's intimacy in the fin de siècle : a consideration via Delville's The School of Plato
-
- Journal Article
- A1
- open access
A pilot study of the effects of running training on visuospatial memory in MS : a stronger functional embedding of the hippocampus in the default-mode network?
-
Measuring walking-related performance fatigability in clinical practice : a systematic review
-
Towards an integrative methodological approach of film remake studies
-
Alain Platel's quest for embodied salvation : a musical perspective on C(H)OEURS
-
- Journal Article
- A4
- open access
Digital popular culture as a way to promote Chinese national identity in the Post-socialist Era : a case study of My People, My Country
-
- Conference Paper
- C3
- open access
Grasping half-obscure ideas hidden in the shadows : on the lecture performance as essayistic practice
-
Faces of evil : enemy image construction in the American action film
(2020) -
New Belgian theatrical rating system
-
Introduction
-
A dramaturgy of stuttering
-
Troubled pasts and presents, differential futures : Alain Platel's choreopolitics with les ballets C de la B
-
Brain and behavioural aspects of embodied musical interaction in dyads
(2020) -
- Journal Article
- A2
- open access
Rethinking biases : een meerstemmig gesprek over postkoloniale blinde vlekken in cinema
-
- Journal Article
- A1
- open access
Music listening as coping behavior : from reactive response to sense-making
-
Een kritische dialoog met het slavernijverleden : over Kraspoekol, of de slaaverny (1800) van Dirk van Hogendorp
-
Seventeenth-century English rope dancers in the Low Countries
-
- Journal Article
- A2
- open access
Cultural co-resonance and cosmopolitan music identities in the Dagbon Hiplife Zone in Tamale of Northern Ghana
-
- Book Chapter
- open access
Hiplife : the location, organization and structure of the local urban pop industry in Tamale
-
Children’s verbal explanations of their visual representation of the music
-
- Journal Article
- A2
- open access
Linking embodied coordination dynamics and subjective experiences in musical interactions : a renewed methodological paradigm
-
Labor and aesthetics in European contemporary dance : dancing precarity
(2020) -
- Journal Article
- A1
- open access
Increasing divergent thinking capabilities with music-feedback exercise
-
- Book Chapter
- open access
Izadora Weiss
-
Role of the international and national renal organizations in natural disasters : strategies for renal rescue
-
Victor Fleming & George Cukor's 'Gone With the Wind' (1939)
(2020) Film-Plateau. -
- PhD Thesis
- open access
What is cinema?
(2020) -
- Miscellaneous
- open access
Brussels Trio Sonatas : Project Boussu
(2020) -
- Miscellaneous
- open access
Luisterrijk der letteren : hoorspel en literatuur in Nederland en Vlaanderen
-
Radio drama as art and industry : a case study on the textual and institutional entanglements of the radio play The Slow Motion Film
-
The essay, the maligned : on the performativity of the essay as hybrid form
-
- Conference Paper
- C1
- open access
Adapted NMFD update procedure for removing double hits in drum mixture decompositions
-
On differences that make the difference : a multi-methodological research project on monolingual film remakes in small film industries : the case of Flanders and the Netherlands
(2020) -
- Miscellaneous
- open access
Leven voor de film : Robbe De Hert (1942-2020)
-
- Issue Editor
- open access
Sound & listening : on the edge of music, performance, film and new media
Leonie Persyn (UGent) -
- Journal Article
- A2
- open access
The touch of sound, more than a metaphor : the inscription of the listening body in the corporeality of a group
-
- PhD Thesis
- open access
Non sperderla questa debole forza : het politieke momentum in de genese van Luigi Nono's 'Prometeo' (1984/85)
(2020) -
‘De Duivel schoptse voor haar kont. Hoezée, Hoezée, Hoezée!’ : Het lied als agitator in Nederlandse twisten, rellen en protesten, 1780-1820
-
Imposing street authority & the politics of everyday policing : (anti-)gangs, the state & martial arts and action movies in Goma, DRC
(2020) -
- Journal Article
- A2
- open access
The role of the body in instrumental and vocal music pedagogy : a dynamical systems theory perspective on the music teacher's bodily engagement in teaching and learning
-
- Journal Article
- A2
- open access
Mapping film programming across Post-War Europe (1952)
-
Chandler Carter, The Last Opera : The Rake's Progress in the Life of Stravinsky and Sung Drama
-
Geopoetic praxis in European diversity/decoloniality
-
Sink-chronising my suggetion for a ritual of closure, hospitality and care
-
- Conference Paper
- C3
- open access
Performer-based analysis method : una proposta di metodo d’analisi della performance nella ricerca artistica musicale
-
Making a new beginning
-
- Miscellaneous
- open access
Op het scherp van de snee : sacrale sensualiteit
(2020) p.6-13 -
- Journal Article
- A2
- open access
Il fascino dell’intuizione femminile : Marie Trautmann (in Jaëll), pianista, pedagoga e ricercatrice
-
Parliament of practices : no-topian tactics for praxical dialogue
-
Real-time composition, contemporaneity and somatic awareness in the work of the Ecuadorian choreographer Ernesto Ortíz
-
Computer-based synaesthesia and the design of complex methods to approach multimodal realities of dance and music through technology : an interview with Alexander R. Jensenius, Deputy-Director of the RITMO Centre of Excellence of the University of Oslo
-
Over dansen naar pijpen op slappe koorden
-
Ludmilla, of lijken aan de lopende band
-
Recensie : In reprise : tweeëntwintig Nederlandse en Vlaamse toneelstukken om opnieuw te bekijken
-
Dwars door Vlaanderen met Zuidpark
-
Von Barsy and Von Maydell's De Stad Die Nooit Rust : a port city symphony
-
Towards an understanding of drone fiction
-
- Book Chapter
- open access
Bridging monuments : on repetition, time and articulated knowledge at The Bridge of Winds’ group
-
Afrikaanse letterkunde : tradities, genres, auteurs en ontwikkelingen
(2019) -
Lemon Juicer Merkel : where the real and the fictional Europe meet : exploring Thomas Bellinck’s 'Domo de Eŭropa Historio en Ekzilo'
-
TEE 1823 Berlin - Wien: nachttrein van verloren illusies
(2019) p.6-13 -
Een geschiedenis van de Europese muziek tot 1900
(2019) -
'I tell, herefore you are' : identity in The Handmaid's Tale : a comparison between the novel and the series
-
Musical meaning modulates word acquisition
-
- Journal Article
- A2
- open access
'Wat hebben wíj herdacht' : relationele dramaturgie in Nederlands herdenkingstheater
-
- PhD Thesis
- open access
Das Freispiel : onderzoek naar de viooltechniek in de negentiende, toegepast op het Duitse repertoire
(2019) -
- Journal Article
- A2
- open access
Exile, return, record : exploring historical narratives and community resistance through participatory filmmaking in 'post-conflict’ Guatemala
-
Waiting for Verdi : opera and political opinion in nineteenth-century Italy, 1815-1848
-
Challenging hegemony : theatre as an ideological space in Tadeusz Kantor's Theatre of Death
-
Breathing as an embodied elasticity, which enables the procrastination of movement
-
- PhD Thesis
- open access
Variations on a Rococo theme, Op.33 : Pyotr Tchaikovsky and Karl Friedrich Wilhelm Fitzenhagen : a creative collaboration : Moscow and Saint Petersburg violoncello schools in the light of European traditions : a historical and textological clarification
(2019) -
- Conference Paper
- C1
- open access
The Dagbon Hiplife Zone in Northern Ghana contemporary idioms of music making in Tamale
-
Tracing the essay in contemporary theatre and performance
-
- Journal Article
- A2
- open access
Intégrer le corps en deuil fragmenté : lamentations funèbres en milieu punu = Integrating the fragmented body in mourning : funeral lamentations among the Punu
-
On essayistic thinking
-
- Journal Article
- A2
- open access
The rise of the Chinrest and shoulder rest : their influence on violin performance practice
-
- Journal Article
- A2
- open access
The intensity factor in the traditional idiom of music making in Dagbon
-
- Conference Paper
- C1
- open access
The intensity factor in the traditional idiom of music making in Dagbon : expressive components in the dance mode of drumming
-
- Conference Paper
- C3
- open access
Disciplining neorealism abroad : reflections on censorial gaze and cutting imported Italian movies (1946-1960)
-
- Journal Article
- A2
- open access
The Dagbon Hiplife Zone in Northern Ghana contemporary idioms of music making in Tamale
-
- Journal Article
- A2
- open access
Performing with the masquerade : towards a corporeal reconstitution of Sophie Taeuber's Dada performances
-
Machine (wo)man: genderplay en de metafoor van de machine in Sophie Taeubers performances en het beeldend werk van Suzanne Duchamp
-
From Chinese local history to another memory : an interview with Folk Memory Project on their workshop with African refugees
-
Children’s representational strategies based on verbal versus bodily interactions with music : an intervention-based study
-
Sing to victory : song in Soviet society during World War II
-
Het Festival van Vlaanderen als actor in cultuur
(2019) -
Was er leven voor de kunst in het grote bureaucratische spel? De Sovjetmuziek tussen vrijheid, repressie en officiële idealen.
-
- Journal Article
- A2
- open access
The researcher-as-dramaturg : lingering in-between theory and practicer or how artistic strategies enrich academic research : a manifesto to switch gear
-
The theatre space as essayistic space : on Infini 1-15 by Decoratelier
-
The cinematic spaces of the Horizontal Metropolis : image of Flemish suburbia
-
- Conference Paper
- C3
- open access
The cinematic spaces of the Horizontal Metropolis : the image of Flemish suburbia
-
- Journal Article
- A2
- open access
I Breathe, You Breathe, We Breathe: How a daily habitual movement appears as an action and grows into a gesture through listening
-
Work with(out) boundaries : precarity and dance
Katharina Pewny (UGent) , Annelies Van Assche (UGent) , Simon Leenknegt (UGent) and Rebekah J. Kowal -
- Journal Article
- A1
- open access
Mayday, Mayday, Mayday! Moving from European discourses on the precarious and art to the realities of contemporary dance
-
Introduction : dance in Africa and beyond : creativity and identity in a globalized world
-
- Journal Article
- A2
- open access
The drama(turgy) of non-belonging : Jeroen Coppens in dialogue with Motus on sharing identity in panorama
-
Test-retest reliability of cognitive-motor interference assessments in walking with various task complexities in persons with Multiple Sclerosis
-
Nuove frontiere per la metodologia di ricerca sull’esecuzione musicale : il connubio tra arte e scienza
-
A qualitative analysis of coping with trauma and exile in applied theatre with Syrian refugees : the role of within-group interactions
-
'This Body is in Danger!' On ecology, protest, and artistic activism in Benjamin Verdonck's 'Bara/Ke' (2000)
(2019) Emerging affinities : possible futures of performative arts. In Theater Studies 127. p.211-236 -
Blackface burlesque : changing praxes and poetics of blackness in the Dutch repertoire before Minstrelsy, 1790-1830
-
Theatricality : a dramatic form of contesting spectatorial codes
-
- Journal Article
- A2
- open access
De Waarheidscommissie reconsidered : tussen realiteit en fictie : een postkoloniaal-marxistische analyse van De Waarheidscommissie van Action Zoo Humain
-
Editors’ note : work with(out) boundaries : precarity and dance
-
- Conference Paper
- C3
- open access
Keynote : Brave Belgians! Ghentian Horn Players and the ‘Lyrical’ Style, 1872-1962
-
Brave Belgians! Lyrical repertoire for the horn from the Romantic era
(2019) 5 volumes. -
Hou Hsiao-hsien's 'The Green Green Grass of Home' (1982)
(2019) FILM-PLATEAU. -
- Journal Article
- A4
- open access
«Collusion, not collision»? : proximity and distance in Olivier Assayas’ ‘Doubles vies’ (‘non-fiction’)
(2019) PHOTOGENIE. -
Voice of nature : the trial, Maria Lucia Cruz Correia : een tragedie in acht bedrijven
-
- Miscellaneous
- open access
Les effets de l’action sur la perception de la musique
-
- Journal Article
- A2
- open access
From New England to the Low Countries : a comparative translation analysis of Eugene O’Neill’s 'Desire under the elms' and Arne Sierens’ 'Het begeren onder de olmen'
-
- Issue Editor
- open access
Special issue : expressive interaction with music
Micheline Lesaffre (UGent) , Edith Van Dyck (UGent) and Marc Leman (UGent) -
- Miscellaneous
- open access
Tribute to Joseph Hanson Kwabena Nketia
-
- Issue Editor
- open access
On colour and spectacle
Evelien Jonckheere and Tessa Vannieuwenhuyze (UGent) -
- Miscellaneous
- open access
Het teken van de achternaam : Clara Wieck-Schumann
(2019) p.24-39 -
- Miscellaneous
- open access
Het gouden midden
(2019) p.6-15 -
- Miscellaneous
- open access
Schuberts ‘Winterreise’ : duisternis zichtbaar gemaakt
(2019) p.6-15 -
Un’indagine analitico-performativa sui 72 Studi Carnatici per pianoforte di Jacques Charpentier (1933-2017)
-
- Conference Paper
- C3
- open access
Children’s verbal explanations after verbal versus body movement interactions with music
-
- Conference Paper
- C3
- open access
Listening with your body : an intervention-based study
-
Let’s talk about aftertalk
-
- Book Chapter
- open access
La animadversión por la imagen y su potencial como herramienta para la aproximación al acontecimiento escénico posdramático : descripción de un cuadro y la oportunidad de redefinir los límites entre el teatro y el arte de la performance
-
La parergonalidad en el teatro : deconstrucción del arte de la escena como coeficiente de sus múltiples encuadramientos
(2019) -
- Journal Article
- A2
- open access
Las resonancias epistemológicas de convertir a Derrida en dramaturgo teatral
-
Een kritische blik op het verleden
-
Dramaturgy of migration : staging multilingual encounters in contemporary theatre
Yana Meerzon and Katharina Pewny (UGent)(2019) -
Introduction : dramaturgies of self : language, authorship, migration
-
On multilinguality, decolonisation and postmigrant theatre : a conversation between Azadeh Sharifi and Laura Paetau
-
Theaterstuk : Hatta & De Kom (Sir Duke/Orkater)
-
- Book Chapter
- open access
The intimacy of public space : an interview with Kris Verdonck
-
La question des versions
-
- Journal Article
- A4
- open access
Cally Spooner : tussen taal en lichaam
-
- Journal Article
- A1
- open access
Beyond documentation : the digital philology of interaction heritage
-
- Conference Paper
- C3
- open access
Chasing your own tail: on artists and projects
-
- Journal Article
- A2
- open access
The essay in times of crisis
-
‘Behind every stone awaits an Alexander’ : unravelling the limits of participation within micro and macro dramaturgy of participatory refugee theatre
-
Hoe keken Zweden en Belgen naar Bergman?
-
Letteratura, cinema e lavoro : intervista a Paolo Chirumbolo
-
De stof van onze dromen
(2018) p.6-12 -
Iedereen is van de wereld
(2018) p.6-13 -
“Muziek is stilte met liefde benaderd”: Arvo Pärt en de schaduw van het Woord
(2018) p.6-13 -
August Strindberg, Freule Julie
-
- Conference Paper
- C3
- open access
Installing an aesthetic moment sound as a boundary-crossing iteration for itinerancy
-
- Conference Paper
- C1
- open access
The intensity factor in the traditional idiom of music making in Dagbon
-
- Book Chapter
- open access
Enescu's Oedipe : mythe, drama, partituur
-
- Journal Article
- A2
- open access
George Maciunas and the flux-labyrinth (1974/1976) : staging a soho way of life
-
Kitō-ryū jūjutsu and the desolation of Kōdōkan jūdō’s Koshiki-no-kata : remembering Inoue Shōji (1927-2018)
-
- PhD Thesis
- open access
Dancing precarity : a transdisciplinary study of the working and living conditions in the contemporary dance scenes of Brussels and Berlin
(2018) -
Practice as conditioning
-
- Journal Article
- A2
- open access
‘En plots ben ik een individu…’ : de fluctuerende functie van dramaturg-als-onderzoeker en onderzoeker-als-dramaturg
-
'Beschermer der Zwarten' : over slavernijkritisch theater en witte onschuld
-
- Journal Article
- A4
- open access
Dissonante stemmen : het Poolse theater als een ruimte voor verzet tegen sluipend autoritarisme
-
- Journal Article
- A1
- open access
From political biography to political event : the Daens myth in literature and cinema
-
- Journal Article
- A4
- open access
Thinking out loud : essayistic figures on stage
-
- Journal Article
- A2
- open access
Imagining Chinatown : 'Broken Blossoms' (1919) in Britain
-
Innovation, mixage et technicité : références à la ‘modernité’ chez les danseurs ‘traditionnels’ du Rwanda
-
- PhD Thesis
- open access
From the cyborg to the apparatus : figures of posthumanism in the philosophy of Giorgio Agamben and the contemporary performing arts of Kris Verdonck
(2018) -
Performing self-sacrifice, despite everything or despite oneself? Embodying a necropolitical space of appearance in the Tunisian revolution
-
À la recherche du son comme résolution de conflits : l’utopie musicale de la suite n. 9 'Ttai' pour piano de Giacinto Scelsi
-
- Miscellaneous
- open access
All Inclusive - Julian Hetzel : tegen de sterren op
-
Shaping Europe’s first dance craze : the role of Napoleon's grande armée in the dissemination of the Quadrille (1800–1814) : case studies in cultural mobility from the Southern Netherlands
-
Hugo Claus, de snelste en goedkoopste filmer van Europa : de totstandkoming van De Vijanden
-
Precarity : a concept linking performance studies and social sciences
-
Tracing the essay in contemporary performing arts