Ghent University Academic Bibliography

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All eyes on me : behaving as soloist in duo performances leads to increased body movements and attracts observers' visual attention

Mats Küssner, Edith Van Dyck (UGent) , Birgitta Burger, Dirk Moelants (UGent) and Pieter Vansteenkiste (UGent)

(2020) MUSIC PERCEPTION. 38(2). p.195-213
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Exploring the effect of tempo-changes on violinists’ body movements

Esther Coorevits (UGent) , Dirk Moelants (UGent) , Pieter-Jan Maes (UGent) and Marc Leman (UGent)

(2019) MUSICAE SCIENTIAE. 23(1). p.87-110
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Visual and auditory cues in music performance and their role in attracting attention from the audience

Dirk Moelants (UGent) , Edith Van Dyck (UGent) , Pieter Vansteenkiste (UGent) and Marc Leman (UGent)

(2017) International symposium on performance science. p.167-168
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Tempo in Baroque music and dance

Esther Coorevits (UGent) and Dirk Moelants (UGent)

(2016) MUSIC PERCEPTION. 33(5). p.523-545
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Single gesture cues for interpersonal synchronization

Esther Coorevits (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2016) Proceedings of the 14th International Conference on Music Perception and Cognition.
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Decomposing a composition : on the multi-layered analysis of expressive music performance

Esther Coorevits (UGent) , Dirk Moelants (UGent) , Stefan Östersjö, David Gorton and Marc Leman (UGent)

(2016) Music, mind, and embodiment. In Lecture Notes in Computer Science 9617. p.167-189
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Synchronization in ensemble performance: the sniff as a temporal cue

Esther Coorevits (UGent) and Dirk Moelants (UGent)

(2015) Proceedings of the 8th International Conference of Students of Systematic Musicology (SysMus 2015).
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The influence of tempo on expressive timing: a multimodal approach

Esther Coorevits (UGent) , Dirk Moelants (UGent) , Pieter-Jan Maes (UGent) and Marc Leman (UGent)

(2015) 9th Triennial Conference of the European Society for the Cognitive Sciences of Music, Abstracts. p.303-310
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Tempo in Baroque music and dance

Esther Coorevits (UGent) and Dirk Moelants (UGent)

(2014) Proceedings of the ICMPC-APSCOM 2014 Joint Conference. p.12-18
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Evolution of timing through instrumental practice by violinists and clarinettists

Dirk Moelants (UGent) , Luc Nijs (UGent) and Marc Leman (UGent)

(2014) ICMPC-APSCOM 2014 Joint Conference.
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Gesture as a communicative tool in vocal pedagogy

Katty Kochman (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2014) JOURNAL OF INTERDISCIPLINARY MUSIC STUDIES. 6(2). p.233-250
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Austerity measures

Esther Coorevits (UGent) , Dirk Moelants (UGent) , David Groton and Stefan Östersjö

(2014) Orpheus Research Festival 2014, Abstracts. p.18-18
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- Book Chapter
Applications in music education

Dirk Moelants (UGent)

(2013) The power of music : researching musical experiences : a viewpoint from IPEM. p.77-84
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Tempo in Baroque music and dance

Esther Coorevits (UGent) and Dirk Moelants (UGent)

(2013) Coorevits E and Moelants D (2013) : Tempo in Baroque Music and Dance. Front. Hum. Neurosci. Conference Abstract: 14th Rhythm Production and Perception Workshop.
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The impact of the bass drum on human dance movement

Edith Van Dyck (UGent) , Dirk Moelants (UGent) , Michiel Demey (UGent) , Alexander Deweppe, Pieter Coussement (UGent) and Marc Leman (UGent)

(2013) MUSIC PERCEPTION. 30(4). p.349-359
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Activating and relaxing music entrains the speed of beat synchronized walking

Marc Leman (UGent) , Dirk Moelants (UGent) , Matthias Varewyck (UGent) , Frederik Styns (UGent) , Leon van Noorden and Jean-Pierre Martens (UGent)

(2013) PLOS ONE. 8(7).
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Respiration as a tool for nonverbal communication in accompanied vocal performance

Katty Kochman (UGent) , Matthias Demoucron (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2012) Proceedings of the 12th international conference on music perception and cognition and the 8th triennial conference of the European Society for the Cognitive Sciences of Music. p.537-540
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Using narrative analysis to map the control parameters of enhanced operatic singing

Katty Kochman (UGent) , Pieter Coussement (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2012) JOURNAL OF NEW MUSIC RESEARCH. 41(1). p.121-136
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Respiration as a indicator of embodied music cognition in collaborative vocal performance

Katty Kochman (UGent) , Matthias Demoucron (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2012) COGNITIVE PROCESSING. 13(1). p.S44-S45
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The influence of an audience on performers: a comparison between rehearsal and concert using audio, video and movement data

Dirk Moelants (UGent) , Michiel Demey (UGent) , Maarten Grachten (UGent) , Chia-Fen Wu and Marc Leman (UGent)

(2012) JOURNAL OF NEW MUSIC RESEARCH. 41(1). p.67-78
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Sound caterpillar: assesment and training of sound and music perception skills in hearing impaired children

Leen De Bruyn (UGent) , Birgit Philips (UGent) , Dirk Moelants (UGent) , Pieter Coussement (UGent) , Marc Leman (UGent) and Ingeborg Dhooge (UGent)

(2012) 11th international congress of the European Society of Pediatric Otorhinolaryngology, Abstracts. p.81-81
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The performance of notes inégales: the influence of tempo, musical structure and individual performance style on expressive timing

Dirk Moelants (UGent)

(2011) MUSIC PERCEPTION. 28(5). p.449-459
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Conveying syncopation in music performance

Dirk Moelants (UGent)

(2011) 13th international rhythm perception and production workshop, Abstracts.
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Performance and perception of 'Phase shifting'

Dirk Moelants (UGent) , Stephan Weytjens and Jeroen D'Hoe

(2011) 3rd Minimalism Conference, Abstracts.
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An embodied approach to testing musical empathy in subjects with an autism spectrum disorder

Leen De Bruyn (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2011) MUSIC AND MEDICINE. 4(1). p.28-36
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A case-study investigation of respiration in operatic singing: an implementation of research design and applications

Katty Kochman (UGent) , Michiel Demey (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2011) JOURNAL OF INTERDISCIPLINARY MUSIC STUDIES. 5(1). p.41-55
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Sound caterpillar: an interactive, musical auditory training game for hearing impaired children

Leen De Bruyn, Birgit Philips, Dirk Moelants, Pieter Coussement (UGent) , Marc Leman and Ingeborg Dhooge

(2011) 10th European symposium on paediatric cochlear implantation, Abstracts.
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Partimento and continuo playing: in theory and practice

Dirk Moelants (UGent)

(2010) 9.
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Investigating age related differences in timbre representation and discrimination

Leen De Bruyn (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2010) Proceedings of the 11th international conference on music perception and cognition (ICMPC 11). p.336-337
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Access to ethnic music: advances and perspectives in content-based music information retrieval

Olmo Cornelis (UGent) , Micheline Lesaffre (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2010) SIGNAL PROCESSING. 90(4). p.1008-1031
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Respiration as an emotional tool in operatic singing

Katty Kochman (UGent) , Marc Leman (UGent) , Dirk Moelants (UGent) and Chia-Fen Wu

(2010) Conference on Interdisciplinary Musicology : nature versus culture, Proceedings. p.62-63
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Taking the Phantom out of the opera: creating child-friendly opera performances

Chia-Fen Wu, Dirk Moelants (UGent) , Josephine Schreibers and Marc Leman (UGent)

(2010) 29th international society of music education conference, Abstracts. p.194-194
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Performance micro-gestures related to musical expressiviness

Jin Hyun Kim, Michiel Demey (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2010) Proceedings of the 11th international conference on music perception and cognition (ICMPC 11). p.827-833
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Do children benefit from specialist music education? Sound discrimination abilities in musically trained versus musically untrained children

Leen De Bruyn (UGent) , Dirk Moelants (UGent) , Pieter Coussement (UGent) and Marc Leman (UGent)

(2010) 29th international society of music education conference, Abstracts.
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Analysis and automatic annotation of singer's postures during concert and rehearsal

Maarten Grachten (UGent) , Michiel Demey (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2010) Sound and Music Computing Conference, proceedings. p.191-198
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From expressive gesture to sound: the development of an embodied mapping trajectory inside a musical interface

Pieter-Jan Maes (UGent) , Marc Leman (UGent) , Micheline Lesaffre (UGent) , Michiel Demey (UGent) and Dirk Moelants (UGent)

(2010) JOURNAL OF MULTIMODAL USER INTERFACES. 3(1-2). p.67-78
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The impact of the bass drum on body movement in spontaneous dance

Edith Van Dyck (UGent) , Dirk Moelants (UGent) , Michiel Demey (UGent) , Pieter Coussement (UGent) , Alexander Deweppe and Marc Leman (UGent)

(2010) Proceedings of the 11th international conference on music perception and cognition (ICMPC 11). p.429-434
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Binary-ternary ambiguity in tempo perception

Dirk Moelants (UGent)

(2009)
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EmcoMetecca-Vlaams 'center of excellence' voor systematische musicologie

Dirk Moelants (UGent)

(2009) Heden, verleden en toekomst van de Nederlandse muziekwetenschap.
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Performing music with delayed auditory feedback

Dirk Moelants (UGent) , Michiel Demey (UGent) and Marc Leman (UGent)

(2009) Proceedings of the 2009 European Society for the Cognitive Sciences of Music Conference. p.348-352
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Interacting with the public: a comparison of concert and rehearsal performance using sound, video and movement recordings

Chia-Fen Wu, Dirk Moelants (UGent) and Marc Leman (UGent)

(2009) The Musical Body.
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Global access to ethnic music: the next big challenge?

Olmo Cornelis (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2009) Proceedings of the 10th conference of the International Society of Music Information Retrieval.
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Exploring African tone scales

Dirk Moelants (UGent) , Olmo Cornelis (UGent) and Marc Leman (UGent)

(2009) Proceedings of the 10th conference of the International Society of Music Information Retrieval. p.489-494
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Integration of music information retrieval techniques into the practice of ethnic music collections

Micheline Lesaffre (UGent) , Olmo Cornelis (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2009)
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Performing in concert and in rehearsal: a comparison using audio, video and movement data

Dirk Moelants (UGent) , Chia-Fen Wu, Michiel Demey (UGent) and Marc Leman (UGent)

(2009) Proceedings of the 2009 European Society for the Cognitive Sciences of Music Conference. p.343-347
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An interactive sound recognition game for primary school children

Leen De Bruyn (UGent) , Dirk Moelants (UGent) , Pieter Coussement (UGent) and Marc Leman (UGent)

(2009) Conference of the European Network of Music Educators and Researchers of Young Children, 4th, Proceedings. p.397-408
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- Conference Paper
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Does social interaction activate music listeners?

Leen De Bruyn (UGent) , Marc Leman (UGent) , Dirk Moelants (UGent) and Michiel Demey (UGent)

(2009) LECTURE NOTES IN COMPUTER SCIENCE. 5493. p.93-106
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An interactive sound recognition game for primary school children

Leen De Bruyn (UGent) , Dirk Moelants (UGent) , Pieter Coussement (UGent) and Marc Leman (UGent)

(2009) MERYC2009 : 4th Conference of the European Network of Music Educators and Researchers of Young Children, Abstracts. p.105-106
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Concepts, technology and assessment of the social music game 'sync-in-team'

Marc Leman (UGent) , Michiel Demey (UGent) , Micheline Lesaffre (UGent) , Leon van Noorden and Dirk Moelants (UGent)

(2009) Proceedings of the 2009 International Conference on Computational Science and Engineering. 4. p.837-842
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Notes Inégales in Contemporary Performance Practice

Dirk Moelants (UGent)

(2008) The 10th International Conference on Music Perception and Cognition (ICMPC 10).
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Hype vs. Natural Tempo: a Long-term Study of Dance Music Tempi

Dirk Moelants (UGent)

(2008) The 10th International Conference on Music Perception and Cognition.
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- Journal Article
- A4
De kunst van Morton Feldman

Dirk Moelants (UGent)

(2008) Concertgebouw (BRUGGE). 6(1). p.16-16
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Quantifying Children’s Embodiment of Musical Rhythm in Individual and Group Settings

Leen De Bruyn (UGent) , Marc Leman (UGent) and Dirk Moelants (UGent)

(2008) The 10th International Conference on Music Perception and Cognition.
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Measuring and Quantifying the Impact of Social Interaction on Listeners' Movement to Music

Leen De Bruyn (UGent) , Marc Leman (UGent) , Dirk Moelants (UGent) , Michiel Demey (UGent) and F DE SMET

(2008) Proceedings of the 2008 Computers in Music Modeling and Retrieval and Network for Cross-Disciplinary Studies of Music and Meaning Conference. p.298-305
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- Miscellaneous
Music, movement, sound and time; Papers from the 10th Rhythm Perception and Production Workshop

Leo Van Noorden (UGent) and Dirk Moelants (UGent)

(2007) HUMAN MOVEMENT SCIENCE. 26(5). p.699-701
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Acoustic and physiological characteristics of 20th century vocal techniques

H ONO and Dirk Moelants (UGent)

(2007) CIM07 - 3rd conference on Interdisciplinary Musicology: Abstracts. p.106-107
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Discovering the key of an audio piece by singing

Eveline Heylen (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2007) CIM07 - 3rd Conference on Interdisciplinary Musicology: Abstracts. p.62-63
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- Journal Article
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Evaluation of audio beat tracking and music tempo extraction algorithms

MF MCKINNEY, Dirk Moelants (UGent) , MEP DAVIES and A KLAPURI

(2007) JOURNAL OF NEW MUSIC RESEARCH. 36(1). p.1-16
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Walking on music

Frederik Styns (UGent) , Leo Van Noorden (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2007) HUMAN MOVEMENT SCIENCE. 26(5). p.769-785
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Embodied listening performances reveal relationships between movements of player and listeners

Marc Leman (UGent) , F DESMET, Frederik Styns (UGent) , Leo Van Noorden (UGent) and Dirk Moelants (UGent)

(2007) Proceedings of ENACTIVE/07. p.141-144
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Music retrieval by rhythmic similarity applied on Greek and African traditional music

I ANTONOPOULOS, A PIKRAKIS, S THEODORIDIS, Olmo Cornelis (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2007) Proceedings of the 8th International Conference on Music Information Retrieval. p.297-300
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- Journal Article
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The problems and opportunities of content-based analysis and description of ethnic music

Dirk Moelants (UGent) , Olmo Cornelis (UGent) , Marc Leman (UGent) , J Gansemans, Rita De Caluwe (UGent) , Guy De Tré (UGent) , T Matthé and Axel Hallez (UGent)

(2007) INTERNATIONAL JOURNAL OF INTANGIBLE HERITAGE (SEOUL. PRINT). 2. p.58-67
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- Journal Article
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Perception and performance of aksak metres

Dirk Moelants (UGent)

(2006) MUSICAE SCIENTIAE. 10(2). p.147-172
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- Miscellaneous
Special issue: Papers from the 10th Rhythm Perception and Production Workshop

Leo Van Noorden (UGent) and Dirk Moelants (UGent)

(2006) MUSIC PERCEPTION. 24(2). p.123-124
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Ambiguity in tempo perception: What draws listeners to different metrical levels?

M MCKINNEY and Dirk Moelants (UGent)

(2006) MUSIC PERCEPTION. 24(2). p.155-165
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- Conference Paper
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Pitch and tempo precision in the reproduction of familiar songs

Dirk Moelants (UGent) , Frederik Styns (UGent) and Marc Leman (UGent)

(2006) Proceedings of the tenth International Conference on Music Perception and Cognition.
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- Conference Paper
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Singing along with music to explore tonality

E. Heylen, Dirk Moelants (UGent) and Marc Leman (UGent)

(2006) Proceedings of the 9th International Conference on Music Perception and Cognition.
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- Conference Paper
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The speed of walking while synchronizing with music: or how to model the 2Hz resonance in human locomotion and musical tempo

Leon van Noorden, Frederik Styns (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2006) Abstract booklet of the workshop on dynamic walking.
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Problems and opportunities of applying data-& audio-mining techniques to ethnic music

Dirk Moelants (UGent) , Olmo Cornelis (UGent) , Marc Leman (UGent) , J Gansemans, Rita De Caluwe (UGent) , Guy De Tré (UGent) , Tom Matthé (UGent) and Axel Hallez (UGent)

(2006) Proc. 7th Intern.Conference on music information retrieval , ISMIR. p.334-336
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Similarity between multi-valued thesaurus attributes: theory and application in multimedia systems

Tom Matthé (UGent) , Rita De Caluwe (UGent) , Guy De Tré (UGent) , Axel Hallez (UGent) , Jörg Verstraete (UGent) , Marc Leman (UGent) , Olmo Cornelis (UGent) , Dirk Moelants (UGent) and J Gansemans

(2006) FLEXIBLE QUERY ANSWERING SYSTEMS, PROCEEDINGS. 4027. p.331-342
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- Journal Article
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The influence of pitch interval on the perception of polvrhvthms

Dirk Moelants (UGent) and Leo Van Noorden (UGent)

(2005) MUSIC PERCEPTION. 22(3). p.425-440
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Measuring musically embodied movement

Frederik Styns, Leon van Noorden, Dirk Moelants and Marc Leman

(2005) Rhythm Perception and Performance Workshop, 10th, Abstracts and presentations.
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- Journal Article
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Prediction of musical affect using a combination of acoustic structural cues

Marc Leman (UGent) , Valery Vermeulen, Liesbeth De Voogdt, Dirk Moelants (UGent) and Micheline Lesaffre (UGent)

(2005) JOURNAL OF NEW MUSIC RESEARCH. 34(1). p.39-67
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Digitisation of the ethnomusicological sound archive of the Royal Museum for Central Africa (Belgium)

Olmo Cornelis (UGent) , Rita De Caluwe (UGent) , Guy De Tré (UGent) , Axel Hallez (UGent) , Marc Leman (UGent) , Tom Matthé (UGent) , Dirk Moelants (UGent) and J Gansemans

(2005) IASA JOURNAL. p.35-43
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- Conference Paper
- P1
A framework for flexible querying and mining of musical audio archives

Tom Matthé (UGent) , Guy De Tré (UGent) , Axel Hallez (UGent) , Rita De Caluwe (UGent) , Marc Leman (UGent) , Olmo Cornelis (UGent) , Dirk Moelants (UGent) and J Gansemans

(2005) 16th International Workshop on Database and Expert Systems Applications, Proceedings. p.1041-1045
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- Conference Paper
- C3
Deviations from the resonance theory of tempo induction

M MCKINNEY and Dirk Moelants (UGent)

(2004) Abstracts of the Conference on Interdisciplinary Musicology (Full text included on CD-rom). p.124-125
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- Book Chapter
- open access
Spontaneous user behavior in "vocal" queries for music-information retrieval

Micheline Lesaffre (UGent) , Dirk Moelants (UGent) and Marc Leman (UGent)

(2004) Music Query - Methods, Models, and User Studies. p.129-146
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- Conference Paper
- C1
Using audio features to model the affective response to music

Marc Leman (UGent) , Valery Vermeulen, Liesbeth De Voogdt and Dirk Moelants (UGent)

(2004) Proceedings of the International Symposium on Musical Acoustics.
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- Book Editor
Proceedings of the Colloquium 'Past, Present and Future of Music and Technology': 18th Meeting of the FWO Research Society 'Foundations of Music Research'.

Dirk Moelants (UGent)

(2003)
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- Conference Paper
- C1
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Dance music, movement and tempo preferences

Dirk Moelants (UGent)

(2003) Proceedings of the 5th Triennial ESCOM Conference. p.649-652
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- Journal Article
- A2
Feldman, memory and the perception of slowness

Dirk Moelants (UGent)

(2003) TIJDSCHRIFT VOOR MUZIEKTHEORIE. 8(3). p.215-226
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- Book Chapter
Authentieke uitvoeringspraktijk en hedendaagse muziek.

Dirk Moelants (UGent)

(2003) Onder hoogspanning : muziekcultuur in de hedendaagse samenleving.
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Correlation of gestural musical audio cues and perceived expressive qualities

Marc Leman (UGent) , Valery Vermeulen, Liesbeth De Voogdt, Johan Taelman, Dirk Moelants (UGent) and Micheline Lesaffre (UGent)

(2003) Lecture Notes in Artificial Intelligence. 2915. p.40-54
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- Conference Paper
- C1
User behavior in the spontaneous reproduction of musical pieces by vocal query

Micheline Lesaffre (UGent) , Dirk Moelants (UGent) , Marc Leman (UGent) , Bernard De Baets (UGent) , Hans De Meyer (UGent) , Gaëtan Martens (UGent) and Jean-Pierre Martens (UGent)

(2003) Proceedings 5th Triennial ESCOM Conference. p.208-211
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- Conference Paper
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The MAMI Query-By-Voice Experiment: Collecting and annotating vocal queries for music information retrieval

Micheline Lesaffre (UGent) , Koen Tanghe, Gaëtan Martens (UGent) , Dirk Moelants (UGent) , Marc Leman (UGent) , Bernard De Baets (UGent) , Hans De Meyer (UGent) and Jean-Pierre Martens (UGent)

(2003) Proceedings of the International Conference on Music Information Retrieval. p.65-71
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- Book Chapter
Computer analysis of timing in the performance of contemporary music.

Dirk Moelants (UGent)

(2002) Computer-applications in music research : concepts, methods, results. p.31-47
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- Miscellaneous
Goethals, Lucien

Dirk Moelants (UGent)

(2002) Die Musik in Geschichte und Gegenwart : allgemeine Enzyklopädie der Musik. Personenteil 7. p.?-?
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- Conference Paper
- C1
Preferred tempo reconsidered.

Dirk Moelants (UGent)

(2002) Proceedings of the 7th International Conference on Music Perception and Cognition / C. Stevens, D. Burnham, G. McPherson, E. Schubert, J. Renwick (eds.). - Sydney, Adelaide, Causal Productions, 2002. p.580-583
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- PhD Thesis
- open access
Een model voor ritmeperceptie toegepast op de muziek van de 20ste eeuw

Dirk Moelants (UGent)

(2002)
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What is slow ? Timing strategies in the performance of Feldman's "Last Pieces".

Dirk Moelants (UGent)

(2001) Proceedings of the VII International Symposium on Systematic and Comparative Musicology - III International Conference on Cognitive Musicology, Jyväskylä : University of Jyväskylä, 2001. p.121-128
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- Journal Article
- A2
Rhytm in Lucien Goethals' electroacoustic works

Dirk Moelants (UGent)

(2000) BELGISCH TIJDSCHRIFT VOOR MUZIEKWETENSCHAPPEN = REVUE BELGE DE MUSICOLOGIE. 54. p.143-156
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Lucien Goethals: list of works bibliography discography

Dirk Moelants (UGent)

(2000) BELGISCH TIJDSCHRIFT VOOR MUZIEKWETENSCHAPPEN = REVUE BELGE DE MUSICOLOGIE. 54. p.207-224
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- A1
Statistical analysis of written and performed music. A study of compositional principles and problems of coordination and expression in "punctual" serial music

Dirk Moelants (UGent)

(2000) JOURNAL OF NEW MUSIC RESEARCH. 29(1). p.37-60
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- Conference Paper
- C1
Perceptual analysis of 'aksak' meters. New Techniques in Ethnomusicology

Dirk Moelants (UGent)

(1999) Proceedings of the 11th Meeting of the FWO Research Society on Foundations of Music Research, Ghent : IPEM - University of Ghent, 3-26.
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- Miscellaneous
Special issue: Foundation of rhythm perception - Introduction

Dirk Moelants (UGent)

(1999) JOURNAL OF NEW MUSIC RESEARCH. 28(1). p.3-4
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- Journal Article
- A1
Resonance in the perception of musical pulse

L VAN NOORDEN and Dirk Moelants (UGent)

(1999) JOURNAL OF NEW MUSIC RESEARCH. 28(1). p.43-66
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- Conference Paper
- C1
Analysis of Music using Timing Networks with Memory: Implementation and Preliminary Results.

Marc Leman (UGent) , Koen Tanghe, Dirk Moelants (UGent) and F CARRERAS

(1999) Music and Timing Networks - Proceedings of the Tenth Meeting of the FWO Research Society on Foundations of Music Research, Ghent : IPEM - University of Ghent, 1999. p.53-59
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- Book Editor
Proceedings of the 2nd Meeting of the FWO Research Society on the Foundations of Music Research-Foundations of time perception

Marc Leman (UGent) and Dirk Moelants (UGent)

(1998)
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- Journal Article
- A2
Joint international conference 96: Brugge

Dirk Moelants (UGent)

(1997) TIJDSCHRIFT VOOR MUZIEKTHEORIE. 2(1). p.58-63
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- Book Chapter
A framework for the subsymbolic description of meter

Dirk Moelants (UGent)

(1997) Music, Gestalt, and computing : studies in cognitive and systematic musicology. p.263-276
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- Conference Paper
- C3
A computer system for the automatic detection of perceptual onsets in a musical signal

Dirk Moelants (UGent) and C Rampazzo

(1997) KANSEI - The technology of Emotion, Genova. p.141-146
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- Miscellaneous
Foundations of Time Perception, University of Ghent.

Dirk Moelants (UGent) and Marc Leman (UGent)

(1997)
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- Journal Article
- A4
Digitaliseren van een complex archief: de IPEM Multimedia Databank

Dirk Moelants (UGent)

(1996) GENTSE BIJDRAGEN TOT DE KUNSTGESCHIEDENIS EN DE OUDHEIDKUNDE. 30. p.185-204
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- Miscellaneous
Conversations with Lutoslawski

Dirk Moelants (UGent)

(1996) BELGISCH TIJDSCHRIFT VOOR MUZIEKWETENSCHAPPEN = REVUE BELGE DE MUSICOLOGIE. 49. p.279-280
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- Conference Paper
- C1
A framework for the subsymbolic description of meter

Dirk Moelants (UGent)

(1996) Proceedings of JIC96-Brugge, Joint International Conference : IV. International Symposium on Systematic and Comparative Musicology, and II. International Conference on Cognitive Musicology. p.186-191

All eyes on me : behaving as soloist in duo performances leads to increased body movements and attracts observers' visual attention

Exploring the effect of tempo-changes on violinists’ body movements

Visual and auditory cues in music performance and their role in attracting attention from the audience

Tempo in Baroque music and dance

Single gesture cues for interpersonal synchronization

Decomposing a composition : on the multi-layered analysis of expressive music performance

Synchronization in ensemble performance: the sniff as a temporal cue

The influence of tempo on expressive timing: a multimodal approach

Tempo in Baroque music and dance

Evolution of timing through instrumental practice by violinists and clarinettists

Gesture as a communicative tool in vocal pedagogy

Austerity measures

Applications in music education

Tempo in Baroque music and dance

The impact of the bass drum on human dance movement

Activating and relaxing music entrains the speed of beat synchronized walking

Respiration as a tool for nonverbal communication in accompanied vocal performance

Using narrative analysis to map the control parameters of enhanced operatic singing

Respiration as a indicator of embodied music cognition in collaborative vocal performance

The influence of an audience on performers: a comparison between rehearsal and concert using audio, video and movement data

Sound caterpillar: assesment and training of sound and music perception skills in hearing impaired children

The performance of notes inégales: the influence of tempo, musical structure and individual performance style on expressive timing

Conveying syncopation in music performance

Performance and perception of 'Phase shifting'

An embodied approach to testing musical empathy in subjects with an autism spectrum disorder

A case-study investigation of respiration in operatic singing: an implementation of research design and applications

Sound caterpillar: an interactive, musical auditory training game for hearing impaired children

Partimento and continuo playing: in theory and practice

Investigating age related differences in timbre representation and discrimination

Access to ethnic music: advances and perspectives in content-based music information retrieval

Respiration as an emotional tool in operatic singing

Taking the Phantom out of the opera: creating child-friendly opera performances

Performance micro-gestures related to musical expressiviness

Do children benefit from specialist music education? Sound discrimination abilities in musically trained versus musically untrained children

Analysis and automatic annotation of singer's postures during concert and rehearsal

From expressive gesture to sound: the development of an embodied mapping trajectory inside a musical interface

The impact of the bass drum on body movement in spontaneous dance

Binary-ternary ambiguity in tempo perception

EmcoMetecca-Vlaams 'center of excellence' voor systematische musicologie

Performing music with delayed auditory feedback

Interacting with the public: a comparison of concert and rehearsal performance using sound, video and movement recordings

Global access to ethnic music: the next big challenge?

Exploring African tone scales

Integration of music information retrieval techniques into the practice of ethnic music collections

Performing in concert and in rehearsal: a comparison using audio, video and movement data

An interactive sound recognition game for primary school children

Does social interaction activate music listeners?

An interactive sound recognition game for primary school children

Concepts, technology and assessment of the social music game 'sync-in-team'

Notes Inégales in Contemporary Performance Practice

Hype vs. Natural Tempo: a Long-term Study of Dance Music Tempi

De kunst van Morton Feldman

Quantifying Children’s Embodiment of Musical Rhythm in Individual and Group Settings

Measuring and Quantifying the Impact of Social Interaction on Listeners' Movement to Music

Music, movement, sound and time; Papers from the 10th Rhythm Perception and Production Workshop

Acoustic and physiological characteristics of 20th century vocal techniques

Discovering the key of an audio piece by singing

Evaluation of audio beat tracking and music tempo extraction algorithms

Walking on music

Embodied listening performances reveal relationships between movements of player and listeners

Music retrieval by rhythmic similarity applied on Greek and African traditional music

The problems and opportunities of content-based analysis and description of ethnic music

Perception and performance of aksak metres

Special issue: Papers from the 10th Rhythm Perception and Production Workshop

Ambiguity in tempo perception: What draws listeners to different metrical levels?

Pitch and tempo precision in the reproduction of familiar songs

Singing along with music to explore tonality

The speed of walking while synchronizing with music: or how to model the 2Hz resonance in human locomotion and musical tempo

Problems and opportunities of applying data-& audio-mining techniques to ethnic music

Similarity between multi-valued thesaurus attributes: theory and application in multimedia systems

The influence of pitch interval on the perception of polvrhvthms

Measuring musically embodied movement

Prediction of musical affect using a combination of acoustic structural cues

Digitisation of the ethnomusicological sound archive of the Royal Museum for Central Africa (Belgium)

A framework for flexible querying and mining of musical audio archives

Deviations from the resonance theory of tempo induction

Spontaneous user behavior in "vocal" queries for music-information retrieval

Using audio features to model the affective response to music

Proceedings of the Colloquium 'Past, Present and Future of Music and Technology': 18th Meeting of the FWO Research Society 'Foundations of Music Research'.

Dance music, movement and tempo preferences