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Yvonne Serruys : beeldhouwer van de nieuwe vrouw
Marjan Sterckx (UGent)(2023) -
From picturesque anecdote to viral story : the many lives of the 'Sculptor of Bruges' (1837-1886)
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Béton Brut : André Bloc and the architecture-sculpture debate
(2022) -
Visual duplication : specimens, works of art and photographs at the Musée d'ethnographie du Trocadéro (1928-1935)
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Provenance of the white and polychrome marbles used for the architecture and sculpture of roman Sentinum (Sassoferrato, Marche, Italy)
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The prodigal son revisited : male bodies and bonds in two fin de siècle sculptures by Constantin Meunier and George Minne
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In the picture : nineteenth-century European women sculptors portrayed
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Being sculptor and woman in Europe in the long 19th century : 'A symbol of frontiers crossed'
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Upgrading town appearances : relating white marble exploitation and town development in Roman Lusitania
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- Journal Article
- A1
- open access
Marble trade in the Roman Mediterranean : a quantitative and diachronic study
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Social networks of Bruges sculptors
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Die soziale Netzwerke Brügger Bildhauer
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- Book Editor
- open access
Jacques Moeschal
Angelique Campens (UGent) , Roxane Legrelle and Iwan Strauven(2021) -
A hosszú 19. század a döntὅ alkotmányos pillanat (DAP) nyomában
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'Un levain et un ferment' : het monument voor Emile Claus (1926) door Yvonne Serruys = 'A leaven and a ferment' : the monument to Emile Claus (1926) by Yvonne Serruys
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- Book Chapter
- open access
Expressing grief and gratitude in an unsettled time : temporary First World War memorials in Belgium
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Inside sculptors’ studios in belle époque Brussels : an interior architectural view
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Sculpture and the decorative in fin-de-siècle Brussels : women as consumers and creators
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The nationality of sculpture : international mobility of nineteenth-century sculptors and their work
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- Book Editor
- open access
Sculpting abroad : nationality and mobility of sculptors in the nineteenth century
Marjan Sterckx (UGent) and Tom Verschaffel