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Audience as palimpsest, or the structures of cinematic feeling : on historical film audience research and cinema’s imaginative power
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A multimethod study on contemporary young audiences and their film/cinema discourses and practices in Flanders, Belgium
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The other panicking audience : a new cinema history approach to early cinemagoing, cinema fires, disasters and panics
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Filmreeks Verboden Beelden
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- Book Chapter
- open access
Snow White’s censors : the non-domestic reception and censorship of Snow White and the Seven Dwarfs with a case study on the Low Countries
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The nation on and beyond the screen : a history of film and nation-building in Flanders
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How Hollywood conquered Belgium after the First World War
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- Journal Article
- A2
- open access
Des cinéastes surréalistes au Musée de l’Homme : fabriquer L’invention du monde (1952)
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Deliverable D1.3 : patterns in movie production, distribution and consumption
(2021) In Eumeplat reports -
Avant-propos : Metz, ville de cinéma : entre frontière et enchevêtrement
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Cinema Belgica : filmhistorisch onderzoek
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- Journal Article
- A2
- open access
Rethinking biases : een meerstemmig gesprek over postkoloniale blinde vlekken in cinema
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Bont & blauw : Hollywoods liefde voor de ‘bad cop’
(2020) DE FILMKRANT. -
Verboden beelden
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- Journal Article
- A2
- open access
Mapping film programming across Post-War Europe (1952)
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- Journal Article
- A2
- open access
Comparative, entangled, parallel and ‘other’ cinema histories : another reflection on the comparative mode within New Cinema History
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Mending the wounds of war : a framework for the analysis of the representation of conflict-related trauma and reconciliation in cinema
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New Belgian theatrical rating system
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- Miscellaneous
- open access
Paya Germonprez (red.). Skopiumschuivers : de dolle jaren van Studio Skoop in Gent
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Why young people still go to the movies : historical and contemporary cinemagoing audiences in Belgium