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Dialect lexicography
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Rejecting and appropriating epic lore
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Biographies of Rsabha and the rise of Satrunjaya
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Godefroy and the laws of Julian the Apostate : an episode in the life story of the Codex Theodosianus
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An impression of ruler identity : legitimate power through iconography in 3rd millennium Upper Mesopotamian glyptic : case-study : Nabada
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The use of the Midelfart-Knarvik model to analyse the determinants of industrial locations
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Observe, learn and create : influences of the French and English royal chanceries on the Flemish comital charters (12th-early 13th century)
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Les proformes LUI et Y
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Les adjectifs d’identité
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Les verbes attributifs
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Manuel Philes and (an) anonymous poet(s) : epigrams on the evangelists in an illuminated gospel manuscript
(2022) The visual culture of later Byzantium (1081-c.1350). In Sources for Byzantine Art History 3.II. p.1388-1397 -
Leo Megistos : a relief of a muse in twelfth-century Constantinople
(2022) The visual culture of later Byzantium (1081-c.1350). In Sources for Byzantine Art History 3.II. p.1223-1230 -
Constantine Manasses : a dedicatory epigram to the Sebastokratorissa Eirene
(2022) The visual culture of later Byzantium (1081-c.1350). In Sources for Byzantine Art History 3.II. p.1416-1423 -
De l'abbatiat laïque à l'avouerie : le cas des monastères de femmes en Lotharingie (IXe-début Xie siècle)
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The birth of a commuter society : workingmen's trains in Belgium, 1870-1914
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Μέν in the Roman and Byzantine papyri :syntax, semantics and pragmatics
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Von Fremdherrschaft zur Wechselwirkung. Die österreichische Verwaltung in der belgischen Geschichtsschreibung
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Translating the perpetrator’s testimony : Kommandant in Auschwitz (Holocaust) and Une saison de machettes (Rwanda)
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Theodore Prodromos : a laudatory epigram on Gregory of Nazianzos
(2022) The visual culture of later Byzantium (1081-c.1350). In Sources for Byzantine Art History 3.II. p.1408-1415 -
John (the Writer) : a metrical colophon on John Klimax’s Ladder of divine ascent
(2022) The visual culture of later Byzantium (1081-c.1350). In Sources for Byzantine Art History 3.II. p.1399-1407