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Политически наративи в „Ейбрахам Линкълн: Ловецът на вампири“ и „El Condе“: филмите на ужасите и „високото изкуство“
(2024) -
Reviving the Brave Belgians : mechanical recording practices as a guide in historical performance
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From capture to texture : affective environments for theatre training in virtual reality (VR)
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- Journal Article
- A2
- open access
Imag(in)ing Bairam : charting image of a Turkish festival in Picart and Bernard’s Cérémonies et coutumes religieuses de tous les peuples du monde (1723–1737)
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Performing arts activating climate change awareness : hyphenated thinking in Common Dreams — Flotation School
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Reconceptualizing ‘translatorship’ in multilanguage theatre performances
(2023) -
Sonia Delaunay on film
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Cinema between monochrome painting and light vibrations : 'Essentieel' (1964) by Jef Verheyen and Paul De Vree
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Repertoires of slavery : Dutch theater between abolitionism and colonial subjection, 1770-1810
(2023) -
Framing the stage : structures of race, imperial oppression, and performances of blackness, 1770-1850
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Instrument teachers’ practices, beliefs, and barriers regarding musical creativity : exploring the creative process of interpretation
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Affective topologies and virtual tactile experiences in theatre training
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Tracing the essay in performing arts : five essay pieces
(2023) -
Staging slavery : performances of colonial slavery and race from international perspectives, 1770-1850
Sarah Adams (UGent) , Jenna Gibbs and Wendy Sutherland(2023) -
Extended musical spaces : participatory and creative music making in digitally augmented musical environments
(2023)