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Sapore and sapere : culinary imagery and the principle of Quaestio in the Allegory of Taste by Peter Paul Rubens and Jan Brueghel
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Reflecties : blikken op de Collectie Vlaamse Gemeenschap
(2024) -
Reflections : views on the Collection Flemish Community
(2024) -
Erfolgsfaktor Rubens? Das Projektmanagement für den feierlichen Einzug des Kardinalinfanten Ferdinand von Spanien in Antwerpen (1635)
(2024) -
Lazzaro Bastiani : a catalogue raisonné in the light of infrared reflectography analysis
(2024) -
- Journal Article
- A2
- open access
Imag(in)ing Bairam : charting image of a Turkish festival in Picart and Bernard’s Cérémonies et coutumes religieuses de tous les peuples du monde (1723–1737)
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Extended characters : opera’s fascination with reconfiguring the character-performer relationship in the twenty-first century
(2024) -
Long live the medium : transgressing the boundaries of authorship in Jean Cocteau's ‘Orphée’
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Goddelijk licht : James Ensor en Gustave Doré
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The medieval Vitruvius
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- Journal Article
- A2
- open access
1874-1875 : the birth of a fashion heritage consciousness in France
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- Journal Article
- A2
- open access
Educatief onderzoek in de kunsten : een praktijkgebonden en nomadisch perspectief
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Critical Social Computing for Digital Design
(2024) Creativity in the Age of Digital Reproduction. In Lecture Notes in Civil Engineering 343. p.61-68 -
Principle of masking : wall paintings by Thomas Schütte and Ludger Gerdes, circa 1977
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The principle of variety and the significance of culinary motifs in Early Modern Antwerp Banquets of the Gods