Ghent University Academic Bibliography

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Your filters: cql: author="Glerean, Enrico*" or (type exact bookEditor and editor="Glerean, Enrico*")

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- Miscellaneous
Brainhack : developing a culture of open, inclusive, community-driven neuroscience

Rémi Gau, Stephanie Noble, Katja Heuer, Katherine L. Bottenhorn, Isil P. Bilgin, Yu-Fang Yang, Julia M. Huntenburg, Johanna M.M. Bayer, Richard A.I. Bethlehem, Shawn A. Rhoads, et al.

(2021) NEURON. 109(11). p.1769-1775
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- Miscellaneous
- open access
The Open Brain Consent: Informing research participants and obtaining consent to share brain imaging data

Elise Bannier, Gareth Barker, Valentina Borghesani, Nils Broeckx, Patricia Clement (UGent) , Kyrre E. Emblem, Satrajit Ghosh, Enrico Glerean, Krzysztof J. Gorgolewski, Marko Havu, et al.

(2021) HUMAN BRAIN MAPPING. 42(7). p.1945-1951
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Variability in the analysis of a single neuroimaging dataset by many teams

Rotem Botvinik-Nezer, Felix Holzmeister, Colin F. Camerer, Anna Dreber, Juergen Huber, Magnus Johannesson, Michael Kirchler, Roni Iwanir, Jeanette A. Mumford, R. Alison Adcock, et al.

(2020) NATURE. 582(7810). p.84-88
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- Miscellaneous
- open access
Variability in the analysis of a single neuroimaging dataset by many teams

Rotem Botvinik-Nezer, Felix Holzmeister, Colin F. Camerer, Anna Dreber, Juergen Huber, Magnus Johannesson, Michael Kirchler, Roni Iwanir, Jeanette A. Mumford, Alison Adcock, et al.

(2019) bioRxiv.
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Cognitive vs. affective listening modes and judgments of music: an ERP study

Elvira Brattico, Thomas Jacobsen, Wouter De Baene (UGent) , Enrico Glerean and Mari Tervaniemi

(2010) BIOLOGICAL PSYCHOLOGY. 85(3). p.393-409

Academic Bibliography

Brainhack : developing a culture of open, inclusive, community-driven neuroscience

The Open Brain Consent: Informing research participants and obtaining consent to share brain imaging data

Variability in the analysis of a single neuroimaging dataset by many teams

Variability in the analysis of a single neuroimaging dataset by many teams

Cognitive vs. affective listening modes and judgments of music: an ERP study

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