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2023
Adams, S., Gibbs, J., & Sutherland, W. (2023). Framing the stage : structures of race, imperial oppression, and performances of blackness, 1770-1850. In S. Adams, J. Gibbs, & W. Sutherland (Eds.),
Staging slavery : performances of colonial slavery and race from international perspectives, 1770-1850
(pp. 1–12). https://doi.org/10.4324/9781003174127-1
Adams, S. (2023). Pierke van Gent : rebellie in de poppenkast. In L. Bernaerts & L. De Taeye (Eds.),
Rebellie in de Gentse letteren : literaire stroppendragers van de middeleeuwen tot nu
(pp. 52–61). Tielt: Lannoo.
Adams, S. (2023). The legitimacy of resistance in Dutch abolitionist theater. In S. Adams, J. Gibbs, & W. Sutherland (Eds.),
Staging slavery : performances of colonial slavery and race from international perspectives, 1770-1850
(pp. 49–76). https://doi.org/10.4324/9781003174127-4
Adams, S. (2023).
Repertoires of slavery : Dutch theater between abolitionism and colonial subjection, 1770-1810
. https://doi.org/10.1515/9789048554829
Adams, S. (2023). Johanna Ferket, Hekelen met humor : maatschappijkritiek in het zeventiende-eeuwse komische toneel in de Nederlanden. https://doi.org/10.51769/bmgn-lchr.13633
Adams, S., & van der Haven, K. (2023). Synergieën tussen de literatuur- en theaterwetenschap in het onderzoek naar toneel in de Lage Landen.
SPIEGEL DER LETTEREN
,
65
(2–3), 121–131. https://doi.org/10.2143/SDL.65.2.3292810
2022
Adams, S. (2022). Johan Wambacq, Kats! Of hoe in de vroege negentiende eeuw een Brusselsse theatermaker aan de wieg van het socialisme stond. https://doi.org/10.52024/tseg.13005
Adams, S. (2022). Een subversief spektakel? Jean Rocheforts Pantalon, Oost-Indisch planter : Arlequin uit slaverny verlost door toverkunst (1803).
INDISCHE LETTEREN
,
37
(3), 135–146.
2021
Adams, S. (2021). Anton de Kom, “De Balatableeder” (ca. 1936) : de antikoloniale klewang. In J. Sonnenschein & K. van der Haven (Eds.),
Barricadepoëzie : lyrisch activisme sinds 1848
(pp. 147–161). Berchem: EPO.
Adams, S. (2021). Stiltes en leegtes in de theaterarchieven : de vergeten aanwezigheid van acteurs van kleur op het vroegmoderne Nederlandse podium.
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