Ahmed, M. (2024). C’était la guerre des tranchées et Valse avec Bachir : deux façons de réécrire/revisualiser la guerre en bande dessinée. In F. Preyat & J.-L. Tilleuil (Eds.), Bande dessinée et engagement (pp. 279–295). Bruxelles: Peter Lang.

Ahmed, M. (2023). Tracing the invisible : Lynda Barry’s comics. MEDIASCAPES JOURNAL, 22(2), 35–51.

Ahmed, M. (2023). Popular culture. In M. Demoor, C. Van Dijck, & B. Van Puymbroeck (Eds.), The Edinburgh companion to First World War periodicals (pp. 95–112). Edinburgh: Edinburgh University Press.

Capart, P., Ahmed, M., Crucifix, B., & Busi Rizzi, G. (2023). From private to public : Alain Van Passen’s collection at Ghent University (translated by M. Ahmed, B. Crucifix and G. Busi Rizzi) (Vol. 16). Crypte Tonique.

Ahmed, M. (2023). Reading childly : Riki Fermier and Cascao. In P. Moura (Ed.), Ilan Manouach in review : critical approaches to his conceptual comics (pp. 97–111). https://doi.org/10.4324/9781003374961-9

Ahmed, M. (2023). Introduction : bridging gaps. In M. Ahmed (Ed.), The Cambridge companion to comics (pp. 1–22). https://doi.org/10.1017/9781009255653.002

Ahmed, M. (2023). Women and comics : politics and materialities. In M. Ahmed (Ed.), The Cambridge companion to comics (pp. 225–243). https://doi.org/10.1017/9781009255653.015

Round, J., Platz Cortsen, R., & Ahmed, M. (2022). Comics and graphic novels. Bloomsbury Academic.

Ahmed, M. (2022). Gaze (E. La Cour, S. Grennan, & R. Spanjers, Eds.). Cham: Palgrave Macmillan.

Ahmed, M. (2022). Childishness (E. La Cour, S. Grennan, & R. Spanjers, Eds.). Cham: Palgrave Macmillan.