Stalpaert, C., Breyne, M., Maedza, P., & de Smet, S. (2025). Introduction: Histories of trauma and violence: Performance practices of removing and remembering. In S. de Smet, M. Breyne, P. Maedza, & C. Stalpaert (Eds.), Violence and Trauma in Contemporary Performance. Removing and Remembering Histories (pp. 11–32). Leuven: Leuven University Press.

Breyne, M. (2018). Sharing the past with our present/ce : performing living sculptures in the traumascape of Stellenbosch, South Africa. LIMINALITIES, 14(3), 40–63.

Breyne, M., & de Smet, S. (2017). As the body must appear : contemporary performances in post-Marikana South Africa. AFRIKA FOCUS, 30(1), 11–29. https://doi.org/10.21825/af.v30i1.5412

de Smet, S., & Breyne, M. (2016). ’A day for us to mourn’ : unsettling performances of Marikana. LATERAL, (5.2). https://doi.org/10.25158/L5.2.3

de Smet, S., & Breyne, M. (2016). Wanneer we spreken over RE-acties op geweld. Interview met Mokhallad Rasem.

de Smet, S., & Breyne, M. (2015). Requiems in post-apartheid-mineur. DOCUMENTA, (2), 95–127.

de Smet, S., & Breyne, M. (2015). “Als de mensen het vergeten zijn, moet je hun geweten schoppen”: Interview met Luk Perceval.

de Smet, S., Breyne, M., & Stalpaert, C. (2015). When the past strikes the present : performing requiems for the Marikana massacre. SOUTH AFRICAN THEATRE JOURNAL, 28(3), 222–241. https://doi.org/10.1080/10137548.2015.1110500

de Smet, S., & Breyne, M. (2015). Kaapstad will never be the same again: hoe het public arts festival Infecting the City omgaat met de herinneringen aan apartheid. ETCETERA, (143), 23–28.

de Smet, S., & Breyne, M. (2015). When the Past Strikes the Present:  Performing Requiems of the Marikana Massacre. Presented at the 1st Trauma, Evil and Anxiety Research Symposium (TEARS-1), Hildesheim.