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2025
Decroupet, S. (2025). Translating environmental memory in a natural history museum.
MUSEUM MANAGEMENT AND CURATORSHIP
, 1–19. https://doi.org/10.1080/09647775.2024.2331458
Decroupet, S. (2025).
Translating Nature in the Museum: Memorial Practices in Exhibitions about the Environmental Crisis
.
Van Hoey, E. (2025). When the victims speak : necrodialogues in Selva Almada’s Dead Girls. In Z. Ghyselinck & E. Fabietti (Eds.),
Necrodialogues and media : communicating with the dead in the twentieth and twenty-first centuries
. De Gruyter.
Stortini, P. (2025).
Ian Reader. “Religion and Tourism in Japan: Intersections, Images, Policies and Problems.” London: Bloomsbury Academic, 2024. 272 pages. Hardcover $115.
Stortini, P. (2025). Following the footsteps of Shakyamuni : Nanjō Bun’yū’s journey to India. In R. Mukhopadhyaya & M. Togawa (Eds.),
Buddhist exchanges between India and Japan : Japanese Buddhists encountering India and modern Buddhist studies
(pp. 1–26). Routledge.
Ghyselinck, Z., & Fabietti, E. (2025). Introduction. In Z. Ghyselinck & E. Fabietti (Eds.),
Necrodialogues and media : communicating with the dead in the twentieth and twenty-first centuries
. De Gruyter.
Ghyselinck, Z. (2025). Long live the medium : transgressing the boundaries of authorship in Jean Cocteau’s “Orphée.” In Z. Ghyselinck & E. Fabietti (Eds.),
Necrodialogues and media : communicating with the dead in the twentieth and twenty-first centuries
. De Gruyter.
Bartolini, G. (2025). Studying fascism transculturally : Italian scholarship in the international arena.
MODERN ITALY
, 1–9. https://doi.org/10.1017/mit.2024.53
Bass-Krueger, M. (2025). Susan Hiner, Behind the seams : women, fashion, and work in 19th-century France. https://doi.org/10.1080/1362704x.2025.2466954
Buekens, S. (2025). Toward an aesthetics of waste : the representation of social inequality and human rights violations in Francophone literature of the Indian Ocean Islands.
ISLE-INTERDISCIPLINARY STUDIES IN LITERATURE AND ENVIRONMENT
,
32
(1), 154–173. https://doi.org/10.1093/isle/isad045
Brinkman, I., Njeri, E., & Kawerama-Bleeker, S. (2025).
De broer en de zus
. Online.
Brinkman, I. (2025). Monsters en hun gendered maaltijden : femicide in oger-verhalen uit Europa en Afrika.
ARMADA (AMSTERDAM)
,
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(81), 8–9.
2024
Mertens, I., & Decroupet, S. (2024). Conceptualizing museum translation : cultural translation, interlingual processes and other perspectives.
BABEL-REVUE INTERNATIONALE DE LA TRADUCTION-INTERNATIONAL JOURNAL OF TRANSLATION
,
70
(5), 593–614. https://doi.org/10.1075/babel.00396.mer
Schoups, M. (2024).
Violencia, vulnerabilidad y redes de solidaridad : análisis sensorial de cinco novelas mexicanas sobre la migración
. Universiteit Gent. Faculteit Letteren en Wijsbegeerte, Gent.
Josi, M. (2024). La Storia and the ’Literature of Hiding’ : Davide Segre’s Holocaust-related traumas.
ALLEGORIA
, (90), 41–55.
Josi, M. (2024). Italian Jewish women with rifles : Rita Rosani performing agency outside conventional space.
WOMEN LANGUAGE LITERATURE IN ITALY
,
6
, 65–77. https://doi.org/10.19272/202413901006
Josi, M. (2024). Duello nel ghetto : a twice-told story of a Jewish fighter in occupied Rome.
ITALIANIST
,
44
(2), 334–349. https://doi.org/10.1080/02614340.2024.2464390
Van Hoey, E. (2024).
Waarom zo bang om het volk op te leiden?
De Standaard.
Van Hoey, E. (2024). Las voces de las víctimas del feminicidio en las crónicas Chicas muertas (2014), de Selva Almada, y El invencible verano de Liliana (2021), de Cristina Rivera Garza. In F. Bustamante Escalona & L. Amaro Castro (Eds.),
Carto(corpo)grafías : nuevo reparto de las voces en la narrativa de autoras latinoamericanas del siglo XXI
(Vol. 147, pp. 321–347). https://doi.org/10.31819/9783968695341-012
Van Hoey, E. (2024). “El atrevimiento de narrar lo íntimo” en la crónica Donde no hago pie (2021), de Belén López Peiró.
CONFLUENCIA-REVISTA HISPANICA DE CULTURA Y LITERATURA
,
40
(1), 77–89.
Stortini, P. (2024). 旅行記からテレビまで―近代仏教とシルクロードの想像. In M. Kaku & Ō. Ayako (Eds.),
読んで観て聴く 近代日本の仏教文化 = Reading, watching, listening : the Buddhist culture of modern Japan
(pp. 229–253). Kyoto: Hōzōkan.
Stortini, P. (2024). From religious civilization to nonsense : the Kāma Sūtra between Buddhism and erotic grotesque in 1920s Japan.
NAGOYA SHIRITSU DAIGAKU NINGEN BUNKA KENKYŪJO NENPŌ = 名古屋市立大学人間文化研究所年報
, (19), 53–57.
Bartolini, G. (2024). Ricordare e capire il passato : il valore della letteratura per i Memory Studies.
STATUS QUAESTIONIS (ROMA)
, (26), 79–102. https://doi.org/10.13133/2239-1983/18765
Bartolini, G., & Ford, J. (2024). Historical responsibility and the mediation of difficult pasts. In G. Bartolini & J. Ford (Eds.),
Mediating historical responsibility : memories of “difficult pasts” in European cultures
(Vol. 40, pp. 1–32). https://doi.org/10.1515/9783111013299-001
Ghyselinck, Z. (2024). Das Diktat der Toten : unnatürliches Erzählen in Hagar Peeters’ Malva.
RECHERCHES GERMANIQUES
,
19
(1), 213–231.
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