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2009
Versluys, K. (2009).
Out of the Blue. September 11 and the Novel
. Columbia University Press.
2008
Uytterschout, S., & Versluys, K. (2008). Melancholy and mourning in Jonathan Safran Foer’s “Extremely loud and incredibly close.”
ORBIS LITTERARUM
,
63
(3), 216–236.
2007
Versluys, K. (2007). September 11 and the other: novelists respond. In
New York : cradle of America’s cultural plurality
(pp. 141–159). Palacky University Press.
Versluys, K. (2007). 9/11 as a European Event: the Novels.
EUROPEAN REVIEW (CHICHESTER ENGLAND)
,
15
, 65–79.
Versluys, K. (2007). Beyond irony: Richard Ford’s suburban novels. In
Irony revisited
(pp. 357–366). Köningshausen & Neumann.
2006
Versluys, K. (2006). The city as a crowd. Urban literature in the lower countries in Europe - Introduction. PEETERS.
Versluys, K. (2006). Herman Portocarero’s “Domino”. A novel about New York.
SPIEGEL DER LETTEREN
,
48
(2), 219–232.
Versluys, K. (2006). Art spiegelman’s in the shadow of no towers: 9/11 and the representation of trauma.
MFS-MODERN FICTION STUDIES
,
52
(4), 980–1003.
Versluys, K. (2006). Art Spiegelmans “In de schaduw van geen torens”: 11 september en de holocaust. In
Stof en as : de neerslag van 11 september in kunst en populaire cultuur
(pp. 59–68). Van Gennep.
Versluys, K. (2006). 9/11 as the end of irony: Frédéric Beigbeder’s windows on the world. In G. H. Lenz, D. Löbbermann, & K.-H. Magister (Eds.),
CinematoGraphies : fictional strategies and visual discourses in 1990s New York City
(pp. 45–73). Heidelberg, Germany: Winter Universitätsverlag.
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