Griffin, S., & Buelens, G. (2022). Introduction. In G. Buelens & S. Griffin (Eds.), Washington Square (Vol. 6, p. XXVIII–LXIII). https://doi.org/10.1017/9780511782268.002

Buelens, G., & Griffin, S. (2022). Textual introduction and chronology. In G. Buelens & S. Griffin (Eds.), Washington Square (Vol. 6, p. LXIV–LXXVI). https://doi.org/10.1017/9780511782268.003

Griffin, S., & Buelens, G. (2022). Glossary and endnotes. In G. Buelens & S. Griffin (Eds.), Washington Square (Vol. 6, pp. 175–202). Cambridge: Cambridge University Press.

Buelens, G., & Griffin, S. (2022). Textual variants and emendations. In G. Buelens & S. Griffin (Eds.), Washington Square (Vol. 6, pp. 203–212). Cambridge: Cambridge University Press.

Griffin, S., & Buelens, G. (2022). Picture and text. In G. Buelens & S. Griffin (Eds.), Washington Square (Vol. 6, pp. 215–221). https://doi.org/10.1017/9780511782268.047

Buelens, G. (2020). Speaking surfaces in James’s Siena. VIATICA, HS3. https://doi.org/10.52497/viatica1162

Berensmeyer, I., Buelens, G., & Demoor, M. (2019). Introduction. In I. Berensmeyer, G. Buelens, & M. Demoor (Eds.), The Cambridge handbook of literary authorship (pp. 1–10). https://doi.org/10.1017/9781316717516.001

Buelens, G. (2019). ’A quiet corner in another part of the town’ : Henry James’s Siena in Confidence. In P. Arblaster, I. Bertrand, V. Bragard, & D. Delabastita (Eds.), Sparks and lustrous words : literary walks, cultural pilgrimages : essays in honour of Guido Latré (Vol. 9, pp. 159–166). Presses universitaires de Louvain.

Buelens, G. (2016). Literary realism and naturalism. In J. Straub (Ed.), Handbook of transatlantic North-American studies (Vol. 3, pp. 79–99). Berlin: De Gruyter.

Buelens, G. (2016). Henry James, The Portrait of a Lady. In K. De Temmerman & A. Roose (Eds.), Great Books: houden van beroemde boeken (pp. 265–288). Gent: Academia Press.

Buelens, G. (2016). The initial sales figures of Henry James’s Daisy Miller: a study. NOTES AND QUERIES, 63(2), 268–270. https://doi.org/10.1093/notesj/gjw080

Buelens, G. (2014). Henry James studies: an interview with Gert Buelens. JOURNAL OF AMERICAN STUDIES OF TURKEY, 40, 109–118.

Schelstraete, J., & Buelens, G. (2013). “This game is rigged”: Dickens, the wire, and money. DICKENS QUARTERLY, 30(4), 288–298.

Berensmeyer, I., Buelens, G., & Demoor, M. (2012). Introduction. ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK, 60(1), 1–3.

Berensmeyer, I., Buelens, G., & Demoor, M. (2012). Authorship as cultural performance: new perspectives in authorship studies. ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK, 60(1), 5–29.

Buelens, G., & Schelstraete, J. (2012). Authorship: eigentijds publicatiemedium.

Buelens, G. (2011). Uncanny doublings in “Owen Wingrave.” In A. Despotopoulou & K. C. Reed (Eds.), Henry James and the supernatural (pp. 149–164). London, UK: Palgrave Macmillan.

Buelens, G. (2011). Oneness through rupture: on the severances that bind Americans. In H.-J. Grabbe, D. Mauk, & O. Moen (Eds.), “E pluribus unum” or ’E pluribus plura?’ : unity and diversity in American culture (Vol. 3, pp. 49–64). Heidelberg, Germany: Universitätsverlag Winter.

Craps, S., & Buelens, G. (2011). Traumatic mirrorings: holocaust and colonial trauma in Michael Chabon’s the final solution. CRITICISM-A QUARTERLY FOR LITERATURE AND THE ARTS, 53(4), 569–586.

Buelens, G. (2011). Non-Readings and misreadings of “The Jamesian Lie.” HENRY JAMES REVIEW, 32(3), 259–265. https://doi.org/10.1353/hjr.2011.0026

Berensmeyer, I., Buelens, G., & Demoor, M. (2011). Introduction: authorship.

Buelens, G. (2010). Recent criticism (since 1985). In D. McWhirter (Ed.), Henry James in context (pp. 435–444). Cambridge, UK: Cambridge University Press.

Buelens, G., & Lievens, B. (2010). “Confounding closed systems”: transforming the boundaries of jewish identity in Rebecca Goldstein’s novel mazel. ENGLISH STUDIES, 91(8), 907–919. https://doi.org/10.1080/0013838X.2010.517304

Buelens, G., & Eeckhout, B. (2010). Always a potent and an impotent romantic: stylistic enactments of Desire in Henry James’s “The ambassadors” and Wallace Stevens’ “Anecdote of the jar.” WALLACE STEVENS JOURNAL, 34(1), 37–63.

Buelens, G. (2010). The eve of recollection: queer theoretica Eve Kosofsky Sedgwick.

Biebuyck, B., Buelens, G., de Graef, O., Hoens, D., & Jöttkandt, S. (2009). The catastrophic imperative: subjectivity, time and memory in contemporary thought : introduction. In D. Hoens, S. Jöttkandt, & G. Buelens (Eds.), The catastrophic imperative : subjectivity, time and memory in contemporary thought (pp. 1–8). New York: Palgrave MacMillan.

Buelens, G. (2009). Catastrophe, Citationality and the Limits of Responsibility in “Disgrace.” In D. Hoens, S. Jöttkandt, & G. Buelens (Eds.), The Catastrophic Imperative: Subjectivity, Time and Memory in Contemporary Thought (pp. 154–170). Houndmills, Basingstoke: Palgrave Macmillan.

Craps, S., & Buelens, G. (2008). Introduction: Postcolonial trauma novels (Cathy Caruth). STUDIES IN THE NOVEL, 40(1–2), 1–12.

Buelens, G. (2008). Henry James and the (un)canny American scene. In A companion to Henry James (pp. 193–207). https://doi.org/1854/13095

Buelens, G. (2008). Henry James’s Bostonians: The Power of Paradigm; The Power of Place. In E. Pigeon (Ed.), How One City’s Cultural Tradition Shaped American Identity in the Nineteenth Century: Essays on Henry James’s The Bostonians (1886) (pp. 11–20). Lewiston NY: Edwin Mellen Press.

De Baerdemaeker, R., Buelens, G., & Demoor, M. (2008). notproud.com. Giving an account of oneself in the cyber-era. TEXTUAL PRACTICE, 22(4), 757–776. https://doi.org/10.1080/09502360802457640

Buelens, G. (2007). Of Santa and Sinterklaas: problems and potentials for the study of the dutch-language culture of the U.S. In Intercultural America (pp. 209–219). Universitätsverlag Winter.

Buelens, G., & AIJMER, C. (2007). Senses of the past: Henry James, history and historiography. In Palgrave advances in Henry James studies (pp. 192–211). Palgrave Macmillan.

Buelens, G., & Hoens, D. (2007). “ABOVE AND BENEATH CLASSIFICATION” BARTLEBY, LIFE AND TIMES OF MICHAEL K, AND SYNTAGMATIC PARTICIPATION. DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM, 37(2–3), 157–170.

Buelens, G. (2006). Imagining telegraphic joy in the canny cage of metaphor, metonymy, and performativity. HENRY JAMES REVIEW, 27(2), 126–139.

Biebuyck, B., Buelens, G., De Graef, O., Hoens, D., & Jöttkandt, S. (2006). Literature and the metonymics of law. PHRASIS (GENT) : STUDIES IN LANGUAGE AND LITERATURE, 47(1), 3–7.

Buelens, G. (2006). Judith Butler. In Engelstalige literatuur na 1945. 3 : Theorie, kritiek en essay (pp. 129–143). Peeters.

Biebuyck, B., Buelens, G., De Moor, K., Keunen, B., Martens, G., Praet, D., … Verbaal, W. (2005). Negen muzen, tien geboden: historische en methodologische gevalstudies over de interactie tussen literatuur en ethiek. Academia Press ; Ginkgo fonds.

Buelens, G. (2005). Absentee American and impatient immigrant (re)appraising the promised land: Henry James and Mary Antin on the New England scene. AMERICAN STUDIES IN SCANDINAVIA, 37(1), 34–56.

Buelens, G. (2004). Ethnographesis: ethnic identity, sexual identity, metaphor, metonymy. In De zwaartekracht overwonnen : dossier over “allochtone” literatuur (pp. 61–72). Academia Press.

Buelens, G. (2003). Henry James and the Father Question, door Andrew Taylor.

Buelens, G. (2003). Wi(e)derlesen: Revisionspraxis und Autorschaft bei Henry James, door Roger Lüdeke.

Buelens, G. (2003). Teaching Daisy Miller Innocently. In Approaches to teaching Henry James’s Daisy Miller and The turn of the screw (pp. 81–87). Modern Language Association of America.

Buelens, G. (2002). Henry James and the “aliens”: in possession of the American scene. Rodopi.

Buelens, G. (2002). The ethics of metonymy. STUDIA GERMANICA GANDENSIA, (1), 18–27.

Buelens, G. (2002). American Gothic: An Anthology, 1787-1916, red. Charles L. Crow.

Buelens, G. (2002). Recensie: In Darkest James: Reviewing Impressionism, 1900-1905, door Robin Hoople. London ; UNITED KINGDOM: Modern Humanities Research Association.

Buelens, G. (2002). Genderturbulentie, door Judith Butler.

Buelens, G. (2002). In darkest James: Reviewing Impressionism, 1900-1905. W S MANEY & SONS LTD.

Buelens, G. (2001). Bernstein, Herman. Oxford University Press.