Bass-Krueger, M. (2025). Susan Hiner, Behind the seams : women, fashion, and work in 19th-century France. https://doi.org/10.1080/1362704x.2025.2466954

Bass-Krueger, M. (2024). 1874-1875 : the birth of a fashion heritage consciousness in France. IN SITU-REVUE DE PATRIMOINES, (52). https://doi.org/10.4000/insitu.41004

Bass-Krueger, M. (2024). ’C’est un travail noble’ : fashion design. In W. Dorogova & L. Microulis (Eds.), Sonia Delaunay : living art (pp. 275–295). New Haven: Yale University Press.

Bass-Krueger, M. (2024). Fashioning Belgium Before the Antwerp Six. In E. Hammen (Ed.), Les savoir-faire de la mode - Géographies : Tome 2 (pp. 174–181). Paris: Éditions B42.

Bass-Krueger, M. (2023). (Re)mettre le passé à la mode : le “culte de l’authentique” dans la mode française (1880-1900). PERSPECTIVE, (2), 209–226. https://doi.org/10.4000/perspective.30134

Bass-Krueger, M. (2023). Mourning dress in the West, 1800 until today : codification, gender, and global perspectives. In V. Pouillard & V. Dubé-Senécal (Eds.), The Routledge history of fashion and dress, 1800 to the present (pp. 391–410). https://doi.org/10.4324/9780429295607-26

Bass-Krueger, M. (2023). Last dance : nuits disco à New York, par Bill Bernstein, photographe. MODES PRATIQUES, (5), 271–279.

Bass-Krueger, M. (2023). Fashion photography at the Book Tower. In S. Jacobs & C. Dossche (Eds.), Book Tower images : visualizing Henry Van de Velde’s Ghent University Library Tower (pp. 74–75). Ghent: A&S Books.

Bass-Krueger, M. (2022). The power of (writing) history : Jules Quicherat, France’s first fashion historian. DIX-NEUF, 26(4), 263–281. https://doi.org/10.1080/14787318.2023.2166854

Bass-Krueger, M., Doutreligne, S., & Stalpaert, C. (2022). Dancing with garments/costumes, masks and space. In S. Bru, K. Kangaslahti, L. Lin, I. Slavkova, & D. Ayers (Eds.), Crisis : the avant-garde and modernism in critical modes (Vol. 7, pp. 167–206). https://doi.org/10.1515/9783110773637-009

Bass-Krueger, M. (2021). Towards a dynamic understanding of “past transfer” in an architectural restoration by Charles Garnier and the Delphos dress by Mariano Fortuny. In V. Kobi (Ed.), Terms of style in art history (Vol. 6, pp. 55–77). Rome: Campisano Editore.

Bass-Krueger, M., & Kurkdjian, S. (2021). Introduction. In M. Bass-Krueger, H. Edwards-Dujardin, & S. Kurkdjian (Eds.), Fashion, society, and the first World War : international perspectives (pp. 1–14). https://doi.org/10.5040/9781350119895.0008

Bass-Krueger, M. (2021). Paris, capital of fashion. https://doi.org/10.1093/fh/crab012

Bass-Krueger, M. (2021). Paris fashion and World War Two : global diffusion and Nazi control. https://doi.org/10.1093/jdh/epab047

Bass-Krueger, M. (2021). Realistic wax mannequin. In B. Penner, A. Forty, O. Horsfall Turner, & M. Critchley (Eds.), Extinct : a compendium of obsolete objects (pp. 269–271). Reaktion Books.

Bass-Krueger, M. (2021). Is it jewelry? In K. Van Gestel (Ed.), De Collectieve Collectie : is het afval of erfgoed? (pp. 94–103). Turnhout: Collectieve Collectie.

Bass-Krueger, M., Kurkdjian, S., & Zdatny, S. (2020). Fashion in French history introduction (M. Bass-Krueger, S. Zdatny, & S. Kurkdjian, Eds.). https://doi.org/10.1215/00161071-8018427

Bass-Krueger, M. (2020). Objects de savoir : la constitution d’une discipline - De la peinture historique à la rénovation des Beaux-Arts. In D. Delille & P. Sénéchal (Eds.), Modes et vêtements : retour aux textes (pp. 201–218). Paris: INHA/MAD.

Bass-Krueger, M. (2019). Encyclopedia articles on fashion for Vogue Online International.

Bass-Krueger, M. (2018). Fashion collections, collectors, and exhibitions in France, 1874–1900 : historical imagination, the spectacular past, and the practice of restoration. FASHION THEORY-THE JOURNAL OF DRESS BODY & CULTURE, 22(4–5), 405–433. https://doi.org/10.1080/1362704x.2018.1425354