Berensmeyer, I., Buelens, G., & Demoor, M. (2011). Introduction: authorship.

Buelens, G. (2010). Recent criticism (since 1985). In D. McWhirter (Ed.), Henry James in context (pp. 435–444). Cambridge, UK: Cambridge University Press.

Buelens, G., & Lievens, B. (2010). “Confounding closed systems”: transforming the boundaries of jewish identity in Rebecca Goldstein’s novel mazel. ENGLISH STUDIES, 91(8), 907–919. https://doi.org/10.1080/0013838X.2010.517304

Buelens, G., & Eeckhout, B. (2010). Always a potent and an impotent romantic: stylistic enactments of Desire in Henry James’s “The ambassadors” and Wallace Stevens’ “Anecdote of the jar.” WALLACE STEVENS JOURNAL, 34(1), 37–63.

Buelens, G. (2010). The eve of recollection: queer theoretica Eve Kosofsky Sedgwick.

Biebuyck, B., Buelens, G., de Graef, O., Hoens, D., & Jöttkandt, S. (2009). The catastrophic imperative: subjectivity, time and memory in contemporary thought : introduction. In D. Hoens, S. Jöttkandt, & G. Buelens (Eds.), The catastrophic imperative : subjectivity, time and memory in contemporary thought (pp. 1–8). New York: Palgrave MacMillan.

Buelens, G. (2009). Catastrophe, Citationality and the Limits of Responsibility in “Disgrace.” In D. Hoens, S. Jöttkandt, & G. Buelens (Eds.), The Catastrophic Imperative: Subjectivity, Time and Memory in Contemporary Thought (pp. 154–170). Houndmills, Basingstoke: Palgrave Macmillan.

Craps, S., & Buelens, G. (2008). Introduction: Postcolonial trauma novels (Cathy Caruth). STUDIES IN THE NOVEL, 40(1–2), 1–12.

Buelens, G. (2008). Henry James and the (un)canny American scene. In A companion to Henry James (pp. 193–207). https://doi.org/1854/13095

Buelens, G. (2008). Henry James’s Bostonians: The Power of Paradigm; The Power of Place. In E. Pigeon (Ed.), How One City’s Cultural Tradition Shaped American Identity in the Nineteenth Century: Essays on Henry James’s The Bostonians (1886) (pp. 11–20). Lewiston NY: Edwin Mellen Press.