Buelens, G. (2016). The initial sales figures of Henry James’s Daisy Miller: a study. NOTES AND QUERIES, 63(2), 268–270. https://doi.org/10.1093/notesj/gjw080

Buelens, G. (2014). Henry James studies: an interview with Gert Buelens. JOURNAL OF AMERICAN STUDIES OF TURKEY, 40, 109–118.

Schelstraete, J., & Buelens, G. (2013). “This game is rigged”: Dickens, the wire, and money. DICKENS QUARTERLY, 30(4), 288–298.

Berensmeyer, I., Buelens, G., & Demoor, M. (2012). Introduction. ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK, 60(1), 1–3.

Berensmeyer, I., Buelens, G., & Demoor, M. (2012). Authorship as cultural performance: new perspectives in authorship studies. ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK, 60(1), 5–29.

Buelens, G., & Schelstraete, J. (2012). Authorship: eigentijds publicatiemedium.

Buelens, G. (2011). Uncanny doublings in “Owen Wingrave.” In A. Despotopoulou & K. C. Reed (Eds.), Henry James and the supernatural (pp. 149–164). London, UK: Palgrave Macmillan.

Buelens, G. (2011). Oneness through rupture: on the severances that bind Americans. In H.-J. Grabbe, D. Mauk, & O. Moen (Eds.), “E pluribus unum” or ’E pluribus plura?’ : unity and diversity in American culture (Vol. 3, pp. 49–64). Heidelberg, Germany: Universitätsverlag Winter.

Craps, S., & Buelens, G. (2011). Traumatic mirrorings: holocaust and colonial trauma in Michael Chabon’s the final solution. CRITICISM-A QUARTERLY FOR LITERATURE AND THE ARTS, 53(4), 569–586.

Buelens, G. (2011). Non-Readings and misreadings of “The Jamesian Lie.” HENRY JAMES REVIEW, 32(3), 259–265. https://doi.org/10.1353/hjr.2011.0026