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2004
Versluys, K. (2004). Philip Roth. In
Engelstalige literatuur na 1945. 2 : Proza, andere continenten
(pp. 183–198). Peeters.
2003
Versluys, K. (2003). New York as a maze: Siri Hustvedt’s The Blindfold (1992). In
Postmodern New York City : transfiguring spaces - Raum-Transformationen
(pp. 99–108). Universitätsverlag Winter.
2000
Versluys, K. (2000). The city in literature: A review article on recent studies.
ENGLISH STUDIES: A JOURNAL OF ENGLISH LANGUAGE AND LITERATURE
,
81
(3), 228–236.
Versluys, K. (2000). New York in Recent Writing.
ENGLISH STUDIES: A JOURNAL OF ENGLISH LANGUAGE AND LITERATURE
,
9
, 193–205.
Versluys, K. (2000). Philip Roth en het bedrog van de Amerikaanse Droom.
NWT. NIEUW WERELDTIJDSCHRIFT
,
17
(10), 50–57.
Versluys, K. (2000). At the end of the century: E.L. Doctorow goes theological.
SPIEGEL HISTORIAEL (BUSSUM)
,
40
, 11–22.
1999
De Meyer, D., Versluys, K., EECKHOUT, B., Keunen, B., JACOBS, S., & Borret, K. (1999).
The Urban Condition
. 010 Publishers.
Versluys, K. (1999). The street as theater : self-presentation and specularity in three literary texts on New York. In D. De Meyer, K. Versluys, K. Borret, B. Eeckhout, S. Jacobs, & B. Keunen (Eds.),
The urban condition : space, community, and self in the contemporary metropolis
(pp. 377–391). Rotterdam: 010 Publishers.
1998
Versluys, K. (1998). The Cambridge history of American literature.
AMERIKASTUDIEN (HEIDELBERG) = AMERICAN STUDIES
,
43
, 161–171.
1997
Versluys, K. (1997). Beyond Irony. Richard Ford’s Suburban Novels. In
Irony Revisited
(pp. 357–366). Köningshausen & Neumann.
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