La parergonalidad en el teatro : deconstrucción del arte de la escena como coeficiente de sus múltiples encuadramientos
(2019)
- Author
- Jorge Poveda Yánez
- Organization
- Abstract
- This research is inscribed within the studies about framing inaugurated by Kant and Ortega y Gasset and which have continued fruitfully such authors as Jacques Derrida, Ervin Goffman, or Suzanne Little. Using a structuralist notion, and in a subsidiary way, the approach of deconstruction, this book postulates the scaffolding of the framework as an ideal resource to challenge the centrality of art; not only from the theoretical or philosophical approach to performative art or as a mere auxiliary to the phenomenology of aesthetic expectation, but also as a renovating contraption that can pivot theater in the direction of the post-dramatic and not from a detriment of the theatrical text but from a recognition of all the other resources and languages, that exceeding the former, offer a series of creative triggers that are more immediate, since they are imported from no other place than the experiential substratum of theater-makers.
- Keywords
- Theatre, parergonality, liminality, Derrida, Framing studies
Citation
Please use this url to cite or link to this publication: http://hdl.handle.net/1854/LU-8745505
- MLA
- Poveda Yánez, Jorge. La Parergonalidad En El Teatro : Deconstrucción Del Arte de La Escena Como Coeficiente de Sus Múltiples Encuadramientos. Argus-a, 2019.
- APA
- Poveda Yánez, J. (2019). La parergonalidad en el teatro : deconstrucción del arte de la escena como coeficiente de sus múltiples encuadramientos. Argus-a.
- Chicago author-date
- Poveda Yánez, Jorge. 2019. La Parergonalidad En El Teatro : Deconstrucción Del Arte de La Escena Como Coeficiente de Sus Múltiples Encuadramientos. Buenos Aires: Argus-a.
- Chicago author-date (all authors)
- Poveda Yánez, Jorge. 2019. La Parergonalidad En El Teatro : Deconstrucción Del Arte de La Escena Como Coeficiente de Sus Múltiples Encuadramientos. Buenos Aires: Argus-a.
- Vancouver
- 1.Poveda Yánez J. La parergonalidad en el teatro : deconstrucción del arte de la escena como coeficiente de sus múltiples encuadramientos. Buenos Aires: Argus-a; 2019. 116 p.
- IEEE
- [1]J. Poveda Yánez, La parergonalidad en el teatro : deconstrucción del arte de la escena como coeficiente de sus múltiples encuadramientos. Buenos Aires: Argus-a, 2019.
@book{8745505,
abstract = {{This research is inscribed within the studies about framing inaugurated by Kant and Ortega y Gasset and which have continued fruitfully such authors as Jacques Derrida, Ervin Goffman, or Suzanne Little. Using a structuralist notion, and in a subsidiary way, the approach of deconstruction, this book postulates the scaffolding of the framework as an ideal resource to challenge the centrality of art; not only from the theoretical or philosophical approach to performative art or as a mere auxiliary to the phenomenology of aesthetic expectation, but also as a renovating contraption that can pivot theater in the direction of the post-dramatic and not from a detriment of the theatrical text but from a recognition of all the other resources and languages, that exceeding the former, offer a series of creative triggers that are more immediate, since they are imported from no other place than the experiential substratum of theater-makers.}},
author = {{Poveda Yánez, Jorge}},
isbn = {{9781732347465}},
keywords = {{Theatre,parergonality,liminality,Derrida,Framing studies}},
language = {{spa}},
pages = {{116}},
publisher = {{Argus-a}},
title = {{La parergonalidad en el teatro : deconstrucción del arte de la escena como coeficiente de sus múltiples encuadramientos}},
url = {{https://www.argus-a.com/ebook/718-la-parergonalidad-en-el-teatro-deconstruccion-del-arte-de-la-escena-como-coeficiente-de-sus-multiples-encuadramientos.html}},
year = {{2019}},
}