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Quatre peintres Belges au travail : Paul Haesaerts’s film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952)

(2022) ARTS. 11(1).
Author
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Abstract
Belgian art historian and filmmaker Paul Haesaerts (1901-1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary Quatre peintres belges au travail (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. On a large sheet of glass placed in front of the camera, they each paint one of the seasons that also represent a stage in a person's life. A close reading of this Kodachrome color film sheds light on the context of mid-century art reproductions, mass media and post-war Flemish culture. It also examines in what way this film operates as Haesaerts's concept of cinema critique, while raising questions as to the way Haesaerts attempted to reconcile the spatial art of painting with the temporal medium of film.
Keywords
Film and the Visual Arts, the Artist Studio, art historiography, Paul Haesaerts, Edgar Tytgat, Albert Dasnoy, Jean Brusselmans, Paul Delvaux, art documentaries

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MLA
Vandekerckhove, Joséphine. “Quatre Peintres Belges Au Travail : Paul Haesaerts’s Film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952).” ARTS, vol. 11, no. 1, 2022, doi:10.3390/arts11010036.
APA
Vandekerckhove, J. (2022). Quatre peintres Belges au travail : Paul Haesaerts’s film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952). ARTS, 11(1). https://doi.org/10.3390/arts11010036
Chicago author-date
Vandekerckhove, Joséphine. 2022. “Quatre Peintres Belges Au Travail : Paul Haesaerts’s Film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952).” ARTS 11 (1). https://doi.org/10.3390/arts11010036.
Chicago author-date (all authors)
Vandekerckhove, Joséphine. 2022. “Quatre Peintres Belges Au Travail : Paul Haesaerts’s Film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952).” ARTS 11 (1). doi:10.3390/arts11010036.
Vancouver
1.
Vandekerckhove J. Quatre peintres Belges au travail : Paul Haesaerts’s film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952). ARTS. 2022;11(1).
IEEE
[1]
J. Vandekerckhove, “Quatre peintres Belges au travail : Paul Haesaerts’s film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952),” ARTS, vol. 11, no. 1, 2022.
@article{8744067,
  abstract     = {{Belgian art historian and filmmaker Paul Haesaerts (1901-1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary Quatre peintres belges au travail (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. On a large sheet of glass placed in front of the camera, they each paint one of the seasons that also represent a stage in a person's life. A close reading of this Kodachrome color film sheds light on the context of mid-century art reproductions, mass media and post-war Flemish culture. It also examines in what way this film operates as Haesaerts's concept of cinema critique, while raising questions as to the way Haesaerts attempted to reconcile the spatial art of painting with the temporal medium of film.}},
  articleno    = {{36}},
  author       = {{Vandekerckhove, Joséphine}},
  issn         = {{2076-0752}},
  journal      = {{ARTS}},
  keywords     = {{Film and the Visual Arts,the Artist Studio,art historiography,Paul Haesaerts,Edgar Tytgat,Albert Dasnoy,Jean Brusselmans,Paul Delvaux,art documentaries}},
  language     = {{eng}},
  number       = {{1}},
  pages        = {{13}},
  title        = {{Quatre peintres Belges au travail : Paul Haesaerts’s film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952)}},
  url          = {{http://doi.org/10.3390/arts11010036}},
  volume       = {{11}},
  year         = {{2022}},
}

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