Margaret van Eyck, a house called 'The Wild Sea' and Jan van Eyck's posthumous workshop
- Author
- Jan Dumolyn (UGent) , Susan Frances Jones, Ward Leloup (UGent) , Toon De Meester and Mathijs Speecke (UGent)
- Organization
- Abstract
- Understanding of the transition in painting in Bruges between the death of Jan van Eyck in 1441 and the early career of Petrus Christus has been hampered by uncertainty about the size, location and fate of Van Eyck’s workshop, which some scholars argue was continued by his widow, Margaret. Reassessment of the evidence suggests a new terminus ante quem for its closure.
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Citation
Please use this url to cite or link to this publication: http://hdl.handle.net/1854/LU-8739357
- MLA
- Dumolyn, Jan, et al. “Margaret van Eyck, a House Called ‘The Wild Sea’ and Jan van Eyck’s Posthumous Workshop.” BURLINGTON MAGAZINE, vol. 164, no. 1427, 2022, pp. 120–29.
- APA
- Dumolyn, J., Jones, S. F., Leloup, W., De Meester, T., & Speecke, M. (2022). Margaret van Eyck, a house called “The Wild Sea” and Jan van Eyck’s posthumous workshop. BURLINGTON MAGAZINE, 164(1427), 120–129.
- Chicago author-date
- Dumolyn, Jan, Susan Frances Jones, Ward Leloup, Toon De Meester, and Mathijs Speecke. 2022. “Margaret van Eyck, a House Called ‘The Wild Sea’ and Jan van Eyck’s Posthumous Workshop.” BURLINGTON MAGAZINE 164 (1427): 120–29.
- Chicago author-date (all authors)
- Dumolyn, Jan, Susan Frances Jones, Ward Leloup, Toon De Meester, and Mathijs Speecke. 2022. “Margaret van Eyck, a House Called ‘The Wild Sea’ and Jan van Eyck’s Posthumous Workshop.” BURLINGTON MAGAZINE 164 (1427): 120–129.
- Vancouver
- 1.Dumolyn J, Jones SF, Leloup W, De Meester T, Speecke M. Margaret van Eyck, a house called “The Wild Sea” and Jan van Eyck’s posthumous workshop. BURLINGTON MAGAZINE. 2022;164(1427):120–9.
- IEEE
- [1]J. Dumolyn, S. F. Jones, W. Leloup, T. De Meester, and M. Speecke, “Margaret van Eyck, a house called ‘The Wild Sea’ and Jan van Eyck’s posthumous workshop,” BURLINGTON MAGAZINE, vol. 164, no. 1427, pp. 120–129, 2022.
@article{8739357,
abstract = {{Understanding of the transition in painting in Bruges between the death of Jan van Eyck in 1441 and the early career of Petrus Christus has been hampered by uncertainty about the size, location and fate of Van Eyck’s workshop, which some scholars argue was continued by his widow, Margaret. Reassessment of the evidence suggests a new terminus ante quem for its closure.}},
author = {{Dumolyn, Jan and Jones, Susan Frances and Leloup, Ward and De Meester, Toon and Speecke, Mathijs}},
issn = {{0007-6287}},
journal = {{BURLINGTON MAGAZINE}},
language = {{eng}},
number = {{1427}},
pages = {{120--129}},
title = {{Margaret van Eyck, a house called 'The Wild Sea' and Jan van Eyck's posthumous workshop}},
url = {{https://www.burlington.org.uk/download/article/article_44188.pdf}},
volume = {{164}},
year = {{2022}},
}