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Towards an inclusive curation of WWI heritage : integrating historical aerial photographs, digital museum applications and landscape markers in 'Flanders Fields' (Belgium)

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Abstract
Purpose: Over a century of state-sponsored construction of monuments, historic mythmaking and nationalist framings of WWI has ensured that it has become notoriously difficult to present the heritage of the Great War in an inclusive and non-selective way. In this paper the authors present a strategy and technology-driven solutions to overcome the selective heritage curation of modern conflict. Design/methodology/approach: Building on a suite of tools, applications and cultural heritage management plans developed by the In Flanders Fields Museum (IFFM), this paper explores the challenges of preserving and curating conflict heritage. The authors investigate the philosophy, cultural heritage management strategies and exhibitions used to curate the heritage of the Ypres Salient (Belgium). Findings: The paper argues that historical aerial photographs integrated in multimedia exhibits present themselves as a fascinating source bringing the landscape within the walls of the museum. Mobile augmented reality (AR) applications developed by the museum go one step beyond and bring museum techniques to the landscape. Research limitations/implications: This paper presents a strategy to present, manage and curate the entirety of conflict heritage from the modern period. Faced with growing politicisation and memorialisation of modern conflict, it is extremely important that inclusive heritage management and curation is insured. The reflections on different curatorial techniques used by the IFFM can contribute globally towards a better heritage engagement. Practical implications: An innovative and meaningful framework enables a more historically nuanced visitor experience to key heritage sites throughout the Ypres Salient. Social implications: Ensuring a non-selective heritage experience is especially pressing today. Over the past century canonised and national narratives have prescribed our understanding of the First World War across Europe and beyond. Originality/value: Adopting a critical stance towards the proliferation in AR apps and applying theories from anthropology and phenomenology has been developed combining AR with arboreal landscape relics.
Keywords
Landscape, Heritage, Cultural heritage, Museums, Site management, Heritage management, Documentation, Surveying and recording, Post-conflict heritage, ARCHAEOLOGY, TIME

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MLA
Stichelbaut, Birger, et al. “Towards an Inclusive Curation of WWI Heritage : Integrating Historical Aerial Photographs, Digital Museum Applications and Landscape Markers in ‘Flanders Fields’ (Belgium).” JOURNAL OF CULTURAL HERITAGE MANAGEMENT AND SUSTAINABLE DEVELOPMENT, vol. 11, no. 4, 2021, pp. 344–60, doi:10.1108/jchmsd-04-2020-0056.
APA
Stichelbaut, B., Plets, G., & Reeves, K. (2021). Towards an inclusive curation of WWI heritage : integrating historical aerial photographs, digital museum applications and landscape markers in “Flanders Fields” (Belgium). JOURNAL OF CULTURAL HERITAGE MANAGEMENT AND SUSTAINABLE DEVELOPMENT, 11(4), 344–360. https://doi.org/10.1108/jchmsd-04-2020-0056
Chicago author-date
Stichelbaut, Birger, Gertjan Plets, and Keir Reeves. 2021. “Towards an Inclusive Curation of WWI Heritage : Integrating Historical Aerial Photographs, Digital Museum Applications and Landscape Markers in ‘Flanders Fields’ (Belgium).” JOURNAL OF CULTURAL HERITAGE MANAGEMENT AND SUSTAINABLE DEVELOPMENT 11 (4): 344–60. https://doi.org/10.1108/jchmsd-04-2020-0056.
Chicago author-date (all authors)
Stichelbaut, Birger, Gertjan Plets, and Keir Reeves. 2021. “Towards an Inclusive Curation of WWI Heritage : Integrating Historical Aerial Photographs, Digital Museum Applications and Landscape Markers in ‘Flanders Fields’ (Belgium).” JOURNAL OF CULTURAL HERITAGE MANAGEMENT AND SUSTAINABLE DEVELOPMENT 11 (4): 344–360. doi:10.1108/jchmsd-04-2020-0056.
Vancouver
1.
Stichelbaut B, Plets G, Reeves K. Towards an inclusive curation of WWI heritage : integrating historical aerial photographs, digital museum applications and landscape markers in “Flanders Fields” (Belgium). JOURNAL OF CULTURAL HERITAGE MANAGEMENT AND SUSTAINABLE DEVELOPMENT. 2021;11(4):344–60.
IEEE
[1]
B. Stichelbaut, G. Plets, and K. Reeves, “Towards an inclusive curation of WWI heritage : integrating historical aerial photographs, digital museum applications and landscape markers in ‘Flanders Fields’ (Belgium),” JOURNAL OF CULTURAL HERITAGE MANAGEMENT AND SUSTAINABLE DEVELOPMENT, vol. 11, no. 4, pp. 344–360, 2021.
@article{8683291,
  abstract     = {{Purpose: Over a century of state-sponsored construction of monuments, historic mythmaking and nationalist framings of WWI has ensured that it has become notoriously difficult to present the heritage of the Great War in an inclusive and non-selective way. In this paper the authors present a strategy and technology-driven solutions to overcome the selective heritage curation of modern conflict.

Design/methodology/approach: Building on a suite of tools, applications and cultural heritage management plans developed by the In Flanders Fields Museum (IFFM), this paper explores the challenges of preserving and curating conflict heritage. The authors investigate the philosophy, cultural heritage management strategies and exhibitions used to curate the heritage of the Ypres Salient (Belgium).

Findings: The paper argues that historical aerial photographs integrated in multimedia exhibits present themselves as a fascinating source bringing the landscape within the walls of the museum. Mobile augmented reality (AR) applications developed by the museum go one step beyond and bring museum techniques to the landscape.

Research limitations/implications: This paper presents a strategy to present, manage and curate the entirety of conflict heritage from the modern period. Faced with growing politicisation and memorialisation of modern conflict, it is extremely important that inclusive heritage management and curation is insured. The reflections on different curatorial techniques used by the IFFM can contribute globally towards a better heritage engagement.

Practical implications: An innovative and meaningful framework enables a more historically nuanced visitor experience to key heritage sites throughout the Ypres Salient.

Social implications: Ensuring a non-selective heritage experience is especially pressing today. Over the past century canonised and national narratives have prescribed our understanding of the First World War across Europe and beyond.

Originality/value: Adopting a critical stance towards the proliferation in AR apps and applying theories from anthropology and phenomenology has been developed combining AR with arboreal landscape relics.}},
  author       = {{Stichelbaut, Birger and Plets, Gertjan and Reeves, Keir}},
  issn         = {{2044-1266}},
  journal      = {{JOURNAL OF CULTURAL HERITAGE MANAGEMENT AND SUSTAINABLE DEVELOPMENT}},
  keywords     = {{Landscape,Heritage,Cultural heritage,Museums,Site management,Heritage management,Documentation,Surveying and recording,Post-conflict heritage,ARCHAEOLOGY,TIME}},
  language     = {{eng}},
  number       = {{4}},
  pages        = {{344--360}},
  title        = {{Towards an inclusive curation of WWI heritage : integrating historical aerial photographs, digital museum applications and landscape markers in 'Flanders Fields' (Belgium)}},
  url          = {{http://doi.org/10.1108/jchmsd-04-2020-0056}},
  volume       = {{11}},
  year         = {{2021}},
}

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