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Burlarse de la modernidad : lo que (no) une a Opisso y Keaton en el primer TBO

Eva Van de Wiele (UGent)
(2020) TEBEOSFERA (SEVILLA). 3(15).
Author
Organization
Project
  • COMICS (Children in Comics: An intercultural history from 1865 to today)
Abstract
This article studies specific cases of transmedial interchange between early cinema and early (1917-1930) TBO, a Barcelonese comics magazine. Methodologically it draws on intermediality theory to study the inferences of cinema in early TBO. From an analysis of the first cover of TBO, to the reactions of both comics and cinema as a medium to modern inventions like post-order DIY houses, this article reflects on popular media’s humour. I argue the contemporary mediums’ humour to be based on global societal changes, but their concrete realizations to reflect interesting cultural and medial differences.
Keywords
Keaton, TBO, Opisso, Donaz, Intermediality, Silent films

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Citation

Please use this url to cite or link to this publication:

MLA
Van de Wiele, Eva. “Burlarse de La Modernidad : Lo Que (No) Une a Opisso y Keaton En El Primer TBO.” TEBEOSFERA (SEVILLA), vol. 3, no. 15, 2020.
APA
Van de Wiele, E. (2020). Burlarse de la modernidad : lo que (no) une a Opisso y Keaton en el primer TBO.
Chicago author-date
Van de Wiele, Eva. 2020. “Burlarse de La Modernidad : Lo Que (No) Une a Opisso y Keaton En El Primer TBO.” TEBEOSFERA (SEVILLA).
Chicago author-date (all authors)
Van de Wiele, Eva. 2020. “Burlarse de La Modernidad : Lo Que (No) Une a Opisso y Keaton En El Primer TBO.” TEBEOSFERA (SEVILLA).
Vancouver
1.
Van de Wiele E. Burlarse de la modernidad : lo que (no) une a Opisso y Keaton en el primer TBO. Vol. 3, TEBEOSFERA (SEVILLA). 2020.
IEEE
[1]
E. Van de Wiele, “Burlarse de la modernidad : lo que (no) une a Opisso y Keaton en el primer TBO,” TEBEOSFERA (SEVILLA), vol. 3, no. 15. 2020.
@misc{8681560,
  abstract     = {{This article studies specific cases of transmedial interchange between early cinema and early (1917-1930) TBO, a Barcelonese comics magazine. Methodologically it draws on intermediality theory to study the inferences of cinema in early TBO. From an analysis of the first cover of TBO, to the reactions of both comics and cinema as a medium to modern inventions like post-order DIY houses, this article reflects on popular media’s humour. I argue the contemporary mediums’ humour to be based on global societal changes, but their concrete realizations to reflect interesting cultural and medial differences.}},
  author       = {{Van de Wiele, Eva}},
  issn         = {{1579-2811}},
  keywords     = {{Keaton,TBO,Opisso,Donaz,Intermediality,Silent films}},
  language     = {{spa}},
  number       = {{15}},
  series       = {{TEBEOSFERA (SEVILLA)}},
  title        = {{Burlarse de la modernidad : lo que (no) une a Opisso y Keaton en el primer TBO}},
  url          = {{https://www.tebeosfera.com/documentos/lo_que_no_une_a_opisso_y_keaton_en_el_primer_tbo.html}},
  volume       = {{3}},
  year         = {{2020}},
}