Las atracciones gráficas de Méndez Álvarez en la phase foraine de TBO (1917-1928)
- Author
- Eva Van de Wiele (UGent)
- Organization
- Project
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- COMICS (Children in Comics: An intercultural history from 1865 to today)
- Abstract
- Through a study of one illustrator, Gaspar Méndez Álvarez, this article illuminates the phase foraine (1917-1931) of TBO. Using «the strange, and the atrocious» graphic traits (Smolderen) he sought to address and cater to a new audience: children. I will reveal an evolution in both Méndez’ graphic attractions and editor Buigas’ magazine. My main contention is that with Méndez Álvarez’ disappearance from the magazi-ne around 1928, TBO’s phase foraine came to an end: with the infantilisation of the medium, the divide between satirical press and children’s magazines was complete.
- Keywords
- Children, Comics History, Gaspar Méndez Álvarez, Humour, TBO
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Citation
Please use this url to cite or link to this publication: http://hdl.handle.net/1854/LU-8668371
- MLA
- Van de Wiele, Eva. “Las Atracciones Gráficas de Méndez Álvarez En La Phase Foraine de TBO (1917-1928).” CUADERNOS DE COMIC, no. 14, 2020, pp. 62–108, doi:10.37536/cuco.2020.14.1279.
- APA
- Van de Wiele, E. (2020). Las atracciones gráficas de Méndez Álvarez en la phase foraine de TBO (1917-1928). CUADERNOS DE COMIC, (14), 62–108. https://doi.org/10.37536/cuco.2020.14.1279
- Chicago author-date
- Van de Wiele, Eva. 2020. “Las Atracciones Gráficas de Méndez Álvarez En La Phase Foraine de TBO (1917-1928).” CUADERNOS DE COMIC, no. 14: 62–108. https://doi.org/10.37536/cuco.2020.14.1279.
- Chicago author-date (all authors)
- Van de Wiele, Eva. 2020. “Las Atracciones Gráficas de Méndez Álvarez En La Phase Foraine de TBO (1917-1928).” CUADERNOS DE COMIC (14): 62–108. doi:10.37536/cuco.2020.14.1279.
- Vancouver
- 1.Van de Wiele E. Las atracciones gráficas de Méndez Álvarez en la phase foraine de TBO (1917-1928). CUADERNOS DE COMIC. 2020;(14):62–108.
- IEEE
- [1]E. Van de Wiele, “Las atracciones gráficas de Méndez Álvarez en la phase foraine de TBO (1917-1928),” CUADERNOS DE COMIC, no. 14, pp. 62–108, 2020.
@article{8668371,
abstract = {{Through a study of one illustrator, Gaspar Méndez Álvarez, this article illuminates the phase foraine (1917-1931) of TBO. Using «the strange, and the atrocious» graphic traits (Smolderen) he sought to address and cater to a new audience: children. I will reveal an evolution in both Méndez’ graphic attractions and editor Buigas’ magazine. My main contention is that with Méndez Álvarez’ disappearance from the magazi-ne around 1928, TBO’s phase foraine came to an end: with the infantilisation of the medium, the divide between satirical press and children’s magazines was complete.}},
author = {{Van de Wiele, Eva}},
issn = {{2340-7867}},
journal = {{CUADERNOS DE COMIC}},
keywords = {{Children,Comics History,Gaspar Méndez Álvarez,Humour,TBO}},
language = {{spa}},
number = {{14}},
pages = {{62--108}},
title = {{Las atracciones gráficas de Méndez Álvarez en la phase foraine de TBO (1917-1928)}},
url = {{http://doi.org/10.37536/cuco.2020.14.1279}},
year = {{2020}},
}
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