
The Heijermans case : censorship of the female (artist’s) gaze in fin-de-siècle Brussels
- Author
- Marjan Sterckx (UGent)
- Organization
- Keywords
- painting, interior, interior painting, prostitution, censorship, Brussels, fin-de-siècle, exhibition, socialism, gender, Heijermans, the nude, woman artist, gaze
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Citation
Please use this url to cite or link to this publication: http://hdl.handle.net/1854/LU-8580219
- MLA
- Sterckx, Marjan. “The Heijermans Case : Censorship of the Female (Artist’s) Gaze in Fin-de-Siècle Brussels.” Making Waves : Crosscurrents in the Study of Nineteenth-Century Art, edited by Laurinda Dixon and Gabriel P. Weisberg, vol. 4, Brepols, 2019, pp. 115–23.
- APA
- Sterckx, M. (2019). The Heijermans case : censorship of the female (artist’s) gaze in fin-de-siècle Brussels. In L. Dixon & G. P. Weisberg (Eds.), Making waves : crosscurrents in the study of Nineteenth-Century art (Vol. 4, pp. 115–123). Turnhout: Brepols.
- Chicago author-date
- Sterckx, Marjan. 2019. “The Heijermans Case : Censorship of the Female (Artist’s) Gaze in Fin-de-Siècle Brussels.” In Making Waves : Crosscurrents in the Study of Nineteenth-Century Art, edited by Laurinda Dixon and Gabriel P. Weisberg, 4:115–23. Turnhout: Brepols.
- Chicago author-date (all authors)
- Sterckx, Marjan. 2019. “The Heijermans Case : Censorship of the Female (Artist’s) Gaze in Fin-de-Siècle Brussels.” In Making Waves : Crosscurrents in the Study of Nineteenth-Century Art, ed by. Laurinda Dixon and Gabriel P. Weisberg, 4:115–123. Turnhout: Brepols.
- Vancouver
- 1.Sterckx M. The Heijermans case : censorship of the female (artist’s) gaze in fin-de-siècle Brussels. In: Dixon L, Weisberg GP, editors. Making waves : crosscurrents in the study of Nineteenth-Century art. Turnhout: Brepols; 2019. p. 115–23.
- IEEE
- [1]M. Sterckx, “The Heijermans case : censorship of the female (artist’s) gaze in fin-de-siècle Brussels,” in Making waves : crosscurrents in the study of Nineteenth-Century art, vol. 4, L. Dixon and G. P. Weisberg, Eds. Turnhout: Brepols, 2019, pp. 115–123.
@incollection{8580219, author = {{Sterckx, Marjan}}, booktitle = {{Making waves : crosscurrents in the study of Nineteenth-Century art}}, editor = {{Dixon, Laurinda and Weisberg, Gabriel P.}}, isbn = {{9782503584409}}, keywords = {{painting,interior,interior painting,prostitution,censorship,Brussels,fin-de-siècle,exhibition,socialism,gender,Heijermans,the nude,woman artist,gaze}}, language = {{eng}}, pages = {{115--123}}, publisher = {{Brepols}}, series = {{XIX. Studies in 19th-Century Art and Visual Culture}}, title = {{The Heijermans case : censorship of the female (artist’s) gaze in fin-de-siècle Brussels}}, volume = {{4}}, year = {{2019}}, }