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Methodological evolutions of Raman spectroscopy in art and archaeology

(2016) ANALYTICAL METHODS. 8(48). p.8395-8409
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Abstract
During the last decades, Raman spectroscopy has grown from research laboratories to a well-established approach that is increasingly often used in archaeometry and conservation science. When looking at these research fields, some novel trends can be detected and therefore we would like to review the recent literature on the technical aspects and new evolutions of Raman spectroscopy applied to art analysis. This article reviews Raman instrumentation, with a special focus on the use of mobile and portable instruments, recent developments in the field of surface-enhanced Raman spectroscopy (SERS), and the introduction of spatially offset Raman spectroscopy (SORS) in the field of art and archaeology.
Keywords
WORKS-OF-ART, INDUCED BREAKDOWN SPECTROSCOPY, WEATHERING STEEL SURFACES, BALLPOINT PEN INKS, AG-AGAR GEL, MICRO-RAMAN, FT-RAMAN, ORGANIC COLORANTS, SCATTERING SERS, CULTURAL-HERITAGE

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Citation

Please use this url to cite or link to this publication:

MLA
Bersani, Danilo et al. “Methodological Evolutions of Raman Spectroscopy in Art and Archaeology.” ANALYTICAL METHODS 8.48 (2016): 8395–8409. Print.
APA
Bersani, D., Conti, C., Matousek, P., Pozzi, F., & Vandenabeele, P. (2016). Methodological evolutions of Raman spectroscopy in art and archaeology. ANALYTICAL METHODS, 8(48), 8395–8409.
Chicago author-date
Bersani, Danilo, Claudia Conti, Pavel Matousek, Federica Pozzi, and Peter Vandenabeele. 2016. “Methodological Evolutions of Raman Spectroscopy in Art and Archaeology.” Analytical Methods 8 (48): 8395–8409.
Chicago author-date (all authors)
Bersani, Danilo, Claudia Conti, Pavel Matousek, Federica Pozzi, and Peter Vandenabeele. 2016. “Methodological Evolutions of Raman Spectroscopy in Art and Archaeology.” Analytical Methods 8 (48): 8395–8409.
Vancouver
1.
Bersani D, Conti C, Matousek P, Pozzi F, Vandenabeele P. Methodological evolutions of Raman spectroscopy in art and archaeology. ANALYTICAL METHODS. Royal Society of Chemistry (RSC); 2016;8(48):8395–409.
IEEE
[1]
D. Bersani, C. Conti, P. Matousek, F. Pozzi, and P. Vandenabeele, “Methodological evolutions of Raman spectroscopy in art and archaeology,” ANALYTICAL METHODS, vol. 8, no. 48, pp. 8395–8409, 2016.
@article{8532253,
  abstract     = {{During the last decades, Raman spectroscopy has grown from research laboratories to a well-established approach that is increasingly often used in archaeometry and conservation science. When looking at these research fields, some novel trends can be detected and therefore we would like to review the recent literature on the technical aspects and new evolutions of Raman spectroscopy applied to art analysis. This article reviews Raman instrumentation, with a special focus on the use of mobile and portable instruments, recent developments in the field of surface-enhanced Raman spectroscopy (SERS), and the introduction of spatially offset Raman spectroscopy (SORS) in the field of art and archaeology.}},
  author       = {{Bersani, Danilo and Conti, Claudia and Matousek, Pavel and Pozzi, Federica and Vandenabeele, Peter}},
  issn         = {{1759-9660}},
  journal      = {{ANALYTICAL METHODS}},
  keywords     = {{WORKS-OF-ART,INDUCED BREAKDOWN SPECTROSCOPY,WEATHERING STEEL SURFACES,BALLPOINT PEN INKS,AG-AGAR GEL,MICRO-RAMAN,FT-RAMAN,ORGANIC COLORANTS,SCATTERING SERS,CULTURAL-HERITAGE}},
  language     = {{eng}},
  number       = {{48}},
  pages        = {{8395--8409}},
  publisher    = {{Royal Society of Chemistry (RSC)}},
  title        = {{Methodological evolutions of Raman spectroscopy in art and archaeology}},
  url          = {{http://dx.doi.org/10.1039/c6ay02327d}},
  volume       = {{8}},
  year         = {{2016}},
}

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