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A revisionist, genre-theoretical, and historical study of the English ode in the Eighteenth Century (1680–1760)

Thomas Van der Goten (2017)
Please use this url to cite or link to this publication:
author
promoter
UGent
organization
alternative title
Een revisionistische, genretheoretische en historische studie van de Engelse ode in de achttiende eeuw
year
type
dissertation
publication status
published
subject
pages
XII, 240 pages
publisher
Ghent University. Faculty of Arts and Philosophy
place of publication
Ghent, Belgium
defense location
Gent : Het Pand (zaal rector Blancquaert)
defense date
2017-06-28 10:00
language
English
UGent publication?
yes
classification
D1
copyright statement
I have retained and own the full copyright for this publication
id
8524616
handle
http://hdl.handle.net/1854/LU-8524616
date created
2017-06-21 14:17:16
date last changed
2017-06-22 07:07:12
@phdthesis{8524616,
  author       = {Van der Goten, Thomas},
  language     = {eng},
  pages        = {XII, 240},
  publisher    = {Ghent University. Faculty of Arts and Philosophy},
  school       = {Ghent University},
  title        = {A revisionist, genre-theoretical, and historical study of the English ode in the Eighteenth Century (1680--1760)},
  year         = {2017},
}

Chicago
Van der Goten, Thomas. 2017. “A Revisionist, Genre-theoretical, and Historical Study of the English Ode in the Eighteenth Century (1680–1760)”. Ghent, Belgium: Ghent University. Faculty of Arts and Philosophy.
APA
Van der Goten, T. (2017). A revisionist, genre-theoretical, and historical study of the English ode in the Eighteenth Century (1680–1760). Ghent University. Faculty of Arts and Philosophy, Ghent, Belgium.
Vancouver
1.
Van der Goten T. A revisionist, genre-theoretical, and historical study of the English ode in the Eighteenth Century (1680–1760). [Ghent, Belgium]: Ghent University. Faculty of Arts and Philosophy; 2017.
MLA
Van der Goten, Thomas. “A Revisionist, Genre-theoretical, and Historical Study of the English Ode in the Eighteenth Century (1680–1760).” 2017 : n. pag. Print.