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The documentary real : thinking documentary aesthetics

(2018) FOUNDATIONS OF SCIENCE. 23(2). p.197-205
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Abstract
In this article we consider the growing interest in recent years in the use of documentary strategies in the wold of contemporary art, film and performing arts and explore some of the central epistemological assumptions underpinning the persistent idea that the documentary should be equated with ‘non-fiction’. Following Stella Bruzzi we argue that if documentary theory maintains objectivity as the primary measure of value, it will inevitably and continuously arrive at the conclusion that the documentary genre is fundamentally flawed. Instead, we propose to move beyond the ‘realist epistemology’ of documentary theory and focus on the ‘documentary real’, i.e. the specific performativity of the reality constructed in and by the documentary genre. In the last paragraphs, we introduce the various articles that address the ‘‘documentary real’’ in this special issue.
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MLA
Le Roy, Frederik, and Robrecht Vanderbeeken. “The Documentary Real : Thinking Documentary Aesthetics.” FOUNDATIONS OF SCIENCE, vol. 23, no. 2, Springer Nature, 2018, pp. 197–205.
APA
Le Roy, F., & Vanderbeeken, R. (2018). The documentary real : thinking documentary aesthetics. FOUNDATIONS OF SCIENCE, 23(2), 197–205.
Chicago author-date
Le Roy, Frederik, and Robrecht Vanderbeeken. 2018. “The Documentary Real : Thinking Documentary Aesthetics.” FOUNDATIONS OF SCIENCE 23 (2): 197–205.
Chicago author-date (all authors)
Le Roy, Frederik, and Robrecht Vanderbeeken. 2018. “The Documentary Real : Thinking Documentary Aesthetics.” FOUNDATIONS OF SCIENCE 23 (2): 197–205.
Vancouver
1.
Le Roy F, Vanderbeeken R. The documentary real : thinking documentary aesthetics. FOUNDATIONS OF SCIENCE. 2018;23(2):197–205.
IEEE
[1]
F. Le Roy and R. Vanderbeeken, “The documentary real : thinking documentary aesthetics,” FOUNDATIONS OF SCIENCE, vol. 23, no. 2, pp. 197–205, 2018.
@article{8502494,
  abstract     = {In this article we consider the growing interest in recent years in the use of documentary strategies in the wold of contemporary art, film and performing arts and explore some of the central epistemological assumptions underpinning the persistent idea that the documentary should be equated with ‘non-fiction’. Following Stella Bruzzi we argue that if documentary theory maintains objectivity as the primary measure of value, it will inevitably and continuously arrive at the conclusion that the documentary genre is fundamentally flawed. Instead, we propose to move beyond the ‘realist epistemology’ of documentary theory and focus on the ‘documentary real’, i.e. the specific performativity of
the reality constructed in and by the documentary genre. In the last paragraphs, we introduce the various articles that address the ‘‘documentary real’’ in this special issue.},
  author       = {Le Roy, Frederik and Vanderbeeken, Robrecht},
  issn         = {1233-1821},
  journal      = {FOUNDATIONS OF SCIENCE},
  keywords     = {General},
  language     = {eng},
  number       = {2},
  pages        = {197--205},
  publisher    = {Springer Nature},
  title        = {The documentary real : thinking documentary aesthetics},
  url          = {http://dx.doi.org/10.1007/s10699-016-9513-8},
  volume       = {23},
  year         = {2018},
}

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