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Engaged visual art as a tool for normative renewal in international human rights : the case of Ariella Azoulay’s potential history (2012)

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Abstract
This contribution is a first attempt at collaboration between an art researcher, Hilde Van Gelder, and a scholar of human rights law, Eva Brems, which we hope will develop into a fully fledged research project. In the first part of the chapter, Hilde Van Gelder shows how Ariella Azoulay ’ s artistic and curatorial work leads to her theoretical positions on human rights, that is, how visual art talks to international human rights law in this case, and what it has to say. In the second part, Eva Brems explores whether and how international human rights law can rise to the challenge of, and address, the claims put forward by the artist and art researcher.
Keywords
International Human Rights Law, Ariella Azoulay, Claims, Arts, HRC

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MLA
Brems, Eva, and Hilde Van Gelder. “Engaged Visual Art as a Tool for Normative Renewal in International Human Rights : The Case of Ariella Azoulay’s Potential History (2012).” International Law and the Aesthetic, edited by August Reinisch et al., vol. 5, Hart Publishing, 2016, pp. 461–75.
APA
Brems, E., & Van Gelder, H. (2016). Engaged visual art as a tool for normative renewal in international human rights : the case of Ariella Azoulay’s potential history (2012). In A. Reinisch, M. E. Footer, & C. Binder (Eds.), International law and the aesthetic (Vol. 5, pp. 461–475). Oxford: Hart Publishing.
Chicago author-date
Brems, Eva, and Hilde Van Gelder. 2016. “Engaged Visual Art as a Tool for Normative Renewal in International Human Rights : The Case of Ariella Azoulay’s Potential History (2012).” In International Law and the Aesthetic, edited by August Reinisch, Mary E Footer, and Christina Binder, 5:461–75. Oxford: Hart Publishing.
Chicago author-date (all authors)
Brems, Eva, and Hilde Van Gelder. 2016. “Engaged Visual Art as a Tool for Normative Renewal in International Human Rights : The Case of Ariella Azoulay’s Potential History (2012).” In International Law and the Aesthetic, ed by. August Reinisch, Mary E Footer, and Christina Binder, 5:461–475. Oxford: Hart Publishing.
Vancouver
1.
Brems E, Van Gelder H. Engaged visual art as a tool for normative renewal in international human rights : the case of Ariella Azoulay’s potential history (2012). In: Reinisch A, Footer ME, Binder C, editors. International law and the aesthetic. Oxford: Hart Publishing; 2016. p. 461–75.
IEEE
[1]
E. Brems and H. Van Gelder, “Engaged visual art as a tool for normative renewal in international human rights : the case of Ariella Azoulay’s potential history (2012),” in International law and the aesthetic, vol. 5, A. Reinisch, M. E. Footer, and C. Binder, Eds. Oxford: Hart Publishing, 2016, pp. 461–475.
@incollection{8150993,
  abstract     = {{This contribution is a first attempt at collaboration between an art researcher, Hilde Van Gelder, and a scholar of human rights law, Eva Brems, which we hope will develop into a fully fledged research project. In the first part of the chapter, Hilde Van Gelder shows how Ariella Azoulay ’ s artistic and curatorial work leads to her theoretical positions on human rights, that is, how visual art talks to international human rights law in this case, and what it has to say. In the second part, Eva Brems explores whether and how international human rights law can rise to the challenge of, and address, the claims put forward by the artist and art researcher.}},
  author       = {{Brems, Eva and Van Gelder, Hilde}},
  booktitle    = {{International law and the aesthetic}},
  editor       = {{Reinisch, August and Footer, Mary E and Binder, Christina}},
  isbn         = {{9781509908134}},
  keywords     = {{International Human Rights Law,Ariella Azoulay,Claims,Arts,HRC}},
  language     = {{eng}},
  pages        = {{461--475}},
  publisher    = {{Hart Publishing}},
  series       = {{Select Proceedings of the European Society of International Law}},
  title        = {{Engaged visual art as a tool for normative renewal in international human rights : the case of Ariella Azoulay’s potential history (2012)}},
  volume       = {{5}},
  year         = {{2016}},
}