The revolutionary aesthetics of the second Russian avant-garde’s 'cynic' terror: the subversive art of Mikhail Grobman
- Author
- Dennis Ioffe (UGent)
- Organization
- Abstract
- The text is focused on the Second Russian Avant-Garde stiobby and subversive aesthetic praxis. In particular, it analyses Mikhail Grobman’s oeuvre sub specie various irreverent techniques which include left-wing politics and cynic tradition, drawing a conceptual parallel between Avant-Garde’s life-creational épatage and Surrealist patterns of discursive terror. The paper reflects on a characteristic synthetic nature of the Avant-Garde which puts equal emphasis on visual art and verbal poetry. The analysis goes further into radical artistic gestures that contributed to a unique stance offered by formation of this cultural paradigm.
- Keywords
- Aesthetics of terror, Andre Breton, Stiob, cynics, cynocephaly, Surrealism, Second Russian Avant-Garde, Mikhail Grobman
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Citation
Please use this url to cite or link to this publication: http://hdl.handle.net/1854/LU-8124182
- MLA
- Ioffe, Dennis. “The Revolutionary Aesthetics of the Second Russian Avant-Garde’s ‘cynic’ Terror: The Subversive Art of Mikhail Grobman.” NOVOE LITERATURNOE OBOZRENIE, vol. 140, no. 4, New Literary Review, 2016, pp. 287–311.
- APA
- Ioffe, D. (2016). The revolutionary aesthetics of the second Russian avant-garde’s “cynic” terror: the subversive art of Mikhail Grobman. NOVOE LITERATURNOE OBOZRENIE, 140(4), 287–311.
- Chicago author-date
- Ioffe, Dennis. 2016. “The Revolutionary Aesthetics of the Second Russian Avant-Garde’s ‘cynic’ Terror: The Subversive Art of Mikhail Grobman.” NOVOE LITERATURNOE OBOZRENIE 140 (4): 287–311.
- Chicago author-date (all authors)
- Ioffe, Dennis. 2016. “The Revolutionary Aesthetics of the Second Russian Avant-Garde’s ‘cynic’ Terror: The Subversive Art of Mikhail Grobman.” NOVOE LITERATURNOE OBOZRENIE 140 (4): 287–311.
- Vancouver
- 1.Ioffe D. The revolutionary aesthetics of the second Russian avant-garde’s “cynic” terror: the subversive art of Mikhail Grobman. NOVOE LITERATURNOE OBOZRENIE. 2016;140(4):287–311.
- IEEE
- [1]D. Ioffe, “The revolutionary aesthetics of the second Russian avant-garde’s ‘cynic’ terror: the subversive art of Mikhail Grobman,” NOVOE LITERATURNOE OBOZRENIE, vol. 140, no. 4, pp. 287–311, 2016.
@article{8124182,
abstract = {{The text is focused on the Second Russian Avant-Garde stiobby and subversive aesthetic praxis. In particular, it analyses Mikhail Grobman’s oeuvre sub specie various irreverent techniques which include left-wing politics and cynic tradition, drawing a conceptual parallel between Avant-Garde’s life-creational épatage and Surrealist patterns of discursive terror.
The paper reflects on a characteristic synthetic nature of the Avant-Garde which puts equal emphasis on visual art and verbal poetry. The analysis goes further into radical artistic gestures that contributed to a unique stance offered by formation of this cultural paradigm.}},
author = {{Ioffe, Dennis}},
issn = {{0869-6365}},
journal = {{NOVOE LITERATURNOE OBOZRENIE}},
keywords = {{Aesthetics of terror,Andre Breton,Stiob,cynics,cynocephaly,Surrealism,Second Russian Avant-Garde,Mikhail Grobman}},
language = {{rus}},
number = {{4}},
pages = {{287--311}},
publisher = {{New Literary Review}},
title = {{The revolutionary aesthetics of the second Russian avant-garde’s 'cynic' terror: the subversive art of Mikhail Grobman}},
url = {{http://nlobooks.ru/node/7585}},
volume = {{140}},
year = {{2016}},
}