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The Mommen Company: a commercial animateur and facilitator of the 19th-century Brussels art scene

Davy Depelchin (2015) Animateur d'art. p.19-31
abstract
The Mommen Company was a main actor in the Brussels art scene of the late 19th century. In their capacities as frame makers, art suppliers, art carriers and landlords, Félix Mommen and his relatives were intrinsically linked to the different stages of the 19th-century artistic practice, and therefore valuable for the reconstruction of the path of the work of art from its creation to its 'consumption'. The professional relationship between the Mommens and their artistic clientele involved a particular behavioural pattern.
Please use this url to cite or link to this publication:
author
organization
year
type
bookChapter
publication status
published
subject
keyword
Art Scene, Art History, 19th Century, Eugène Van Gelder, Marguerite Ithier, Brussels, Mommen, Art Supply Industry, Frame Makers, Art Carriers, Artistic Colony, Artists, Jean Portaels, Alfred Stevens, Cécile Douard, Emile Wauters, Louise Héger
book title
Animateur d'art
editor
Ingrid Goddeeris and Noémie Goldman
pages
19 - 31
publisher
Koninklijke Musea voor Schone Kunsten van België
place of publication
Brussels, Belgium
ISBN
9789077013076
language
English
UGent publication?
yes
classification
B2
copyright statement
I have transferred the copyright for this publication to the publisher
id
5833374
handle
http://hdl.handle.net/1854/LU-5833374
date created
2015-01-30 18:27:52
date last changed
2017-01-02 09:56:23
@incollection{5833374,
  abstract     = {The Mommen Company was a main actor in the Brussels art scene of the late 19th century. In their capacities as frame makers, art suppliers, art carriers and landlords, F{\'e}lix Mommen and his relatives were intrinsically linked to the different stages of the 19th-century artistic practice, and therefore valuable for the reconstruction of the path of the work of art from its creation to its 'consumption'. The professional relationship between the Mommens and their artistic clientele involved a particular behavioural pattern.},
  author       = {Depelchin, Davy},
  booktitle    = {Animateur d'art},
  editor       = {Goddeeris, Ingrid and Goldman, No{\'e}mie},
  isbn         = {9789077013076},
  keyword      = {Art Scene,Art History,19th Century,Eug{\`e}ne Van Gelder,Marguerite Ithier,Brussels,Mommen,Art Supply Industry,Frame Makers,Art Carriers,Artistic Colony,Artists,Jean Portaels,Alfred Stevens,C{\'e}cile Douard,Emile Wauters,Louise H{\'e}ger},
  language     = {eng},
  pages        = {19--31},
  publisher    = {Koninklijke Musea voor Schone Kunsten van Belgi{\"e}},
  title        = {The Mommen Company: a commercial animateur and facilitator of the 19th-century Brussels art scene},
  year         = {2015},
}

Chicago
Depelchin, Davy. 2015. “The Mommen Company: a Commercial Animateur and Facilitator of the 19th-century Brussels Art Scene.” In Animateur D’art, ed. Ingrid Goddeeris and Noémie Goldman, 19–31. Brussels, Belgium: Koninklijke Musea voor Schone Kunsten van België.
APA
Depelchin, D. (2015). The Mommen Company: a commercial animateur and facilitator of the 19th-century Brussels art scene. In Ingrid Goddeeris & N. Goldman (Eds.), Animateur d’art (pp. 19–31). Brussels, Belgium: Koninklijke Musea voor Schone Kunsten van België.
Vancouver
1.
Depelchin D. The Mommen Company: a commercial animateur and facilitator of the 19th-century Brussels art scene. In: Goddeeris I, Goldman N, editors. Animateur d’art. Brussels, Belgium: Koninklijke Musea voor Schone Kunsten van België; 2015. p. 19–31.
MLA
Depelchin, Davy. “The Mommen Company: a Commercial Animateur and Facilitator of the 19th-century Brussels Art Scene.” Animateur D’art. Ed. Ingrid Goddeeris & Noémie Goldman. Brussels, Belgium: Koninklijke Musea voor Schone Kunsten van België, 2015. 19–31. Print.