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Revealing the image, revealing truth : Daniel Hernández-Salazar's visual memory of the genocide in Guatemala

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Abstract
Exhibition. From the modernity of the Angels. After Klee’s painting, which is now better known through Walter Benjamin’s commentary than by itself, and after Wim Wender’s Wings of desire, we now have to make way for this Angel which comes from Guatemala to point out the violence endured by the Maya people.
Keywords
genocide, Angel, photography, memory, Guatemala, exhibition

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Citation

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MLA
Spiessens, Anneleen, et al. “Revealing the Image, Revealing Truth : Daniel Hernández-Salazar’s Visual Memory of the Genocide in Guatemala.” TÉMOIGNER. ENTRE HISTOIRE ET MÉMOIRE = GETUIGEN. TUSSEN GESCHIEDENIS EN GEDACHTENIS, no. 119, 2014, pp. 10–17, doi:10.4000/temoigner.1519.
APA
Spiessens, A., Stamberger, J., & Hernandez-Salazar, D. (2014). Revealing the image, revealing truth : Daniel Hernández-Salazar’s visual memory of the genocide in Guatemala. TÉMOIGNER. ENTRE HISTOIRE ET MÉMOIRE = GETUIGEN. TUSSEN GESCHIEDENIS EN GEDACHTENIS, (119), 10–17. https://doi.org/10.4000/temoigner.1519
Chicago author-date
Spiessens, Anneleen, Janiv Stamberger, and Daniel Hernandez-Salazar. 2014. “Revealing the Image, Revealing Truth : Daniel Hernández-Salazar’s Visual Memory of the Genocide in Guatemala.” TÉMOIGNER. ENTRE HISTOIRE ET MÉMOIRE = GETUIGEN. TUSSEN GESCHIEDENIS EN GEDACHTENIS, no. 119: 10–17. https://doi.org/10.4000/temoigner.1519.
Chicago author-date (all authors)
Spiessens, Anneleen, Janiv Stamberger, and Daniel Hernandez-Salazar. 2014. “Revealing the Image, Revealing Truth : Daniel Hernández-Salazar’s Visual Memory of the Genocide in Guatemala.” TÉMOIGNER. ENTRE HISTOIRE ET MÉMOIRE = GETUIGEN. TUSSEN GESCHIEDENIS EN GEDACHTENIS (119): 10–17. doi:10.4000/temoigner.1519.
Vancouver
1.
Spiessens A, Stamberger J, Hernandez-Salazar D. Revealing the image, revealing truth : Daniel Hernández-Salazar’s visual memory of the genocide in Guatemala. TÉMOIGNER ENTRE HISTOIRE ET MÉMOIRE = GETUIGEN TUSSEN GESCHIEDENIS EN GEDACHTENIS. 2014;(119):10–7.
IEEE
[1]
A. Spiessens, J. Stamberger, and D. Hernandez-Salazar, “Revealing the image, revealing truth : Daniel Hernández-Salazar’s visual memory of the genocide in Guatemala,” TÉMOIGNER. ENTRE HISTOIRE ET MÉMOIRE = GETUIGEN. TUSSEN GESCHIEDENIS EN GEDACHTENIS, no. 119, pp. 10–17, 2014.
@article{5803047,
  abstract     = {{Exhibition. From the modernity of the Angels. After Klee’s painting, which is now better known through Walter Benjamin’s commentary than by itself, and after Wim Wender’s Wings of desire, we now have to make way for this Angel which comes from Guatemala to point out the violence endured by the Maya people.}},
  author       = {{Spiessens, Anneleen and Stamberger, Janiv and Hernandez-Salazar, Daniel}},
  issn         = {{2031-4183}},
  journal      = {{TÉMOIGNER. ENTRE HISTOIRE ET MÉMOIRE = GETUIGEN. TUSSEN GESCHIEDENIS EN GEDACHTENIS}},
  keywords     = {{genocide,Angel,photography,memory,Guatemala,exhibition}},
  language     = {{eng}},
  number       = {{119}},
  pages        = {{10--17}},
  title        = {{Revealing the image, revealing truth : Daniel Hernández-Salazar's visual memory of the genocide in Guatemala}},
  url          = {{http://dx.doi.org/10.4000/temoigner.1519}},
  year         = {{2014}},
}

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