@article{5782797,
  abstract     = {{Evolutionary psychology is among the various evolutionary and cognitive perspectives that have been used to account for the origins of art. It sets out to explain modern human psychology by means of the evolutionary history of the species, and by determining why and how our extant cognitive machinery evolved as adaptations to past environmental surroundings or by-products of such adaptations. In the case of art, evolutionary psychologists seek to track down its cognitive foundations and establish its evolutionary rationale, for instance by determining which function artistic behaviour as a whole might have performed. However, several methodological issues and gaps currently impede evolutionary psychological research on art: empirical support is often lacking, adaptationist claims are not adequately substantiated, and the definition and scope of basic aspects of evolutionary psychology often remain underspecified. This paper reviews the central themes that evolutionary psychology currently advances to account for the emergence of visual arts, music and fiction, addresses the most relevant methodological issues, and provides some suggestions that might help to develop evolutionary research on art.}},
  author       = {{Seghers, Eveline}},
  issn         = {{0007-0904}},
  journal      = {{BRITISH JOURNAL OF AESTHETICS}},
  keywords     = {{INTELLIGENCE,AESTHETICS,MUSIC,BEAUTY,PERCEPTION,FICTION,INDIVIDUAL-DIFFERENCES,SIMULATION,SPANDRELS,PROGRAM}},
  language     = {{eng}},
  number       = {{2}},
  pages        = {{225--248}},
  title        = {{The artful mind: a critical review of the evolutionary psychological study of art}},
  url          = {{http://doi.org/10.1093/aesthj/ayu073}},
  volume       = {{55}},
  year         = {{2015}},
}

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