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Abstract
This paper responds to the political and ethical focus of the conference addressed through the question of digital identities and analysis of changes that digital technologies brought in contemporary understanding of the body. Referring to Jon Mckenzie’s proposition of performance as onto-historical formation of power and knowledge, on the one hand, and revisiting Donna Haraway’s Cyborg Manifesto after the species have met, on the other, I shall analyze the crucial shift from natural through cultural to technological bodies, in relation to the performing subject. Thirty years after Cyborg Manifesto the question of the body as a social construct is more relevant than ever. The technological environment that is here at stake is neither politically nor ideologically innocent. The information communication technologies are defining the conditions of neoliberal globalization. Therefore we need to constantly re-articulate our position when we perform with(in) technology. In this regard I will focus on the construction of the social, cultural and personal identity in media-dominated environment. What happens with the body when it performs in the digital space? How does it relate to its digital representation? What happens with performer’s subjectivity in a digital era, it the situation when the performer becomes the final instance in the global network structure of cyberspace? Human beings no longer perceive their own bodies as fixed, finished, organically complete entities, but rather as fluid, extendible bodies in the permanent process of becoming. In this context I intend to explore how the meanings are created through interrelation between the body and technology and elaborate how these newly established relations, protocols and procedures are, and can be used in performance (artistic) practices.
Keywords
performance, posthumanism, new media, cyborgs, identity

Citation

Please use this url to cite or link to this publication:

MLA
Stojnic, Aneta. “Setting the Stage for Posthuman Performer.” Theater, Performance, Philosophy Conference 2014 “Crossings and Transfers in Contemporary Anglo-American Thought”, Abstracts, 2014.
APA
Stojnic, A. (2014). Setting the stage for posthuman performer. Theater, Performance, Philosophy Conference 2014 “Crossings and Transfers in Contemporary Anglo-American Thought”, Abstracts. Presented at the Theater, Performance, Philosophy Conference 2014 “Crossings and Transfers in Contemporary Anglo-American Thought,” Paris, France.
Chicago author-date
Stojnic, Aneta. 2014. “Setting the Stage for Posthuman Performer.” In Theater, Performance, Philosophy Conference 2014 “Crossings and Transfers in Contemporary Anglo-American Thought”, Abstracts.
Chicago author-date (all authors)
Stojnic, Aneta. 2014. “Setting the Stage for Posthuman Performer.” In Theater, Performance, Philosophy Conference 2014 “Crossings and Transfers in Contemporary Anglo-American Thought”, Abstracts.
Vancouver
1.
Stojnic A. Setting the stage for posthuman performer. In: Theater, Performance, Philosophy Conference 2014 “Crossings and Transfers in Contemporary Anglo-American Thought”, Abstracts. 2014.
IEEE
[1]
A. Stojnic, “Setting the stage for posthuman performer,” in Theater, Performance, Philosophy Conference 2014 “Crossings and Transfers in Contemporary Anglo-American Thought”, Abstracts, Paris, France, 2014.
@inproceedings{5658729,
  abstract     = {{This paper responds to the political and ethical focus of the conference addressed through the question of digital identities and analysis of changes that digital technologies brought in contemporary understanding of the body. Referring to Jon Mckenzie’s proposition of performance as onto-historical formation of power and knowledge, on the one hand, and revisiting Donna Haraway’s Cyborg Manifesto after the species have met, on the other, I shall analyze the crucial shift from natural through cultural to technological bodies, in relation to the performing subject. Thirty years after Cyborg Manifesto the question of the body as a social construct is more relevant than ever. The technological environment that is here at stake is neither politically nor ideologically innocent. The information communication technologies are defining the conditions of neoliberal globalization. Therefore we need to constantly re-articulate our position when we perform with(in) technology. In this regard I will focus on the construction of the social, cultural and personal identity in media-dominated environment. What happens with the body when it performs in the digital space? How does it relate to its digital representation? What happens with performer’s subjectivity in a digital era, it the situation when the performer becomes the final instance in the global network structure of cyberspace? Human beings no longer perceive their own bodies as fixed, finished, organically complete entities, but rather as fluid, extendible bodies in the permanent process of becoming. In this context I intend to explore how the meanings are created through interrelation between the body and technology and elaborate how these newly established relations, protocols and procedures are, and can be used in performance (artistic) practices.}},
  author       = {{Stojnic, Aneta}},
  booktitle    = {{Theater, Performance, Philosophy Conference 2014 'Crossings and Transfers in Contemporary Anglo-American Thought', Abstracts}},
  keywords     = {{performance,posthumanism,new media,cyborgs,identity}},
  language     = {{eng}},
  location     = {{Paris, France}},
  title        = {{Setting the stage for posthuman performer}},
  url          = {{http://tpp2014.com/stojnic-aneta-ghent-university-belgium/}},
  year         = {{2014}},
}